A Behavioral Scientist Notable Book of the Year A Guardian “Best Book about Ideas” of the Year No one likes to be bored. Two leading psychologists explain what causes boredom and how to listen to what it is telling you, so you can live a more engaged life. We avoid boredom at all costs. It makes us feel restless and agitated. Desperate for something to do, we play games on our phones, retie our shoes, or even count ceiling tiles. And if we escape it this time, eventually it will strike again. But what if we listened to boredom instead of banishing it? Psychologists James Danckert and John Eastwood contend that boredom isn’t bad for us. It’s just that we do a bad job of heeding its guidance. When we’re bored, our minds are telling us that whatever we are doing isn’t working—we’re failing to satisfy our basic psychological need to be engaged and effective. Too many of us respond poorly. We become prone to accidents, risky activities, loneliness, and ennui, and we waste ever more time on technological distractions. But, Danckert and Eastwood argue, we can let boredom have the opposite effect, motivating the change we need. The latest research suggests that an adaptive approach to boredom will help us avoid its troubling effects and, through its reminder to become aware and involved, might lead us to live fuller lives. Out of My Skull combines scientific findings with everyday observations to explain an experience we’d like to ignore, but from which we have a lot to learn. Boredom evolved to help us. It’s time we gave it a chance.
THOSE WHO TELL STORIES RULE SOCIETY.'' PLATO.... So who today are our principal storytellers? Not philosophers, but filmmakers. For those who know both the enormous entertainment potential and the culture-shaping power of film, this book will stir mind and imagination. For great stories freight world-sized ideas, ideas worthy of contemplation and conversation. Great cinema inspires wonder. But another philosopher, Aristotle, reminds us that wonder is the true source of philosophy. So perhaps Plato or Aristotle might have a shot at ruling society, even today - if they took an interest in film. These fourteen essays offer wonderful reflection on classic and contemporary films following several major philosophical themes, all within the context of Christian faith: the human condition, the human mind and the nature of knowing, the moral life, and faith and religion. Citizen Kane, Big Fish, Pretty Woman, Legends of the Fall and The Bridges of Madison County contribute to an in-depth consideration of the human condition. The Truman Show, The Matrix, Being John Malkovich and It's a Wonderful Life, among others, illuminate reflection on the human mind and the nature of knowing. Looking at the moral life, contributors interact with such notable films as Pleasantville, Bowling for Columbine, Mystic River and The Silence of the Lambs. The final section pursues the theme of faith and religion traced through a number of Hong Kong martial arts films, Contact, 2001: A Space Odyssey and U2's music documentary, Rattle and Hum. A veritable film festival for all those who want to nurture the wonder of philosophical inquiry and the love of Christian theology through an engagement with big ideas on the big screen.
Identifies over 8,000 individuals named in Jack County Mortuary Records (1891-1959), Eastland County Marriages (1874-1882), and Erath County Birth Affidavits (1877-1920).
Identify the plants you’ll see growing right next to you on the trail! Quickly find, identify, and learn about the amazing range of plants growing along the Southern California stretch of the Pacific Crest Trail. It’s easy with The Plants of the Pacific Crest Trail, the first book of its kind, organized by type, color, and trail section. Over 1200 color photos and lively, accessible descriptions make your outing memorable. Did you know that you can see the world’s biggest pinecone along the PCT? Or discover a plant that smells like cheese? Whether you’re enjoying a day hike, exploring with your family, or setting out on the trek of a lifetime, you’ll forge a deeper connection with nature through the beautiful plants on display mile after mile.
This new resource in the series provides vital perspectives across entire new disease and service areas not previously covered in other volumes. The books of the first and second series are well established as the key sources of data on needs assessment. Together, they describe the central role and aim of health care needs assessment in the National Health Service. The epidemiological approach to needs assessment is explained thoroughly, and is then applied to the effectiveness and availability of services. This definitive guide is ideal for all those involved in commissioning health care. It is invaluable for public health professionals, epidemiology and public health academics, and students of public health and epidemiology. Key reviews of the First Series: "An excellent balanced account...the definitive resource" - "Journal of the Association for Quality in Healthcare". "Excellent...it should be delved into deeply" - "Pharmaceutical Times". "This excellent work moves us closer to implementing a market in health care" - "British Medical Journal".
“A Zoo of Lusts . . . A Harem of Fondled Hatred”: An Historical Interrogation of Sexual Violence against Women in Film explores the pernicious nature of rape in films from the silent era to the 21st century. Film is an excellent medium through which to hold this discussion, because film, like the body, as Judith Butler, et al. suggest, is fluid and indeterminate, and it is often contemplated as a site for negotiation and resistance. This book addresses three major questions: (1) why does rape persist as a recurring theme in film, (2) how is this subject manifested in film and (3) what does this manifestation say about the act of rape itself, its victims, its perpetrators and our culture? Rape is a sexual manifestation of aggression with the purpose of overpowering, humiliating, and hurting its victims. An examination of media accounts has revealed that before the evolution of feminist film theory and the dismissal of the Production Code, the rape victim in films usually fits into one “neat” set of criteria (e.g., young adult, white, single, middle class, heterosexual). When the victim’s physical makeup deviated from the traditional set of criteria (e.g., a child or a mature person of color, married, poor, homosexual), the rape was portrayed more violently. The research for this book dwells on the portrayal of the latter type of victims because their sexual violations evoke an absorbing commentary on society’s reaction toward those who do not easily fit within the status quo. What is it about the makeup of these victims that makes their violations more horrific?
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