A comprehensive reference book on the nation's most populous state provides, in three thousand entries, information on cities, counties, missions, flora and fauna, architecture, climate, industries, historical periods and events, and other topics
This concise version contains brief biographies of important authors, plot summaries of individual works, descriptions of important literary movements, and a wealth of information on other aspects of American literary life and history from the Colonial period to the modern era.
For more than half a century, James D. Hart's The Oxford Companion to American Literature has been an unparalleled guide to America's literary culture, providing one of the finest resources to this country's rich history of great writers. Now this acclaimed work has been completely revised and updated to reflect current developments in the world of American letters.For the sixth edition, editors James D. Hart and Phillip Leininger have updated the Companion in light of what has happened in American literature since 1982. To this end, they have revised the entries on such established authors as Saul Bellow, Norman Mailer, and Joyce Carol Oates, and they have added more than 180 new entries on novelists (T. Coraghessan Boyle, Tim O'Brien, Louise Erdrich, Don De Lillo), poets (Rita Dove, Weldon Kees), playwrights (Wendy Wasserstein, August Wilson), popular writers (Stephen King, Louis L'Amour), historians (James M. McPherson, David Herbert Donald, William Manchester), naturalists (Aldo Leopold, Edward Abbey), and literary critics (Camille Paglia, Richard Ellmann). In addition, the Companion boasts more women's, African-American, and ethnic voices, with new entries on such luminaries as Charlotte Perkins Gilman, M.F.K. Fisher, William Least Heat-Moon, Ursula Le Guin, and Oscar Hijuelos, among many others.These additions represent only some of the revisions for the new edition. Of course, the basic qualities of the Companion that readers have grown to know and love over the years are as superb as ever. With over 5,000 total entries, The Oxford Companion to American Literature reflects a dynamic balance between past and contemporary literature, surveying virtually every aspect of our national literature, from the Pulitzer Prize to pulp fiction, and from Walt Whitman to William F. Buckley, Jr. There are over 2,000 biographical profiles of important American authors (with information regarding their styles, subjects, and major works) and influential foreign writers as well as other figures who have been important in the nation's social and cultural history. There are more than 1,100 full summaries of important American novels, stories, essays, poems (with verse form noted), plays, biographies and autobiographies, tracts, narratives, and histories. The new edition provides historical background and astute commentary on literary schools and movements, literary awards, magazines, newspapers, and a wide variety of other matters directly related to writing in America. Finally, the book is thoroughly cross-referenced and features an extensive and fully updated index of literary and social history.Ranging from Captain John Smith to John Updike, and from Anne Bradstreet to Anne Rice, the sixth edition of The Oxford Companion to American Literature is up to date, accurate, and comprehensive, a delight for both the casual browser and the serious student.
In the states of the former Confederacy, Reconstruction amounted to a second Civil War, one that white southerners were determined to win. An important chapter in that undeclared conflict played out in northeast Texas, in the Corners region where Grayson, Fannin, Hunt, and Collin Counties converged. Part of that violence came to be called the Lee-Peacock Feud, a struggle in which Unionists led by Lewis Peacock and former Confederates led by Bob Lee sought to even old scores, as well as to set the terms of the new South, especially regarding the status of freed slaves. Until recently, the Lee-Peacock violence has been placed squarely within the Lost Cause mythology. This account sets the record straight. For Bob Lee, a Confederate veteran, the new phase of the war began when he refused to release his slaves. When Federal officials came to his farm in July to enforce emancipation, he fought back and finally fled as a fugitive. In the relatively short time left to his life, he claimed personally to have killed at least forty people--civilian and military, Unionists and freedmen. Peacock, a dedicated leader of the Unionist efforts, became his primary target and chief foe. Both men eventually died at the hands of each other's supporters. From previously untapped sources in the National Archives and other records, the authors have tracked down the details of the Corners violence and the larger issues it reflected, adding to the reinterpretation of Reconstruction history and rescuing from myth events that shaped the following century of Southern politics.
This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.
Co-published with the Denver Museum of Nature & Science. Thoroughly revised and updated, Mammals of Colorado, Second Edition is a comprehensive reference on the nine orders and 128 species of Colorado's recent native fauna, detailing each species' description, habitat, distribution, population ecology, diet and foraging, predators and parasites, behavior, reproduction and development, and population status. An introductory chapter on Colorado's environments, a discussion of the development of the fauna over geologic time, and a brief history of human knowledge of Coloradan mammals provide ecological and evolutionary context. The most recent records of the state's diverse species, rich illustrations (including detailed maps, skull drawings, and photographs), and an extensive bibliography make this book a must-have reference. Amateur and professional naturalists, students, vertebrate biologists, and ecologists as well as those involved in conservation and wildlife management in Colorado will find value in this comprehensive volume.
The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. Unravelling its origins, James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.
Vaudeville, as it is commonly known today, began as a response to scandalous variety performances appealing mostly to adult, male patrons. When former minstrel performer and balladeer Tony Pastor opened the Fourteenth Street Theatre in New York in 1881, he was guided by a mission to provide family-friendly variety shows in hopes of drawing in that portion of the audience – women and children – otherwise inherently excluded from variety bills prior to 1881. There he perfected a framework for family-oriented amusements of the highest obtainable quality and style. Historical Dictionary of Vaudeville contains a chronology, an introduction, an extensive bibliography, and the dictionary section has more than 1,000 cross-referenced entries on performing artists, managers and agents, theatre facilities, and the terminology central to the history of vaudeville. This book is an excellent resource for students, researchers, and anyone wanting to know more about vaudeville.
This final compilation from James Lees-Milne's celebrated diaries covers the last fourteen years of his life, when he was living on the Duke of Beaufort's Badminton estate. Old age and infirmity have not dimmed his sharpness, literary skill or interest in the world around him, and his reflection on people, places and experiences are as vivid as ever. A tour of the Cotsworlds makes him ruefully aware of the yuppy trends of the Thatcher era, while he predicts that the New Labour victory will bring 'a descent into American-style vulgarity and yob culture'. Witty, waspish, poignant and candid, James Lees-Milne's last diaries contain as much to delight as the first, and confirm his reputation as one of the great commentators of his times.
During the 1920s--in the aftermath of the Arab revolt against Britain--T. E. Lawrence gained global attention, both for his involvement in the Middle Eastern anti-imperialist movement, and for his vivid and sensational writings about his experiences. Following World War I, his appointment as an advisor to Winston Churchill--nearly simultaneous with the release of an American documentary about the revolt--further charged the T. E. Lawrence mania. Despite the emergence of a whole new set of problems in the Middle East, and fueled by the classic status of the epic movie Lawrence of Arabia, the T. E. Lawrence mystique continues to fascinate. Controversial and provocative, this revised and updated edition of Lawrence James's acclaimed biography penetrates and overturns the mythology that surrounds T. E. Lawrence. With access to previously unavailable documents, James traces the sometimes spurious Lawrence legend back to its truthful roots, peeling back the layers of Lawrence's calculated public persona to reveal the gifted, tortured man behind the shimmering myth. Yet James remains dispassionate and generous in spirit throughout. The Golden Warrior presents readers with a fascinating study of one of the twentieth century's most remarkable figures.
Jess Willard, the "Pottawatomie Giant," won the heavyweight title in 1915 with his defeat of Jack Johnson, the first black heavyweight champion. At 6 feet, 6 inches and 240 pounds, Willard was considered unbeatable in his day. He nonetheless lost to Jack Dempsey in 1919 in one of the most brutally one-sided contests in fistic history. Willard later made an initially successful comeback but was defeated by Luis Firpo in 1923 and retired from the ring. He died in 1968, largely forgotten by the boxing public. Featuring photographs from the Willard family archives, this first full-length biography provides a detailed portrait of one of America's boxing greats.
A vast and desolate region, the Texas–New Mexico borderlands have long been an ideal setting for intrigue and illegal dealings—never more so than in the lawless early days of cattle trafficking and trade among the Plains tribes and Comancheros. This book takes us to the borderlands in the 1860s and 1870s for an in-depth look at Union-Confederate skullduggery amid the infamous Comanche-Comanchero trade in stolen Texas livestock. In 1862, the Confederates abandoned New Mexico Territory and Texas west of the Pecos River, fully expecting to return someday. Meanwhile, administered by Union troops under martial law, the region became a hotbed of Rebel exiles and spies, who gathered intelligence, disrupted federal supply lines, and plotted to retake the Southwest. Using a treasure trove of previously unexplored documents, authors James Bailey Blackshear and Glen Sample Ely trace the complicated network of relationships that drew both Texas cattlemen and Comancheros into these borderlands, revealing the urban elite who were heavily involved in both the legal and illegal transactions that fueled the region’s economy. Confederates and Comancheros deftly weaves a complex tale of Texan overreach and New Mexican resistance, explores cattle drives and cattle rustling, and details shady government contracts and bloody frontier justice. Peopled with Rebels and bluecoats, Comanches and Comancheros, Texas cattlemen and New Mexican merchants, opportunistic Indian agents and Anglo arms dealers, this book illustrates how central these contested borderlands were to the history of the American West.
Funny, indiscreet, candid, touching and sharply observed, this second compilation from James Lees-Milne's celebrated diaries covers his life during his sixties and early seventies, when he was living in Gloucestershire with his formidable wife Alvilde. It vividly portrays life on the Badminton estate of the eccentric Duke of Beaufort, meetings with many friends (including John Betjeman, Bruce Chatwin and the Mitford sisters) and the diarist's varied emotional experiences. Having made his name as the National Trust's country houses expert and a writer on architecture, he now established himself as a novelist and biographer. With some misgivings he published his wartime diaries, little imagining that it was as a diarist that he would achieve lasting fame.
This single volume reference resource offers students, scholars, and general readers alike an in-depth background on Mexico, from the complexity of its pre-Columbian civilizations to its social and political development in the context of Western civilization. How did modern Mexico become a nation of multicultural diversity and rich indigenous traditions? What key roles do Mexico's non-Western, pre-Columbian indigenous heritage and subsequent development as a major center in the Spanish colonial empire play the country's identity today? How is Mexico today both Western and non-Western, part Native American and part European, simultaneously traditional and modern? Modern Mexico is a thematic encyclopedia that broadly covers the nation's history, both ancient and modern; its government, politics, and economics; as well as its culture, religion traditions, philosophy, arts, and social structures. Additional topics include industry, labor, social classes and ethnicity, women, education, language, food, leisure and sport, and popular culture. Sidebars, images, and a Day in the Life feature round out the coverage in this accessible, engaging volume. Readers will come to understand how Mexico and the Mexican people today are the result of the processes of transculturation, globalization, and civilizational contact.
This book reprints and analyses reviews of music hall acts from the family magazine The Red Letter, which was published by the Scottish based firm D C Thomson from 1899 to 1987. The articles under review range in date from 1902 to 1914, covering theatres all over Britain and acts from around the world. The reviews are uniquely detailed and shed light not only on the early acts of comics who would later go on to achieve wider fame, such as Will Hay and Robb Wilton, but also reveal the acts of long forgotten performers. These so-called ‘wines and spirits’ acts—acts that would never top the bill but who nevertheless toured the halls, sometimes for years on end, such as female impersonator Albert Letine, comedy magician Chris van Bern and female stand up Anna Dorothy amongst many others—deserve to be remembered every bit as much as the top of the bill acts. The articles are arranged in sections, covering race, gender, character comedy, physical comedy, male comedy and specialty or ‘spesh’ acts. The reviews reveal not only the contents of the acts but also the audience reactions to those acts and prevailing contemporary Edwardian attitudes. The articles are accompanied by their original illustrations, some of which are unique and, like the articles themselves, unseen for over a century.
A major study of the theory and practice of warfare in the twentieth and twenty-first centuries. Using relevant examples from recent history, this book provides a complete introduction to the issues, ideas, concepts, context and vocabulary of modern warfare. The expert team of authors explore the conduct of war across land, sea, air and space in addition to addressing key issues relating to contemporary strategy, weapons of mass destruction and irregular warfare, including insurgency, terrorism and civil war. They provide an incisive and structured grounding in military theory and argue for the importance of understanding warfare within the joint (inter-service) context and as an evolutionary rather than a revolutionary phenomenon. By providing the tools required to truly understand contemporary military doctrine this accessible survey will be an invaluable resource for any student of military history or international relations as well as for military professionals.
This definitive work lists over 5,500 arms recorded in the official heraldic Public Register of Scotland. This is the authentic Register of Arms for Scotland since, according to Scottish law, no persons of Scottish descent whose arms are not registered in the Public Register have a right to armorial bearings unless they can prove that they represent families whose arms are known to have been in existence previous to 1672. The "Ordinary" contains coats of arms systematically grouped under their component parts to enable the searcher to ascertain to whom an unnamed coat of arms belongs. At the same time, the arms of particular families can be found by consulting the extensive index. The information given in each entry includes a description of the arms, the name of the holder, and the date of registration.
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