A Times Literary Supplement 2017 Book of the Year On December 22, 1953, Mort Sahl (1927–2021) took the stage at San Francisco's hungry i and changed comedy forever. Before him, standup was about everything but hard news and politics. In his wake, a new generation of smart comics emerged—Shelley Berman, Mike Nichols and Elaine May, Lenny Bruce, Bob Newhart, Dick Gregory, Woody Allen, and the Smothers Brothers, among others. He opened up jazz-inflected satire to a loose network of clubs, cut the first modern comedy album, and appeared on the cover of Time surrounded by caricatures of some of his frequent targets such as Dwight Eisenhower, Richard Nixon, Adlai Stevenson, and John F. Kennedy. Through the extraordinary details of Sahl's life, author James Curtis deftly illustrates why Sahl was dubbed by Steve Allen as “the only real political philosopher we have in modern comedy.” Sahl came on the scene the same year Eisenhower and Nixon entered the White House, the year Playboy first hit the nation's newsstands. Clad in an open collar and pullover sweater, he adopted the persona of a graduate student ruminating on current events. “It was like nothing I'd ever seen,” said Woody Allen, “and I've never seen anything like it after.” Sahl was billed, variously, as the Nation's Conscience, America's Only Working Philosopher, and, most tellingly, the Next President of the United States. Yet he was also a satirist so savage the editors of Time once dubbed him “Will Rogers with fangs.” Here, for the first time, is the whole story of Mort Sahl, America's iconoclastic father of modern standup comedy. Written with Sahl's full cooperation and the participation of many of his friends and contemporaries, it delves deeply into the influences that shaped him, the heady times in which he soared, and the depths to which he fell during the turbulent sixties when he took on the Warren Commission and nearly paid for it with his career.
This book explores the roots of the Miller/Lewis family. From colonial America, the formation of the Church of Jesus Christ of Latter-day Saints, the expultions and forced migrations of the early Mormon saints, to the settlement and development of the state of Utah, we learn who we are by seeing who we were. We also learn what great potential we have, for we have been blessed with a heritage rich in sacrifice, hard work and vision.
When culture makes itself at home in motion, where does an anthropologist stand? In a follow-up to The Predicament of Culture, one of the defining books for anthropology in the last decade, James Clifford takes the proper measure: a moving picture of a world that doesn't stand still, that reveals itself en route, in the airport lounge and the parking lot as much as in the marketplace and the museum. In this collage of essays, meditations, poems, and travel reports, Clifford takes travel and its difficult companion, translation, as openings into a complex modernity. He contemplates a world ever more connected yet not homogeneous, a global history proceeding from the fraught legacies of exploration, colonization, capitalist expansion, immigration, labor mobility, and tourism. Ranging from Highland New Guinea to northern California, from Vancouver to London, he probes current approaches to the interpretation and display of non-Western arts and cultures. Wherever people and things cross paths and where institutional forces work to discipline unruly encounters, Clifford's concern is with struggles to displace stereotypes, to recognize divergent histories, to sustain "postcolonial" and "tribal" identities in contexts of domination and globalization. Travel, diaspora, border crossing, self-location, the making of homes away from home: these are transcultural predicaments for the late twentieth century. The map that might account for them, the history of an entangled modernity, emerges here as an unfinished series of paths and negotiations, leading in many directions while returning again and again to the struggles and arts of cultural encounter, the impossible, inescapable tasks of translation.
Collected together, James F. Simon’s books share the bitter struggles and compromises that have characterized the relationship between the presidents and the Supreme Court Chief Justices across US history. The bitter and protracted struggle between President Thomas Jefferson and Supreme Court Chief Justice John Marshall; the frustration and grudging admiration between FDR and Chief Justice Hughes; the clashes between President Abraham Lincoln and Chief Justice Roger B. Taney. These were the conflicts that ended slavery, that rescued us from the Great Depression, and that defined a nation—for better and for worse. And, Simon brings them to brilliant and compelling life.
DISTINGUISHED FAVOURITE: Independent Press Awards 2017 Why are the New Zealand All Blacks the best rugby team in the world? How does the Kirov Ballet produce generation after generation of exceptional ballerinas? How did Southwest Airlines evolve from being an idiosyncratic Texan airline to become one of the most successful businesses internationally? How does the Finnish School Education System deliver great results by breaking conventions? Powerhouse uncovers the performance secrets of some of the most impressive organizations around the world and reveals the key principles they have in common to enable any business to raise their own bar. To understand what makes these organizations great, MacNeice and Bowen have conducted immersive and personal research; investigating their culture, interviewing their leaders and observing their everyday practice. Despite this diverse range of seemingly contrasting industries - business, sport, technology, finance, the arts - each of these successful institutions share a common bond: they are world-class industry leaders and have repeatedly outperformed their competition. Powerhouse explores what lessons can be learnt from these organizations to provide a unique and in-depth analysis of how enduring high performance can be developed.
Harlequin Intrigue brings you three new edge-of-your-seat romances for one great price, available now for a limited time only from July 1 to July 31! This Harlequin Intrigue bundle includes Outlaw Lawman by USA TODAY bestselling author Delores Fossen, Triggered by Elle James, and Carrie's Protector by Rebecca York. Catch a thrill with six new edge-of-your-seat romances every month from Harlequin Intrigue!
I can't remember when I've learned as much from something I've read—or laughed as much while doing it." —Jacob Weisberg, Slate This international bestseller is an encyclopedic A-Z masterpiece—the perfect introduction to the very core of Western humanism. Clive James rescues, or occasionally destroys, the careers of many of the greatest thinkers, humanists, musicians, artists, and philosophers of the twentieth century. Soaring to Montaigne-like heights, Cultural Amnesia is precisely the book to burnish these memories of a Western civilization that James fears is nearly lost.
Proust, Pastiche, and the Postmodern, or Why Style Matters argues against the traditional view that Marcel Proust wrote pastiches, that is, texts that imitate the style of another author, to master his literary predecessors while sharpening his writerly quill. On the contrary, James F. Austin demonstrates that Proust’s oeuvre, and In Search of Lost Time in particular, deploy pastiche to other ends: Proust’s pastiches, in fact, “do things with words” to create powerful real-world effects. His works are indeed performative acts that forge social relationships, redefine our ideas of literature, and even work against oppressive political and economic discourses. Building on the “speech-act” theory of J.L. Austin, Jacques Derrida, and J. Hillis Miller, and on the postmodern theory of Fredric Jameson, this book not only elucidates the performative nature of pastiche, but also shows that the famous “Goncourt” pastiche from In Search of Lost Time has attracted so much attention because it already attained the postmodern; that is, it eliminated temporal depth and experience, transforming time itself into a nostalgic style of an era, and into the sort of aestheticized surface that came to define postmodernism decades later. To reflect this transformation of pastiche, this work rearticulates its history in France around Proust. Reconfiguring a scholastic, classically-inspired pedagogical tradition based on imitation, and breaking with the dominant satirical practice, Proust’s work opened up possibilities in the twentieth century for a new kind of pastiche: playful and performative in the literary field, and postmodern in a French cinema that, as with the Goncourt pastiche, represents time as the visual style of an era, whether unreflexively in “heritage” films such as Régis Wargnier’s Indochine, or discerningly in Eric Rohmer’s Lady and the Duke, which uses period pictorial and painterly conventions to illustrate how the representation of history onscreen typically flattens time into style.
This is the story of my life as seen through my eyes and not the eyes or memory of anyone else. There is no doubt that some in the family will take these memoirs as an insult to my mother; however, I am dedicating these memoirs to my deceased children, Jennifer Marie Murray, Kevin Jermaine Murray, Katherine Jean Murray, and my deceased mother whom I loved very much
The clashes between President Abraham Lincoln and Chief Justice Roger B. Taney over slavery, secession, and the president's constitutional war powers are vividly brought to life in this compelling story of the momentous tug-of-war between these two men during the worst crisis in American history.
In 1861, Colonel Grenville Dodge organized the 4th Iowa Volunteer Infantry Regiment and led them off to war. They had few uniforms or weapons and were more of a mob than a military unit, but Dodge shaped them into a fighting force that won honors on the battlefield and gained respect as one of the best regiments in the Union army. Promoted to the rank of major-general, Dodge became one of the youngest divisional, corps and departmental commanders in the Army. A superb field general, he also organized a network of more than 100 spies to gather military intelligence and built railroads to supply the troops in the Western Theater. This book covers Dodge's Civil War career and the history of the 4th Iowa, who fought at Pea Ridge, Vicksburg, Chattanooga and Atlanta.
Fully updated for the DSM-5 Text Revision (DSM-5-TR), this trusted guide presents the breadth of DSM diagnoses in an accessible, engaging, and clinically useful format. Master diagnostician James Morrison demystifies the dense DSM-5-TR criteria with more than 130 detailed case vignettes that illustrate typical patient presentations. Succinct descriptions of each disorder, along with many tips, sidebars, tables, and caveats, capture the intricacies of psychiatric symptoms and impairments to make accurate diagnosis cleaner and simpler. For DSM-5-TR, Morrison has incorporated the new diagnosis of prolonged grief disorder, updates to over 70 criteria sets, new and revised ICD-10-CM codes, and vignettes for additional subtypes. See also Morrison's Diagnosis Made Easier, Second Edition, which offers principles and decision trees for integrating diagnostic information from multiple sources; The First Interview, Fourth Edition, which presents a framework for conducting thorough, empathic initial evaluations; and The Mental Health Clinician's Workbook, which uses in-depth cases and carefully constructed exercises to build the reader's diagnostic skills.
Call Me Tom is the first book-length biography of one of Missouri’s most successful senators. A moderate liberal in a conservative state, Thomas F. Eagleton was known for his political independence, integrity, and intelligence, likely the reasons Eagleton never once lost an election in his thirty years of public service. Born in St. Louis, Eagleton began his public career in 1956 as St. Louis Circuit Attorney. At 27, he was the youngest person in the history of the state to hold that position, and he duplicated the feat in his next two elected positions, attorney general in 1960 and lieutenant governor in 1964. In 1968, he was elected to the U.S. Senate, where he served until 1987. He was thrown into the national spotlight in 1972 when revelations regarding his mental health, particularly the shock treatments he received for depression, forced his resignation as a vice presidential nominee of the Democratic Party. All of that would overshadow his significant contributions as senator, especially on environmental and social legislation, as well as his defense of Congressional authority on war making and his role in the U. S. military disengagement from Southeast Asia in 1973. Respected biographer James N. Giglio provides readers with an encompassing and nuanced portrait of Eagleton by placing the man and his career in the context of his times. Giglio allows readers to see his rumpled suits, smell the smoke of his Pall Mall cigarettes, hear his gravelly voice, and relish his sense of humor. At the same time, Giglio does not shy away from the personal torments that Eagleton had to overcome. A definitive examination of the senator’s career also reveals his unique ability to work with Republican counterparts, especially prior to the 1980s when bipartisanship was more possible. Measuring the effect his mental illness had on his career, Giglio determines that the removal of aspirations for higher office in 1972 made Eagleton a better senator. He consistently took principled stands, with the ultimate goal of preserving and modernizing the agenda of Franklin D. Roosevelt, his favorite president. Thoroughly researched using the Eagleton Papers and interviews with more than eighty-five people close to Eagleton, including family, friends, colleagues, subordinates, and former classmates, Call Me Tom offers an engaging and in-depth portrayal of a man who remained a devoted public servant throughout his life.
We live in a scary world, and we hear about it every night on the news. Yet, it is perhaps the stories that dont make the news that are the most horrificthe stories that remain in the dark, never to be unveiled. These haunting occurrences often end in blood and torment, but youll never hear about them unless they happen to you. In Horror Master, author James Cook brings together twenty stories of pure terror. Meet the new town sheriff who has to deal with a local mans dead body found in the lake and the possibility of a horned beast. Find out what happens when you lie to a madman, and witness a doctor who performs sadistic treatments on criminal patients. There is an underground prison and a small town torn by trauma. Theres a crazy gunman who needs to be taken down, and ask yourself: what could possibly go wrong with the circus in town? Find in this collection stories that will shock you into a state of pure panic and paranoia. Close the pages and realize it could all happen to you.
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