Music, Magazines & Mayhem Between 1994 and 1997, James Brown's loaded magazine became the the must-buy and must-be-in publication of the decade. It won every award going, year after year, and came to define not only its audience but also a generation. Bright, loud, funny, provocative, ambitious and careless, loaded was read from the barracks of Afghanistan to the England dressing room at Euro '96. It captured a hedonistic lifestyle of alcohol, cocaine and more. The last great hurrah before the end of the century. It was the biggest noise in the golden generation of magazine publishing, rocketing from zero to half a million sales in a matter of months. What MTV had been to the 80s, loaded was to the 90s. ANIMAL HOUSE follows James Brown's remarkable career from a high school drop-out fanzine writer with few qualifications to NME features editor aged 22, and loaded founder at 27. In between, his mother died in tragic circumstances and gradually his own drug and alcohol use began to take over. Loaded's unexpected success legitimised (and paid for) James's lifestyle, and it wasn't until he crashed and burned at GQ, and went through rehab, that any sense of perspective kicked in. Recuperating on the island of Mustique whilst plotting his return with Oz founder Felix Denis, James was asked by neighbour Lord Patrick Lichfield: "How on earth did you manage to sell so many magazines whilst taking so many drugs?" This book is his answer.
The Rouge River Valley, eleven thousand acres of urban wilderness, is a unique, yet very fragile and transient natural phenomenon existing within the confines of a major North American city, Toronto. Fed by the Oak Ridges Moraine, the Rouge river system has, over generations of time, cut its identity into the land, shaping the habitat for a multitude of lifeforms, many of which are now either threatened or gone. Author James E. Garratt, a seasoned environmentalist, shares two decades of personal observation and ecological study to reveal the richness and flow of seasonal changes in this exceptional urban park. This "portrait" of a year in the Rouge Valley explores not only the diversity of life in its natural habitat but also the impact of urban sprawl and the inevitable conflict with development. Is it possible to be a true naturalist "grounded" in a modern city? The words of Ian McHarg, an urban planner, hold true: "We need nature as much in the city as in the country.
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