This is the story of the 'failed' British Empire in Ireland and the sad end of the Tudor reign. The relationship between England and Ireland has been marked by turmoil ever since the 5th century, when Irish raiders kidnapped St. Patrick. Perhaps the most consequential chapter in this saga was the subjugation of the island during the 16th century, and particularly efforts associated with the long reign of Queen Elizabeth I, the reverberations of which remain unsettled even today. This is the story of that ‘First British Empire’. The saga of the Elizabethan conquest has rarely received the attention it deserves, long overshadowed by more ‘glamorous’ events that challenged the queen, most especially those involving Catholic Spain and France, superpowers with vastly more resources than Protestant England. Ireland was viewed as a peripheral theater, a haven for Catholic heretics and a potential ‘back door’ for foreign invasions. Lord deputies sent by the queen were tormented by such fears, and reacted with an iron hand. Their cadres of subordinates, including poets and writers as gifted as Philip Sidney, Edmund Spenser, and Walter Raleigh, were all corrupted in the process, their humanist values disfigured by the realities of Irish life as they encountered them through the lens of conquest and appropriation. These men considered the future of Ireland to be an extension of the British state, as seen in the ‘salon’ at Bryskett’s Cottage, outside Dublin, where guests met to pore over the ‘Irish Question’. But such deliberations were rewarded by no final triumph, only debilitating warfare that stretched the entire length of Elizabeth’s rule. This is the story of revolt, suppression, atrocities and genocide, and ends with an ailing, dispirited queen facing internal convulsions and an empty treasury. Her death saw the end of the Tudor dynasty, marked not by victory over the great enemy Spain, but by ungovernable Ireland – the first colonial ‘failed state’.
While battles and wars and ‘the clash of civilizations’ are as old as time itself, there is little doubt that the conflagration of 1914–1918 was something unique and terrifyingly new. There was not a corner of the globe that did not feel its effects, some more than others, but the scope of its impact on economies, populations, food supplies, the character of governments in general and the day-to-day lives of numberless ordinary people, were such as the world had never experienced, nor expected. Little did anyone dream that the assassination of relatively minor figures of the Habsburg royal family, Archduke Ferdinand of Austria and his wife, carried out by an unknown Serbian teenager on the street corner of an obscure town called Sarajevo that few had ever heard of, could possibly provide a spark that would plunge the entire European continent into an industrialized war of catastrophic destruction. But it did: the two shots that youth fired were surely ‘heard around the world’, and several million people would perish or be maimed as a result. The story of World War I has been told by many different writers, historians and participants in many different ways, especially so before and during the centennial of its events that just concluded. All the World at War stands apart from many of these standard studies. It presents a familiar story from points of view that many readers might find surprising: unexpected details, different perspectives, atypical and generally insightful observations from contemporaries (often obscure to modern readers), who witnessed the events and personalities that pushed the war along from phase to phase. The narrative is chronologically arranged, beautifully written, with something new or intriguing on every page. This is a unique and finely paced account of ‘The War to End all Wars’ that didn’t.
While battles and wars and ‘the clash of civilizations’ are as old as time itself, there is little doubt that the conflagration of 1914–1918 was something unique and terrifyingly new. There was not a corner of the globe that did not feel its effects, some more than others, but the scope of its impact on economies, populations, food supplies, the character of governments in general and the day-to-day lives of numberless ordinary people, were such as the world had never experienced, nor expected. Little did anyone dream that the assassination of relatively minor figures of the Habsburg royal family, Archduke Ferdinand of Austria and his wife, carried out by an unknown Serbian teenager on the street corner of an obscure town called Sarajevo that few had ever heard of, could possibly provide a spark that would plunge the entire European continent into an industrialized war of catastrophic destruction. But it did: the two shots that youth fired were surely ‘heard around the world’, and several million people would perish or be maimed as a result. The story of World War I has been told by many different writers, historians and participants in many different ways, especially so before and during the centennial of its events that just concluded. All the World at War stands apart from many of these standard studies. It presents a familiar story from points of view that many readers might find surprising: unexpected details, different perspectives, atypical and generally insightful observations from contemporaries (often obscure to modern readers), who witnessed the events and personalities that pushed the war along from phase to phase. The narrative is chronologically arranged, beautifully written, with something new or intriguing on every page. This is a unique and finely paced account of ‘The War to End all Wars’ that didn’t.
This is the story of the 'failed' British Empire in Ireland and the sad end of the Tudor reign. The relationship between England and Ireland has been marked by turmoil ever since the 5th century, when Irish raiders kidnapped St. Patrick. Perhaps the most consequential chapter in this saga was the subjugation of the island during the 16th century, and particularly efforts associated with the long reign of Queen Elizabeth I, the reverberations of which remain unsettled even today. This is the story of that ‘First British Empire’. The saga of the Elizabethan conquest has rarely received the attention it deserves, long overshadowed by more ‘glamorous’ events that challenged the queen, most especially those involving Catholic Spain and France, superpowers with vastly more resources than Protestant England. Ireland was viewed as a peripheral theater, a haven for Catholic heretics and a potential ‘back door’ for foreign invasions. Lord deputies sent by the queen were tormented by such fears, and reacted with an iron hand. Their cadres of subordinates, including poets and writers as gifted as Philip Sidney, Edmund Spenser, and Walter Raleigh, were all corrupted in the process, their humanist values disfigured by the realities of Irish life as they encountered them through the lens of conquest and appropriation. These men considered the future of Ireland to be an extension of the British state, as seen in the ‘salon’ at Bryskett’s Cottage, outside Dublin, where guests met to pore over the ‘Irish Question’. But such deliberations were rewarded by no final triumph, only debilitating warfare that stretched the entire length of Elizabeth’s rule. This is the story of revolt, suppression, atrocities and genocide, and ends with an ailing, dispirited queen facing internal convulsions and an empty treasury. Her death saw the end of the Tudor dynasty, marked not by victory over the great enemy Spain, but by ungovernable Ireland – the first colonial ‘failed state’.
James Charles Roy, a noted authority on Irish history and travel, escorts a disparate group of Americans through the lonely backwaters of ancient Ireland. Visions of a glorious enterprise evaporate as he sees a dejected and weary handful of aged American tourists disembark at Shannon Airport. Fortified by Guinness, Roy hurls himself into sharing with them the joys and wonders of Ireland's twisted byways. Determined to avoid clichéRoy leads his group to obscure Celtic coronation sites, monasteries, and remote abbeys as he spins a narrative that pulls Ireland's chaotic story into coherence. His unsuspecting charges begin to shed their hesitancies, relishing their guide's idiosyncratic approach to Ireland. Black comedy aside, Roy touches an emotional chord: how the economic phenomenon known as the Celtic Tiger has transformed Old Ireland into a high-tech power. At the tour's end, Roy embarks alone for the inaccessible Ardoilean, a seventh-century Celtic hermitage in County Galway. His vision of an Ireland lost forever is an emotional tour de force.
In The Fields of Athenry , James Charles Roy leads us through the Irish past and present with the central theme of his own personal experience with the renovation of a run-down castle -- really a crumbled tower -- that he purchased more than thirty years ago. Moyode Castle, located near the County Galway market town of Athenry, was built in the sixteenth century by the Dolphins, an Irish-speaking family directly descended from French-speaking Norman adventurers who had invaded Ireland four centuries earlier. This old tower house and the rich agricultural lands it guards has witnessed every strand of Irish history, from the heroic exploits of Celtic warriors long celebrated by Yeats and Lady Gregory, through the Easter Rising of 1916 when IRA insurgents used the building as a lookout. It stands today as a powerful, timeless symbol of the tumultuous ebb and flow of fortune, both good and bad, that characterizes Irish history. Roy weaves his personal story of the purchase and renovation of Moyode into a wide ranging historical conversation, leading us to a topic of real interest to Ireland today and our sense of history more broadly: the historical nostalgia we attach to Ireland and the fact that our romantic image flies directly in the face of development and boom times in the "Celtic Tiger" of the twenty-first century. Few know, for example, that today Ireland produces and ships more software abroad than any other country in the world with the exception of the United States, though we all know the story of Angela's Ashes. With this theme in mind, Roy leads us to question what attracts us -- or perhaps more aptly him -- to the rubble of a castle from Irish days long past.
In the nineteenth century, many American Protestants expected almost limitless, orderly progress as Christianity and democracy spread and as technology and prosperity increased. Yet they also believed that, many centuries hence, after progress had run its course, the Second Coming of Jesus and a supernatural End to the world would occur. If these Protestants had one foot in the world of steamships and the telegraph, the other remained firmly planted in the cosmos of the Apocalype--a universe where angels poured out vials of wrath, where the dead would rise again, and where the wicked would be cast forever into a lake of burning fire.
“Offers readers new insight into the lives of African American men and women from the North in the era of the Civil War.” —Liz Regosin, Charles A. Dana Professor of History, St. Lawrence University A Great Sacrifice is an in-depth analysis of the effects of the Civil War on northern black families carried out using letters from northern black women—mothers, wives, sisters, and female family friends—addressed to a number of Union military officials. Collectively, the letters give a voice to the black family members left on the northern homefront. Through their explanations and requests, readers obtain a greater apprehension of the struggles African American families faced during the war, and their conditions as the war progressed. The original letters that were received by government agencies, as well as many of the copies of the letters sent in response, are held by the National Archives in Washington, D.C. This study is unique because it examines the effects of the war specifically on northern black families. Most other studies on African Americans during the Civil War focused almost exclusively on the soldiers. “In this deeply researched and revealing book, James G. Mendez seeks to recover the experience of northern black soldiers and their families during the Civil War era in order to discover the ways they engaged the governments of their day both to recognize and respect their service and sacrifice during the war and to count the costs northern blacks paid out in impoverished families, wartime casualties, and unfulfilled promises . . . Mendez’s book deserves our attention and appreciation.” —American Historical Review
Written in 1954 and published in 1981, this fascinating study remains authoritative as an account of a body of opinion about women’s nature and role that was in vogue in America during the first half-century after independence. Combining intellectual and social history, this work was one of numerous attempts being made at the time to add depth to American social history dealing with women and women’s experiences before feminism. The author explores British sources of American thought as well, presenting an early comparative history, and offers a focus on religion to show how processes of change to ideas about women occurred.
First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.
The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.
The first book-length treatment of its topic, this study is aimed at abolishing the old cliche that Congregationalism failed to adapt to the democratizing culture of the westward migration. Drawing on hundreds of previously unused letters, journals, and sermons, the author argues that Congregational missionaries were aggressive evangelists who successfully adjusted to the egalitarian demands of the early republican frontier. Keepers of the Covenant critically examines the various explanations for the decline of Congregationalism after the American Revolution, and in the process, overturns generalizations that have prevailed for years. The conclusion offers a reinterpretation of Congregationalist decline that challenges much conventional wisdom about church growth. It will interest not only church historians and students of early republican America, but also sociologists and all those concerned with the decline of the Protestant "mainline" today.
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