The outrageousness of heavy metal music has always been writ brash in its raucous album cover art. Heavy Metal Thunder is a dungeonful of metal overload, complete with leather-panted, huge-haired rockers and all the drooling beasts, swords and skulls a headbanger could want. Heavy Metal Thunder charts the course of the metal juggernaut through the prime canvas of its style and imagery: the album cover. From the glory days of the late '70s to the first modern metal movement (the New Wave of British Heavy Metal, or NWOBHM) through the MTV era, when glam and hair metal ruled, to the punk-inflected revolutions of thrash and Nu Metal (with a side trip into grunge) on to the gory contemporary subgenres of grindcore, black metal and doom, this chunky book is chock-full of covers that rule. Page after page of mind-blowing imagery makes Heavy metal thunder a riot of epic art from music that continues to rock and roll (all night)!
Providing a thorough reassessment of our understanding of politics in Third World societies, this book contains some of the liveliest and most original analyses to have been published in recent years. The severity of the political and economic crisis throughout Africa, Asia and Latin America in the 1980s has highlighted the inadequacy of existing political science theories and the urgent need to provide new paradigms for the 1990s.
This book presents developments of a language independent theory of program structure. The theory features a simple, natural notion of control structure which is much broader than in other theories of programming languages such as denotational semantics and program schemes. This notion permits treatment of control structures which involve not only the denotation of programs (i.e., their input/output behavior), but also their structure, size, run times, etc. The theory also treats the relation of control structure and complexity properties of programming languages. The book focuses on expressive interdependencies of control structures (which control structures can be expressed by which others). A general method of proving control structures expressively independent is developed. The book also considers characterizations of the expressive power of general purpose programming languages in terms of control structures. Several new characterizations are presented and two compactness results for such characterizations are shown.
Luther" is a British crime drama television series that follows the personal and professional life of DCI John Luther, played by Idris Elba. The series features six seasons, each carrying four to six episodes. Luther is known for his obsessive pursuit of justice and his unique crime-solving methods, which often land him in trouble with his superiors. Throughout the series, Luther battles with his inner demons, struggles to maintain his relationships, and deals with the consequences of his actions. The intense dynamics between the characters make this series a gripping watch, as viewers are kept on the edge of their seats while Luther tries to outsmart the criminals. The show has been well-received for its excellent performances, cinematic quality, and tense atmosphere. Elba's portrayal of Luther has been lauded by critics, with his character being described as "compelling," "tortured," and "brilliant." The show has been praised for its complex and multi-layered storytelling, with each season adding a new layer of depth to Luther's character. The series has been nominated for a number of awards, including several Emmys and Golden Globes. With its heart-thumping action and heart-wrenching moments, "Luther" is a must-watch for fans of the crime genre.
This book is the culmination and encapsulation of many years of research through archival repositories and other record sources both in the UK and Australia. It adds further biographical information to the history of the military pensioners who were either discharged in the Colony of Western Australia, came as guards on the convict transports, or immigrated freely to the State. Its contribution to the historical narrative is that it answers the question many family historians ask: what ship did my military pensioner arrive on?
Chris Rock is a comedian, actor, writer, producer, and director. He was born on February 7, 1965, in Andrews, South Carolina. He grew up in Brooklyn, New York, and attended James Madison High School before dropping out and pursuing a career in comedy. Rock first gained widespread recognition in the early 1990s as a cast member on Saturday Night Live. He went on to star in several successful comedy specials for HBO, such as Bring the Pain and Bigger & Blacker. He has also acted in a number of films, including Dogma, Madagascar, and Grown Ups. Rock is known for his irreverent humor, which often addresses race, politics, and relationships. His awards include four Primetime Emmy Awards, three Grammy Awards, and several NAACP Image Awards.
As the first decade of the 21st century winds down we have seen a sea change in society's attitudes toward finance. The 1990s can best be described as the decade of shareholder supremacy, with each firm trying to outdo the other in their allegiance to shareholder value creation, or as it came to be known, Value-Based Management (VBM). No one seemed to question this culture as the rising firm valuations translated into vast wealth creation for so many. Three significant economic events have reshaped how the public feels about an unbridled devotion to VBM and have defined the last decade: the dot.com bubble in 2000, the infamous accounting scandals of 2001, and the collapse of the credit markets in 2007-2008. In all three of these events the CEOs were portrayed as reckless and greedy and Wall Street went from an object of admiration to an object of scorn. The first edition of this book, Value Based Management: The Corporate Response to the Shareholder Revolution was written to help explain the underpinnings of Value-Based Management. At the time of its publication, few questioned whether the concept was the proper thing to do. Instead, the debate was focused on how to implement a VBM program. With this new second edition, the authors look at VBM after having seen it through good times and bad. It is not their intent to play the blame game or point fingers. Nor is it their intent to provide an impassioned defense of VBM. Instead they provide an academic appraisal of VBM, where is has been, where it is now, and where they see it going.
Building services are often overlooked in the history of architecture and engineering. This volume presents 41 papers presented at the Fifth Annual Conference of the Construction History Society held at Queens' College Cambridge from 6-8 April 2018 which cover a wide variety of topics on aspects of construction history and building services.
Spiritual conquest -- World chaos -- The lonely flame -- For Christ and country -- Reviving the heartland -- Battleground Europe -- God's Marshall plan -- Spiritual rearmament.
Prodigy. Iconoclast. Genius. Exile. Orson Welles remains one of the most discussed figures in cinematic history. In the centenary year of Welles's birth, James Naremore presents a revised third edition of this incomparable study, including a new section on the unfinished film The Other Side of the Wind. Naremore analyzes the political and psychological implications of the films, Welles's idiosyncratic style, and the biographical details--both playful and vexing--that impacted each work. Itself a historic film study, The Magic World of Orson Welles unlocks the soaring art and quixotic methods of a master.
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