A Critically Compassionate Approachto Financial Literacy offers a unique approach to conceptualizing financial literacy. Differentiating between notions of financial worth and personal self-worth, the authors present a description of financial literacy tenets founded in principles of self-awareness and cooperative community that are rooted in principles of compassion. Basing their work on principles of psychological and archeological research that associates personal wellness with self-security based on principles of trust, the authors posit that personal fulfillment occurs independently of accumulated financial resources. Featuring standards for Grades 4 and 8, offering stimulating questions for discussion, and ideas for classroom activities, ACritically Compassionate Approach to Financial Literacy represents an engaging classroom resource for elementary and middle level social studies methods courses as well as those that concern topics that relate to culturally responsive teaching and social justice. Regardless of your financial background and awareness, this text will challenge your thinking about the meaning of being financially literate and the consequences for society.
The Second World War was in the bottom of the ninth inning in Germany and Japan, but back at home the bases were loaded with baseball players, many of them new to the big leagues. While the game's stars traded their stockings and gloves for khaki and rifles, America's leaders believed baseball would boost morale at home. Teams filled out their rosters with retired stars such as Jimmie Foxx and Babe Herman; with players like Pete Gray and Dick Sipek, whose disabilities had kept them out of the majors; and with teenagers like 17-year-olds Putsy Caballero and Tommy Brown. But while the level of major league talent had reached its nadir, war-weary fans packed the ballparks, eagerly following pennant races as intense as any that preceded the war.
For nearly thirty years, James M. KittelsonÕs Luther the Reformer has been the standard biography of Martin Luther. Like Roland BaintonÕs biography of the generation before, KittelsonÕs volume is the one known by thousands of students, pastors, and interested readers as the biography that gave them the details of this dramatic man and his history. Ê The accolades were well deserved. Fair, insightful, and detailed without being overwhelming, Kittelson was able to negotiate a Òmiddle wayÓ between the many directions of historical research and present a more complete chronological picture of Luther than many had yet portrayed. Ê For this revised edition, Hans H. Wiersma has made an outstanding text even better. The research is updated, and the text is revised throughout, with an emphasis on retaining the tone and pace of the original. Additionally, the volume has an entirely new map and image program, updated bibliographies, improved timelines, and other features to enhance the reading experience. Ê ItÕs a great volume, greatly improved.Ê
This book systematically traces Pound's career from his arrival in London in 1908 to his departure from Paris in 1924, emphasizing his activities but also describing his writings and relating them to his life. Avoiding either vitriolic condemnation or pious hagiography, Wilhelm examines Pound&’s strengths, especially his influence on other artists (including painters and sculptors); he also deals with Pound&’s weaknesses, as manifested particularly in his stormy encounters with people like Amy Lowell. Unlike recent popular biographies, this work offers the reader much new material about Pound&’s life, notably his amatory adventures with Nancy Cunard and Iseult MacBride Stuart, his musical relations with Katherine Ruth Heyman and Walter Morse Rummel, and his friendships with artists such as Francis Picabia, Henri Gaudier-Brzeska, and Wyndham Lewis. The Paris years from 1921 to 1924 are presented in a novel way through the dynamic interplay in Pound&’s life&—both as a diary listing important events and as a series of constellations of artists, musicians, writers, and lovers. The book concludes with Pound&’s eventual disenchantment with Parisian life, his writing of his first Cantos, and his removal to Mussolini&’s Italy, a land that would greatly influence his tragic later years.
Leaders in the Crossroads considers two intriguing issues: an exploration of the characteristics that determine success and failure in the academy's top post and the impact of that post on a college. An evaluation of the responsibilities and challenges presidents face, and how they speak and lead, is a fair way to explore realities about college presidents and their successes and failures. How do presidential leadership, rhetoric, and action connect to the fundamental beliefs and values at the foundation of the university? Are presidents able to make a difference, and if so, how do they contribute to the legacy of the university? College presidents are noteworthy leaders in and outside the gates. Deliberations about the success and failure of the presidency, and its obligation to the foundations of the academy generate more questions than answers. However, this inquiry is crucial because it sheds light on the college presidency and on its relationship to the future of the university.
James Leo Garrett Jr. has been called “the last of the gentlemen theologians” and “the dean of Southern Baptist theologians.” In The Collected Writings of James Leo Garrett Jr., 1950–2015, the reader will find a truly dazzling collection of works that clearly evince the meticulous scholarship, the even-handed treatment, the biblical fidelity, the wide historical breadth, and the honest sincerity that have made the work and person of James Leo Garrett Jr. so esteemed and revered among so many. Volume 3 contains his works on ecclesiology and provides much-needed light in a day of great confusion on many issues related to the nature, purpose, and mission of the church. Spanning sixty-five years and touching on topics from Baptist history, theology, ecclesiology, church history and biography, religious liberty, Roman Catholicism, and the Christian life, The Collected Writings of James Leo Garrett Jr., 1950–2015 will inform and inspire readers regardless of their religious or denominational affiliations.
This is the story of a music-obsessed boy’s journey from his bedroom in Hitchin to the heart of nineties London just as Britpop is about to explode... From James Cook’s early encounters with pop’s pioneers – Revolver heard for the first time, Led Zeppelin glimpsed on evening TV – through an adolescence in which friendships are forged on a mutual love for the Velvet Underground, to the high-stakes gamble of moving to the metropolis, the years between the assassination of John Lennon and Kurt Cobain’s suicide are mapped in musical memories. Along the way, we explore the diverse influences that fuelled the nineties guitar pop boom, from John Barry to Bryan Ferry, and follow James as he forms a band with his twin brother and releases a critically acclaimed debut album. More than a memoir, Memory Songs stands as a testament to music’s power over the imagination, the way it punctuates our past and shapes our future. Woven through with meditations on the artists who defined the UK's last legendary scene, it delivers a passionate analysis of the music that shaped a crucial moment in British cultural history.
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