Though better known today as a political theorist than as a dramatist, Machiavelli secured his fame as a giant in the history of Italian comedy more than fifty years before Shakespeare's comedies delighted English-speaking audiences. This bilingual edition includes all three examples of Machiavelli's comedic art: sparkling translations of his farcical masterpiece, The Mandrake; of his version of Terence's The Woman From Andros; and of his Plautus-inspired Clizia--works whose genre afforded Machiavelli a unique vehicle not only for entertaining audiences but for examining virtue amid the twists and turns of fortune.
Retired Chicago Homicide Detective James Jimmy Jack grew up in the Chicago neighborhoods with many of Chicagos future crime figures, and later he investigated or arrested many during his years on the force. I have known Jimmy Jack for over fifteen years, and his personal memoir The Last Dance offers many personal behind the scenes stories regarding the personalities and events behind the great Family Secrets mob trial. It is a must read for anyone interested in organized crime, especially the Chicago Outfit and names like Giancana to Spilotro, Calabrese, Lombardo, and many more. Scott Cassidy Special Assistant to the Cook County Sheriff; Former Chief, Cook County Special Prosecutions Unit
Dave Marsh has been an editor and columnist at Creem and Rolling Stone. His books include Born to Run, Behind Blue Eyes: The Story of the Who, Glory Days, and Louie Louie. This virtual Methusaleh of rock critics currently serves as a music critic at Playboy and as editor of Rock and Rap Confidential.
Half of all marriages end in divorce--and then there are the really unhappy ones." --Joan Rivers Do you suppose that the person who first said "Life is stranger than fiction" might have had Hollywood marriages in mind? Why watch a romantic film starring a leading man and a leading lady when their real-life romances are so much more interesting? It seems that a celebrity's latest film can have a considerably longer life span in the theater than his or her marriage du jour. One would almost think that Tinseltown has come to embrace divorce as an accepted pastime. Some celebrities have seemingly collected spouses over the years, systematically adding notches in their belts of divorces. Cases in point: Zsa Zsa Gabor (nine), Lana Turner (eight), Elizabeth Taylor (nine), and Mickey Rooney (eight). This list appears to make Jennifer Lopez a mere novice with only three marriages, two divorces, and one terminated engagement to date. In The Hollywood Book of Breakups, James Robert Parish looks at scores of hot Hollywood romances that eventually fell apart. From the decade-long union of Tom Cruise and Nicole Kidman to the "just-for-show" nuptials of Rock Hudson and Phyllis Gates to the four-and-a-half-year marriage of Brad Pitt and Jennifer Aniston to the "other woman" divorce of Debbie Reynolds and Eddie Fisher, Parish covers it all--from the burning embers to the fizzling fires of Hollywood breakups. You couldn't make this stuff up--and James Robert Parish doesn't need to. Hollywood writes its own drama when it comes to scandalous breakups.
For fans of The Movies That Made Us, a behind-the-scenes look at what went into making the favorite blockbuster films of the 1980s. A trip back to the era of troubled teens and awesome soundtracks; of Reagan, rap, and Ridgemont High; of MTV, VHS, and “Axel F”; of outsiders, lost boys, and dead poets; of Bill and Ted, Brooke Shields, and the Brat Pack; of three Porky’s flicks, two Coreys, and one summer when “Baby” refused to be put in a corner. The Ultimate History of the ’80s Teen Movie goes behind the scenes of a genre where cult hits mingled with studio blockbusters, where giants like Spielberg and Coppola rubbed shoulders with baby-faced first-timers, and where future superstars Sean, Demi, and Tom all got their big break. Music, comedy, and politics all play a part in the surprisingly complex history of the ’80s teen movie. And while the films might have been aimed primarily at adolescents, the best tackle universal issues and remain relevant to all ages. From a late ’70s Hollywood influx to an early ’90s indie scene that gave youth cinema a timely reboot, film expert James King highlights the personal struggles, the social changes, and the boardroom shake-ups that produced an iconic time in movie history. “Admirably opting for analysis over nostalgia and gossip, King examines the origin, production, and cultural afterlife of seemingly every youth-centric 1980s movie you've ever heard of and more . . . An excellent adventure through a distinct and genre-spanning era in cinema history. For casual movie fans and industry-minded cinephiles alike.” —Library Journal
Frank Sinatra is an iconic figure in music, but his film career is often overlooked. His innate talent as an actor is proven in many serious dramatic roles, including films like Man with the Golden Arm, The Manchurian Candidate, and From Here to Eternity, for which he received an Oscar. From romantic musical comedies to Rat Pack films, Frank Sinatra achieved a great deal of success in motion pictures. He even took a stab at directing. This book examines each of Frank Sinatra's movies, from his early years as a bobby soxer idol, to more serious roles that exhibited the depth of his talent. Provided are background stories, production information, critical assessments, and an explanation of how his career as a recording artist connected to the movie. Discover through 60 photographs, interviews, and more, this underappreciated aspect of Sinatra's career.
Praised by the New York Times Book Review as “fascinating, suspenseful, careful, musically detailed, and insightful,” this is a long-overdue biography of recording artist and musical legend Peggy Lee. Miss Peggy Lee cast a spell when she sang. She epitomized cool, but her trademark song, “Fever”—covered by Beyoncé and Madonna—is the essence of sizzling sexual heat. Her jazz sense dazzled Ray Charles, Duke Ellington, and Louis Armstrong. She was the voice of swing, the voice of blues, and she provided four of the voices for Walt Disney’s Lady and the Tramp, whose score she co-wrote. But who was the woman behind the Mona Lisa smile? With elegant writing and impeccable research, including interviews with hundreds who knew Lee, acclaimed music journalist James Gavin offers the most revealing look yet at an artist of infinite contradictions and layers. Lee was a North Dakota prairie girl who became a temptress of enduring mystique. She was a singer-songwriter before the term existed. Lee “had incredible confidence onstage,” observed the Godfather of Punk, Iggy Pop; yet inner turmoil wracked her. She spun a romantic nirvana in her songs, but couldn’t sustain one in reality. As she passed middle age, Lee dwelled increasingly in a bizarre dreamland. She died in 2002 at the age of eighty-one, but the enchantment with Lee has only grown. “Raucously entertaining [and] full of evocative scenes, wry humor and exasperated sympathy” (Publishers Weekly), Is That All There Is? paints a masterful portrait of an artist who redefined popular singing.
A Times Literary Supplement 2017 Book of the Year On December 22, 1953, Mort Sahl (1927–2021) took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged—Shelley Berman, Mike Nichols and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers, among others. He opened up jazz-inflected satire to a loose network of clubs, cut the first modern comedy album, and appeared on the cover of Time surrounded by caricatures of some of his frequent targets such as Dwight Eisenhower, Richard Nixon, Adlai Stevenson, and John F. Kennedy. Through the extraordinary details of Sahl's life, author James Curtis deftly illustrates why Sahl was dubbed by Steve Allen as “the only real political philosopher we have in modern comedy.” Sahl came on the scene the same year Eisenhower and Nixon entered the White House, the year Playboy first hit the nation's newsstands. Clad in an open collar and pullover sweater, he adopted the persona of a graduate student ruminating on current events. “It was like nothing I'd ever seen,” said Woody Allen, “and I've never seen anything like it after.” Sahl was billed, variously, as the Nation's Conscience, America's Only Working Philosopher, and, most tellingly, the Next President of the United States. Yet he was also a satirist so savage the editors of Time once dubbed him “Will Rogers with fangs.” Here, for the first time, is the whole story of Mort Sahl, America's iconoclastic father of modern standup comedy. Written with Sahl's full cooperation and the participation of many of his friends and contemporaries, it delves deeply into the influences that shaped him, the heady times in which he soared, and the depths to which he fell during the turbulent sixties when he took on the Warren Commission and nearly paid for it with his career.
This book analyses Cary Grant's performances in a gallery of his best films, arguing that he not only had exceptional skill but also greater range than is usually recognized. Organized in terms of five "versions" of Grant, it emphasizes his work as a screwball farceur, a "dark" figure in suspense films, a romantic leading man, a domestic male, and a Cockney character. This is a close study of an actor who worked with such different directors as Howard Hawks, Alfred Hitchcock, and Leo McCarey, and it provides a model for the appreciation of screen acting in general"--
The History of Music Production offers an authoritative, concise, and accessible overview of nearly 140 years of production of recorded music. It describes what role the music producer has played in shaping the creation, perception, propagation, business, and use of music, and discusses the future of the music production industry.
Mickey Rooney was one of Hollywood's most prolific and long-lived stars, with film credits spanning the silent and CGI eras. Despite his Broadway acclaim and gift for character acting, he is remembered mainly for his comedies and tumultuous personal life. Most biographies have focused on these, neglecting his long and varied career, which was marked by sharp declines and meteoric comebacks. Drawing on interviews with coworkers, this book reveals Rooney as a skilled actor who settled for less in an industry that relegated him to lesser roles, and built a body of work admired by audiences and actors alike.
William A. James, Sr., has created a cogent book of essays that deals with a perplexing problem found among African-Americans. James calls it "The Skin Color Syndrome. His book is divided into four sections, consisting of seven chapters. Within those chapters he depicts five principles that define blacks' "intra racial hatred," a hatred based upon "Pigmentation Discrimination," as the first principle of the Skin Color Syndrome. James then discusses "Passing," and "Where Blacks Are And Where They Need To Go." He talks about "Where Blacks are headed," and then he gives " A Conclusion Of The Matter," and "The Problems We (African-Americans) Must Fix." Lastly, James offers "Kwanzaa 365 Days Per Year," as a restorative solution to the ravages of Jim Crow Law in America.
Interviewing has become the window on the world of experience for both researchers and professionals. But as familiar as interviewing is now, its seemingly straightforward methodology raises more questions than ever. What is the interviewer's image of those who are being interviewed? Who is the interviewer in the eyes of the respondent? From where do interviewers obtain questions and respondents get the answers that they communicate in interviews? How do the institutional auspices of interviewing shape interview data? Drawing upon leading experts from a wide range of disciplines to address these and related questions, The Handbook of Interviewing offers a comprehensive examination of the interview at the cutting edge of information technology in the context of a challenging postmodern environment. Encyclopedic in its breadth, the Handbook provides extensive discussions of the conceptual and methodological issues surrounding interview practice in relation to forms of interviewing, new technology, diverse data gathering and analytic strategies, and the various ways interviewing relates to distinctive respondents. The Handbook is also a story that spins a particular tale that moves from the commonly recognized individual interview as an instrument for gathering data to reflections on the interview as an integral part of the information we gather about individuals and society.
Three decades after its first publication, The New Wave is still considered one of the fundamental texts on the French film movement of the same name. Led by filmmakers as influential as Truffaut and Godard, the New Wave was a seminal moment in cinematic history, and The New Wave has been hailed as the most complete book ever written about it. The New Wave tells the story of the New Wave through examinations of five of the most important directors of the era: Truffaut, Godard, Chabrol, Rohmer, and Rivette. With detailed notes and over fifty breathtaking stills, the book has appealed both to academics and interested novices alike. The thirtieth anniversary edition includes a new afterword by the author. Praise for the first edition of The New Wave: “The most complete book I know on the five most important directors of the New Wave.” - Costa-Gavras “At last a book that intelligently and critically examines that remarkable phenomenon known as the New Wave. Not just a book for film buffs, it is essential reading for anyone interested in the interrelations between art, politics, and life in the second half of the twentieth century. A remarkable achievement.” - Richard Roud, Founder, New York Film Festival “There is a genuine kind of honesty at work in the writing: a sense that the author wishes to describe the subject more clearly, help the reader, and not ‘explain’ (in the pompous sense of the word) or criticize for the sake of being superior. It’s refreshing.” - Ted Perry, Museum of Modern Art
One of the Best Books of the Year The Washington Post • Los Angeles Times • Milwaukee Journal Sentinel The story of Frank Sinatra’s second act, Sinatra finds the Chairman on top of the world, riding high after an Oscar victory—and firmly reestablished as the top recording artist of his day. Following Sinatra from the mid-1950s to his death in 1998, Kaplan uncovers the man behind the myth, revealing by turns the peerless singer, the (sometimes) powerful actor, the business mogul, the tireless lover, and—of course—the close associate of the powerful and infamous. It was in these decades that the enduring legacy of Frank Sinatra was forged, and Kaplan vividly captures “Ol’ Blue Eyes” in his later years. The sequel to the New York Times best-selling Frank, here is the concluding volume of the definitive biography of "The Entertainer of the Century.
Yo Capeesh!!!! is a humorous, nostalgic, educational and sentimental guide to Italian Americana. It was written in a way that would appeal to many of the 25 million Italian Americans and those familiar with them. It is especially useful for those individuals smitten with the Italian American media. Using humor as its main focus, portions of the book are educational and can be used by all as a reference. It not only addresses Italian American heroes, songs and traditions but also phonetically and occasionally pictorially defines typical clichés, mannerisms, speech and food used in movies, TV and the stereotypical Italian American home. For those who are infatuated with the Mob, a chapter entitled “How the boys say it” explains many of the expressions and origins of organized crime vernacular. This chapter was included because of the somewhat crazed interest for this media genre and is sensitive to the majority of Italian Americans it does not represent. Briefly, Yo Capeesh!!!! is a whimsical, entertaining guide that has widespread appeal not only for Italian Americans but also for those who are interested in the allure and mystique of this unique and pervasive sub-culture.
First biography of Elvis Presley (1960). 10 REASONS WHY THIS BOOK IS A MUST FOR EVERY ELVIS PRESLEY FAN . . . A Beautiful Full-Page Color Pinup of Elvis! 32 Pages of Photos of Elvis, His Friends and Family, and His Four Movies! A Specially Written Introduction by Dick Clark! A Complete Listing of Elvis’ RCA Victor Records! AND THESE SPECIAL NEVER-BEFORE-PUBLISHED STORIES ABOUT ELVIS: The Fantastic Life of Elvis Presley! The Whole Story of Elvis in the Army! The Woman Behind Elvis! A Fan’s Tribute to Elvis! Why the Future Looks Bright for Elvis! An Advance Peek at Elvis’ New Movie, “G.I. Blues”!
At long last, the first serious biography of entertainment legend Lena Horne -- the celebrated star of film, stage, and music who became one of the first African-American icons. At the 2001 Academy Awards, Halle Berry thanked Lena Horne for paving the way for her to become the first black recipient of a Best Actress Oscar. Though limited, mostly to guest singing appearances in splashy Hollywood musicals, "the beautiful Lena Horne," as she was often called, became a pioneering star for African Americans in the 1940s and fifties. Now James Gavin, author of Deep in a Dream: The Long Night of Chet Baker, draws on a wealth of unmined material and hundreds of interviews -- one of them with Horne herself -- to give us the defining portrait of an American icon. Gavin has gotten closer than any other writer to the celebrity who has lived in reclusion since 1998. Incorporating insights from the likes of Ruby Dee, Tony Bennett, Diahann Carroll, Arthur Laurents, and several of Horne's fellow chorines from Harlem's Cotton Club, Stormy Weather offers a fascinating portrait of a complex, even tragic Horne -- a stunning talent who inspired such giants of showbiz as Barbra Streisand, Eartha Kitt, and Aretha Franklin, but whose frustrations with racism, and with tumultuous, root-less childhood, left wounds too deep to heal. The woman who emerged was as angry as she was luminous. From the Cotton Club's glory days and the back lots of Hollywood's biggest studios to the glitzy but bigoted hotels of Las Vegas's heyday, this behind-the-scenes look at an American icon is as much a story of the limits of the American dream as it is a masterful, ground-breaking biography.
The revered actor and quintessential self-made man recalls "trying to decipher" William Wyler with Audrey Hepburn and Shirley MacLaine, breaking Doris Day's ribs, having a "heart-to-heart and eyeball-to-eyeball" with Steve McQueen, being "a card-carrying liberal--and proud of it," and much more.
Known as the "Greatest Spectacle in Racing," the Indy 500 humbly began in 1911. Labeled as the first speedway, this two-and-a-half-mile oval is now home to many of today's top races, including the Brickyard 400, the Verizon IndyCar Series, the Monster Energy NASCAR Cup Series, the SportsCar Vintage Racing Association, the Red Bull Air Race World Championship, and its most famous race, the Indianapolis 500. In The Indianapolis 500: Inside the Greatest Spectacle in Racing, speedway tour guide and racing aficionado James Craig Reinhardt shares what makes the legendary racetrack special. He reveals the speedway's unbelievable history, fast-flying action, notorious moments, and its secrets, including facts about the beginning of the brickyard, why the drivers kiss the finish line, how milk became the drink of choice, and much more. The perfect gift for the veteran or rookie, The Indianapolis 500 is a must-have for all race fans.
With essays taking the reader from London to Bali, theatre to library and from election campaigns to television, The Meaning of Recognition collects the best of Clive James on art, culture and politics from 2001–2005. Whether analysing Bing Crosby, Bruno Schulz or Shakespeare, celebrating The Sopranos and The West Wing, or lamenting the decline of Formula One, Clive James writes with style and substance, offering food for thought across a huge variety of subjects. On Pushkin, Philip Roth, or the nature of celebrity, he is always sane, engaged and unmistakably himself. This collection shows Clive at his witty, learned and heartfelt best. ‘Clive James, the most glorious prose stylist of his generation, refuses to stop learning ever more about the world’ — New Statesman '[Clive] can both get to the heart of a subject and raise a laugh' – Sunday Times Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
For fans of musicals, singing, Hollywood history, and the lives of stars, no other work equals this new three-volume reference to the on- and off-camera careers of more than 100 performers who made major contributions to the American screen musical. From June Allyson to Mae West, Hollwood Songsters provides a detailed narrative-ranging from 2,000 to 5000 words each-of the lives and careers of stars forever etched in our memories. Each entry includes a filmography, discography (of both albums and CDs), Broadway appearances, radio work, television appearances and series, and a full-page photo of the subject. This is the ideal reference work for everyone one from the mildly curious to the devoted fan.
From 1954 to 1984, the media made rock n’ roll an international language. In this era of rapidly changing technology, styles and culture changed dramatically, too. In the 1950s, wild-eyed Southern boys burst into national consciousness on 45 rpm records, and then 1960s British rockers made the transition from 45s to LPs. By the 1970s, rockers were competing with television, and soon MTV made obsolete the music-only formats that had first popularized rock n’ roll. Paper is temporarily out of stock, Cloth (0-87972-368-8) is available at the paper price until further notice.
(Applause Books). Although countless books and articles have been written about Lucille Ball, most people know only the surface details of her personal life and some basic facts about her popular television series. Lucille Ball FAQ takes us beyond the "Lucy" character to give readers information that might not be common knowledge about one of the world's most beloved entertainers. It can be read straight through, but the FAQ format also invites readers to pick it up and dig in at any point. Background information and anecdotes are provided in such categories as: People Lucy found funny; Lucy at home: her various residences throughout the years; Movie/television/radio/theater projects that never materialized; Lucy's off-camera romantic attachments. James Sheridan and Barry Monush go beyond the well known facts, making this an indispensable book for all Lucille Ball fans!
The first comprehensive discussion of the history, theory, and practice of kairos: that is of the role “timeliness” or “right-timing” plays in human deliberation, speech, and action.
In Seven Dirty Words, journalist and cultural critic James Sullivan tells the story of Alternative America from the 1950s to the present, from the singular vantage point of George Carlin, the Catholic boy for whom nothing was sacred. A critical biography, Seven Dirty Words is an insightful (and, of course, hilarious) examination of Carlin's body of work as it pertained to its cultural times and the man who created it, from his early days as amore-or-less conventional comedian to his stunning transformation into the subversive comedic voice of the emerging counterculture. Sullivan also chronicles Carlin's struggles with censorship and drugs, as well as the full-blown renaissance he experienced in the 1990s, both personally and professionally, when he became an elder statesman to a younger generation of comics who revered him. Seven Dirty Words is nothing less than the definitive biography of an American master who changed the world, and also a work of cultural commentary which frames George Carlin's extraordinary legacy.
The World Fantasy Award–winning novel of a female deity trying to save a modern world gone mad—“Invites comparisons with Vonnegut and even Rushdie” (The Washington Post). Rejoice! A new messiah has come, and her name is Julie. Born to Murray Katz, the solitary (and celibate) keeper of an abandoned lighthouse on the Jersey shore, our protagonist arrives on Earth boasting supernatural abilities evocative of her divine half brother, Jesus. As a child, she revels in her talent for walking on water, resurrecting dead crabs, and treating fireflies as luminous alphabet blocks. But after she reaches adolescence, her life becomes as challenging and ambiguous as any mortal’s. Not only is Julie Katz obliged to deal with a silver-tongued devil and self-righteous neo-Christian zealots, she must also figure out what sort of mission her mother—the female Supreme Being—has in mind for her. At once outrageous and affirming, this Nebula Award finalist is a magnificent work of contemporary satire that holds a mirror up to human nature, astutely reflecting our species’ failings, foibles, and often misguided affections.
Opening Windows / True Tales from the Mad, Mad, Mad World of Opera / Lois Marshall / John Arpin / Elmer Iseler / Jan Rubes / Music Makers / There's Music in These Walls / In Their Own Words / Emma Albani / Opera Viva / MacMillan on Music
Opening Windows / True Tales from the Mad, Mad, Mad World of Opera / Lois Marshall / John Arpin / Elmer Iseler / Jan Rubes / Music Makers / There's Music in These Walls / In Their Own Words / Emma Albani / Opera Viva / MacMillan on Music
This special twelve-book bundle is a classical and choral music lover’s delight! Canada’s rich history and culture in the classical music arts is celebrated here, both in the form of in-depth biographies and autobiographies (Lois Marshall, Lotfi Mansouri, Elmer Iseler, Emma Albani and more), but also in honour of musical places (There’s Music in These Walls, a history of the Royal Conservatory of Music; In Their Own Words, a celebration of Canada’s choirs; and Opera Viva, a history of the Canadian Opera Company). Canada plays an important role in the promotion and performance of art music, and you can learn all about it in these fine books. Includes Opening Windows True Tales from the Mad, Mad, Mad World of Opera Lois Marshall John Arpin Elmer Iseler Jan Rubes Music Makers There’s Music in These Walls In Their Own Words Emma Albani Opera Viva MacMillan on Music
Derided for its conformity and consumerism, 1950s America paid a price in anxiety. Prosperity existed under the shadow of a mushroom cloud. Optimism wore a Bucky Beaver smile that masked worry over threats at home and abroad. But even dread could not quell the revolutionary changes taking place in virtually every form of mainstream music. Music historian James Wierzbicki sheds light on how the Fifties' pervasive moods affected its sounds. Moving across genres established--pop, country, opera--and transfigured--experimental, rock, jazz--Wierzbicki delves into the social dynamics that caused forms to emerge or recede, thrive or fade away. Red scares and white flight, sexual politics and racial tensions, technological progress and demographic upheaval--the influence of each rooted the music of this volatile period to its specific place and time. Yet Wierzbicki also reveals the host of underlying connections linking that most apprehensive of times to our own uneasy present.
This volume serves as an invaluable guide to key political, social, and cultural concepts of the 1950s. This volume covers the entire decade of the 1950s, from the uneasy peace following World War II to the beginnings of cultural discontent that would explode in the 1960s. It highlights key historical, social, and cultural elements of the period, including the Cold War and perceived communist threat; the birth of the middle class and establishment of consumer culture; the emergence of the civil rights movement; and the normalization of youth rebellion and rock and roll. An introduction presents the historical themes of the period, and an alphabetical encyclopedic entries relating to period-specific themes comprises the core reference material in the book. The book also contains a range of primary documents with introductions and a sample Documents Based Essay Question. Other features are a list of "Top Tips" for answering Documents Based Essay Questions, a thematically tagged chronology, and a list of specific learning objectives readers can use to gauge their working knowledge and understanding of the period.
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