This timely volume explores the massively popular cinema of writer-director James Cameron. It couches Cameron's films within the evolving generic traditions of science fiction, melodrama, and the cinema of spectacle. The book also considers Cameron's engagement with the aesthetic of visual effects and the 'now' technology of performance-capture which is arguably moving a certain kind of event-movie cinema from photography to something more akin to painting. This book is explicit in presenting Cameron as an authentic auteur, and each chapter is dedicated to a single film in his body of work. Space is also given to discussion of Strange Days as well as his documentary works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Animation has never been so popular. The best animated films have combined the latest technology with creativity and a flair for storytelling and are adored by both children and adults. With films such as Monsters, Inc., Shrek and Toy Story capturing the imagination of moviegoers and critics, animated film is enjoying a resurgence unseen since its golden age in the 30s and 40s. From the earliest full-length feature animation, Disney's Snow White and the Seven Dwarfs, through stop-motion animation and Japanese anime to the advent of CGI, this book takes a critical look at animation through the ages and explores its infinite cinematic possibilities.
Written by a Justice of the Ontario Court, this follow-up to his successful poetry collection contains further humorous yet painful reflections on the ambiguities of the law.
A book of poems for justified sinners and reprobates alike, this collection of poetry, written by a Justice of the Ontario Court, offers insights on the act of court room sentencing and explores mercy and tolerance strained by wisdom.
War films have existed since the birth of cinema, typically gung-ho tales of macho derring-do. But war films are not always about bravado and bravery, they also detail the horrors of war, the sadness, the brotherhood of soldiers and comedy that can be found in the bleakest of situations, as well as the excitement of the battlefield. War Films explores defining movies of the genre in sections covering different wars as well as wars with other worlds. The book also offers links between the different films, historical and cinematic worth and profiles of key actors and directors. Among the films included are Saving Private Ryan, Dr Strangelove,Welcome to Sarajevo, The Dam Busters, Gallipoli, The Deer Hunter and Ran.
James Clarke was born in Peterborough, Ontario, and attended McGill University and Osgoode Hall. He practiced law in Cobourg, Ontario, before his appointment to the Bench in 1983. Clarke served as a judge of the Superior Court of Ontario and is now retired and resides in Guelph, in southwestern Ontario. Clarke is the author of eight collections of poetry. Clarke is also the author of three memoirs: A Mourner's Kaddish: Suicide and the Rediscovery of Hope (Novalis, 2006) and The Kid from Simcoe Street (Exile Editions, 2012) and L'Arche Journal: A Family's Experience in Jean Vanier's Community (Griffin House, 1973).
Reeds Superyacht Manual, published in association with Bluewater Training, is a complete reference and training manual for everyone involved with large yachts, from deck-hands to captains, as well as for leisure boaters and sailors. Covering the course syllabus for all career levels to Officer of the Watch, with explanatory diagrams and photographs, this user-friendly book includes: the key information for all courses required from basic training through Yachtmaster TM to Officer of the Watch (Yacht) comprehensive coverage of: safety, sea survival, first aid, fire fighting, navigation and radar, seamanship, meteorology, marine radio, general ship knowledge additional information on the career path and marine law, including international and flag state requirements full text of the Collision Regulations; single letter flag and Morse codes. This is the complete on-board reference, whether you are starting out in yachting and looking for the essentials of safety and navigation, or you are seeking a clear understanding of the operation and manning of large yachts and the legislation concerning them.
In this collection of deeply felt poems, James Clarke challenges his conscience as he examines his decades-long experience as a judge, exploring what it means to sit in judgement of people, and what attaining such a position entails. These are poems that will resonate with anyone who cares about fairness, truth, power, and freedom because Clarke allows us to peek under Madame Justice’s blindfold, giving us a rare glimpse of her concerned, but very human face.”
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