Incorporated by veteran automakers in 1913, the Chandler Motor Car Company was initially successful in a fiercely competitive industry, manufacturing an array of quality automobiles at a range of prices. Yet by the late 1920s the company was floundering under mismanagement. Producing four lines of cars with numerous body styles, Chandler and its lower-priced companion marque, Cleveland, were unable to find markets for their numerous models and seemed in effect to be competing against themselves. Drawing on numerous automotive histories and two large private collections of memorabilia, this exhaustive study of the Chandler Motor Car Company covers the automobiles in detail, including all body styles, and their changes during production. The author chronicles the growth, expansion and later troubles of Chandler and Cleveland, providing fresh insight into the formative years of the auto industry and the personalities who made it go.
Supplies the first study of film noir that achieves the sort of intellectual seriousness, depth of research, degree of critical insight, and level of writing that this group of films deserves."—Tom Gunning, Modernism and Modernity
The behind-the-scenes story of the quintessential film noir and cult classic, Billy Wilder’s Double Indemnity—its true crime origins and crucial impact on film history—is told for the first time in this riveting narrative published for the film's 80th anniversary. From actual murder to magazine fiction to movie, the history of Double Indemnity is as complex as anything that hit the screen during film noir’s classic period. A 1927 tabloid sensation “crime of the century” inspired journalist and would-be crime-fiction writer James M. Cain to pen a novella. Hollywood quickly bid on the film rights, but throughout the 1930s a strict code of censorship made certain that no studio could green-light a murder melodrama based on real events. Then in 1943 veteran scriptwriter and newly minted director Billy Wilder wanted the story for his third movie. With tentative approval from the studio he hired hardboiled novelist Raymond Chandler to co-write a script that would be acceptable to industry censors. Director Wilder then cajoled a star cast into coming aboard: the incomparable Barbara Stanwyck in her unforgettable turn as the ultimate femme fatale; alongside Fred MacMurray, going against type as her accomplice; and Edward G. Robinson as a dogged claims investigator. Wilder kept Chandler on for the entire shoot, and other key collaborators were cinematographer John Seitz, costume designer Edith Head, and composer Miklôs Rôzsa. With all these talented contributors, the final film became one of the earliest studio noirs to gain critical and commercial success, including being nominated for seven Oscars. It powerfully influenced the burgeoning noir movement, spawned many imitators, and affected the later careers of all its cast and crew. Double Indemnity’s impact on filmmakers and audiences is still felt eight decades since its release. Authors Alain Silver and James Ursini tell the complete, never-before-told history of writing, making, and marketing of Double Indemnity in their latest and most provocative work on film noir: From the Moment They Met It Was Murder.
When originally published, A New History of Kentucky provided a comprehensive study of the Commonwealth, bringing it to life by revealing the many faces, deep traditions, and historical milestones of the state. With new discoveries and findings, the narrative continues to evolve, and so does the telling of Kentucky's rich history. In this second edition, authors James C. Klotter and Craig Thompson Friend provide significantly revised content with updated material on gender politics, African American history, and cultural history. This wide-ranging volume includes a full overview of the state and its economic, educational, environmental, racial, and religious histories. At its essence, Kentucky's story is about its people -- not just the notable and prominent figures but also lesser-known and sometimes overlooked personalities. The human spirit unfolds through the lives of individuals such as Shawnee peace chief Nonhelema Hokolesqua and suffrage leader Madge Breckinridge, early land promoter John Filson, author Wendell Berry, and Iwo Jima flag--raiser Private Franklin Sousley. They lived on a landscape defined by its topography as much as its political boundaries, from Appalachia in the east to the Jackson Purchase in the west, and from the Walker Line that forms the Commonwealth's southern boundary to the Ohio River that shapes its northern boundary. Along the journey are traces of Kentucky's past -- its literary and musical traditions, its state-level and national political leadership, and its basketball and bourbon. Yet this volume also faces forthrightly the Commonwealth's blemishes -- the displacement of Native Americans, African American enslavement, the legacy of violence, and failures to address poverty and poor health. A New History of Kentucky ranges throughout all parts of the Commonwealth to explore its special meaning to those who have called it home. It is a broadly interpretive, all-encompassing narrative that tells Kentucky's complex, extensive, and ever-changing story.
This work provides an authoritative survey of America's long and turbulent history of rebellions against laws and institutions of the state, ranging from violent acts of sedition and terrorism to acts of nonviolent civil disobedience against discriminatory or unjust laws. Crimes against the State is an evenhanded and illuminating one-stop resource for understanding acts of rebellion against legal authorities and institutions and the motivations/goals driving them. Special care is taken to differentiate between hostile acts and actors that seek to overthrow or otherwise damage the state and/or targeted demographic groups through violence (such "bad actors" as the January 6 Capitol mob and bombers of abortion clinics) and acts and actors that seek to defy, reform, or improve laws and institutions of the state through nonviolent action (such "good actors" as activists in the civil rights movement). Within these pages, readers will 1) learn how to differentiate between sedition, insurrection, treason, domestic terrorism, espionage, and other acts meant to injure or overthrow the government; 2) gain a deeper understanding of laws, policies, and events that have aroused violent or nonviolent opposition; 3) gain a deeper understanding of the perspectives and motivations of both good actors and bad actors; and 4) learn about state responses to these challenges and threats, from martial law–style crackdowns to new laws and reforms.
The voluminous records of the Pierce and Poor families weave a story that runs from the late eighteenth century until World War I. The extent and qual-ity of their source materials, and their positions as representative middle-class to upper-middle-class New England families, make these subjects of Yankee Family particularly well suited for analyzing processes of continuity and change. McGovern reviews the life-styles of the Pierce and,Poor families both on the frontier and in the Boston area, and focuses on the cross-generational changes in these styles. The study begins with John Pierce at Harvard in the 1790s and follows through to the first decade of the twen-tieth century. The author shows how the "Yankee" mentality, an outgrowth of New England Puritanism, contributed to the family's rise to success, but con-cludes that by the early twentieth cen-tury the Yankee life-style was ending, a victim of social and economic changes in American society that were rendering it irrelevant. Until recently historical scholarship on the American family has been static. Apart from long-standing predilections of historians for political history, there were also theoretical and meth-odological problems deterring schol-arship on the American family. But McGovern's approach holds great promise; it is more sensitive than quan-tification studies to the impact of change on a wider range of human expe-riences because it is inevitably more personal. While this type of family his-tory rewards students of social change, it also affords important insights on con-tinuity. It reveals the existence of a family style which adapts to change with a special corpus of family wisdom, al-ways finding a way to exercise its "known" amidst constant flux ? thus mitigating some of the effects of change.
Though he published just a handful of major works in his lifetime, James Joyce (1882-1941) continues to fascinate readers around the world and remains one of the most important literary figures of the 20th century. The complexity of Joyce's style has attracted--and occasionally puzzled--generations of readers who have succumbed to the richness of his literary world. This literary companion guides readers through his four major works--Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegans Wake--with chapter-by-chapter discussions and critical inquiry. An A to Z format covers the works, people, history and context that influenced his writing. Appendices summarize notable Joycean literary criticism and biography, and also discuss significant films based on his work.
Penguin Readers is an ELT graded reader series. Please note that the eBook edition does NOT include access to the audio edition and digital book. Written for learners of English as a foreign language, each title includes carefully adapted text, new illustrations and language learning exercises. Titles include popular classics, exciting contemporary fiction, and thought-provoking non-fiction, introducing language learners to bestselling authors and compelling content. The eight levels of Penguin Readers follow the Common European Framework of Reference for language learning (CEFR). Exercises at the back of each Reader help language learners to practise grammar, vocabulary, and key exam skills. Before, during and after-reading questions test readers' story comprehension and develop vocabulary. Dubliners, a Level 6 Reader, is B1+ in the CEFR framework. The longer text is made up of sentences with up to four clauses, introducing future continuous, reported questions, third conditional, was going to and ellipsis. A small number of illustrations support the text. In these stories, Joyce describes the lives of ordinary Dubliners. Their lives are not always easy, and they have problems with their families. They were the people who Joyce grew up with and he knew them very well. Visit the Penguin Readers website Register to access online resources including tests, worksheets and answer keys. Exclusively with the print edition, readers can unlock a digital book and audio edition (not available with the eBook).
Your best friend . . . or a vicious killer? You won't know until the 11th Hour. Lindsay Boxer is pregnant at last! But her work doesn't slow for a second. When millionaire Chaz Smith is mercilessly gunned down, she discovers that the murder weapon is linked to the deaths of four of San Francisco's most untouchable criminals. And it was taken from her own department's evidence locker. Anyone could be the killer-even her closest friends. Facing a series of vicious articles about her personal life and a brutal crime scene in a famous actor's garden, Lindsay realizes that the ground beneath her feet holds hundreds of secrets. But this time she has no one to turn to-especially not her husband Joe. From one of the world's finest suspense writers, 11THHour is the most shocking, most emotional, and most thrilling Women's Murder Club novel ever.
Stranded at a truck stop alone and in trouble, pregnant Bethany Carter desperately needs a ride to Buffalo Creek. Then along comes Chandler Chatam, a cowboy with a bad-boy smile and a heart of gold. But when they get to Chatam House, Chandler's three maiden aunts assume he's the father! Chandler's honored to care for Bethany and her unborn child. Problem is, the more time he spends with sweet Bethany, the more he wishes he truly were the father—and her husband. What's a rodeo cowboy to do but lasso the lady into his arms?
This work explores how the new medium of television changed America's pastime and traces the sometimes contentious but mutually beneficial relationship between baseball and television, from the first televised game in 1939 to the modern-day world of Internet broadcasts, satellite radio, and high-definition television. Original.
In the most comprehensive assessment of baseball legend Stan Musial's life and career to date, James N. Giglio places the St. Louis Cardinal star within the context of the times-the Great Depression and wartime and postwar America-and the issues then prevalent in professional baseball, particularly race and the changing economics of the game. Giglio illuminates how the times shaped Musial and delves further into his popular image as a warm, unfailingly gracious role model known for good sportsmanship and devotion to family.
Move over Clarice! Meet Detective Shantelle "Stevie" Sanchez who wonders why, at age 33, she's in Jersey City, why she's a cop, why the dream won't go away.and why do men kill women? Another snag is the only man who doesn't repulse her is older, married and a computer cop. In a piercing psychological portrait, this obsessive detective probes the mind of a serial killer who has murdered four black women. They are discovered dangling "like sides of beef" in the 100-year-old subway tubes under the Hudson River. Each has a lip shape and cross burned into her torso. In a discordant mix of history, forensics, profiling, and betrayal, a Task Force works to solve the killings. Stevie impulsively places herself in peril by entering the menacing tunnels to find the killer. The "computer cop" who heads the Task Force overcomes a haunting fear of tunnels born in Viet Nam and follows her. In the subterranean dankness beneath Manhattan, they confront their own frailties as they face the killer's "Holy Kiss" of death in a taunt, tingling and unpredictable end game amidst the 600-volt "hot" rails. Praise for The Holy Kiss "After this book, I didn't take the subways for a month." -Peter Golenbock, best-selling author of The Bronx Zoo. "Characters so real, I began locking my doors." -Psychologist Dr C. Ringold, Psy.D "Convincing and engrossing from page one!" Detective J. Vecchio, NYPD, Ret "Wightman takes standard-issue police-thriller conventions and amplifies them to lurid extremes: The ethnic tensions are more strident, the turf battles between rival police agencies more cutthroat, the scheming of shadowy power-brokers more baroque, the media vultures more cynical, the motivating psycho-sexual perversions more explicit. But the author makes his overdrawn characters both vivid and sympathetic, and tells their story vigorously." -Kirkus Discoveries
We’ve all heard the statistics about how much TV kids watch—and how it’s not good for them. Well, throw those stats out the window so you can use TV for the good of your students! Following the best-selling format of the Videos That Teach series, TV Shows That Teach will give you plenty of TV show clip ideas to use for illustrations or teaching on a variety of topics or Bible passages. From the classics, to some of the latest and greatest shows, you’ll find ideas that will fit into any message you’re trying to communicate to your students. Included in this book are clip ideas from comedies like Happy Days, The Simpsons, Saturday Night Live, The Office, The Cosby Show, Everybody Loves Raymond, and more. You’ll also find clips from dramas like The West Wing, Freaks and Geeks, 24, Lost, My So Called Life, The Sopranos, and more. And, of course, there are lessons to be learned from reality shows like The Simple Life, American Idol, Survivor, The Real World, and more.Search by topic or Bible reference to find just the right clip, or just look through the table of contents for your favorite shows. Each clip will give you start and stop points, Bible passages that relate to the topic in the clip, as well as questions to get your students thinking and talking about what they just watched. They’ll never see TV in the same way!
An in-depth look at the life of the influential University of Kentucky basketball coach and his legacy. Known as the “Man in the Brown Suit” and the “Baron of the Bluegrass,” Adolph Rupp (1901–1977) is a towering figure in the history of college athletics. In Adolph Rupp and the Rise of Kentucky Basketball, historian James Duane Bolin goes beyond the wins and losses to present the fullest account of Rupp’s life to date based on more than one-hundred interviews with Rupp, his assistant coaches, former players, University of Kentucky presidents and faculty members, and his admirers and critics, as well as court transcripts, newspaper accounts, and other archival materials. His teams won four NCAA championships (1948, 1949, 1951, and 1958), the 1946 National Invitation Tournament title, and twenty-seven Southeastern Conference regular season titles. Rupp’s influence on the game of college basketball and his impact on Kentucky culture are both much broader than his impressive record on the court. Bolin covers Rupp’s early years?from his rural upbringing in a German Mennonite family in Halstead, Kansas, through his undergraduate years at the University of Kansas playing on teams coached by Phog Allen and taking classes with James Naismith, the inventor of basketball?to his success at Kentucky. This revealing portrait of a pivotal figure in American sports also exposes how college basketball changed, for better or worse, in the twentieth century. Praise for Adolph Rupp and the Rise of Kentucky Basketball “This detailed and richly researched biography is written in a clear and engaging manner that reflects the work of a historian at the top of his game. Bolin is definitely fully engaged with Adolph Rupp’s multi-faceted life and has demonstrated his mastery of his wide-ranging sources. An excellent book!” —Richard O. Davies, Distinguished Profess or History, Emeritus, University of Nevada, Reno “An incisive analysis of Adolph Rupp’s role in creating the Big Blue Nation . . . . An unvarnished and well-sourced examination of a flawed human being . . . . A must-read for any true Kentucky fan.” —Roberta Schultz, WVXU Radio Cincinnati
This is the continuing story of two men, alike in many ways, who travel far from their native land but are both drawn back to Durham, the spectacular mediaeval city that dominates the northeastern counties of England. But there is a difference. Six hundred years separates the lives of the two men. Oswald, who has seen action in France and England, is loyal to his King, Edward III, who is also called Plantagenet. When Oswald sees that the lives of Edward and his son, John of Lancaster (called John of Gaunt by many modern historians), are in jeopardy, he calls to his descendent, James Simpson, for help. James Simpson is a scientist of world renown who turns his talents to writing historical fiction. After returning to his native Durham, he settles into a quiet village hoping to continue his writing. But when Oswald contacts him, he realizes that they are closer in relationship and behavior that he had believed. Simpson is surprised to find that Oswald is reaching out to him from the past. He is also surprised that Oswald has a mission for him that requires being transported back into the fourteenth century. Simpson cannot resist being personally drawn into the mystery. With the exception of the main fictional characters in the story, the book is a historically accurate account of life in the fourteenth century and the politics that surrounded the throne of England.
In the 1840s an organization of German noblemen, the Mainzner Adelsverein, attempted to settle thousands of German emigrants on the Texas frontier. Nassau Plantation, located near modern-day Round Top, Texas, in northern Fayette County, was a significant part of this story. No one, however, has adequately documented the role of the slave plantation or given a convincing explanation of the Adelsverein from the German point of view. James C. Kearney has studied a wealth of original source material (much of it in German) to illuminate the history of the plantation and the larger goals and motivation of the Adelsverein, both in Texas and in Germany. Moreover, this new study highlights the problematic relationship of German emigrants to slavery. Few today realize that the society's original colonization plan included ownership and operation of slave plantations. Ironically, the German settlements the society later established became hotbeds of anti-slavery and anti-secessionist sentiment. Responding to criticism in Germany, the society declared its colonies to be "slave free zones" in 1845. This act thrust the society front and center into the complicated political landscape of Texas prior to annexation. James A. Mayberry, among others, suspected an English-German conspiracy to flood the state with anti-slavery immigrants and delivered a fiery speech in the legislature denouncing the society. In the 1850s the plantation became a magnet for German immigration into Fayette and Austin Counties. In this connection, Kearney explores the role and influence of Otto von Roeder, a largely neglected but important Texas-German. Another chapter deals with the odyssey of the extended von Rosenberg family, who settled on the plantation in 1850 and helped to elevate the nearby town of Round Top into a regional center of culture and education. Many members of the family subsequently rose to positions of leadership and influence in Texas. Several notable personalities graced the plantation--Carl Prince of Solms-Braunfels, Johann Otto Freiherr von Meusebach, botanist F. Lindheimer, and the renowned naturalist Dr. Ferdinand Roemer, to name a few. Dramatic events also occurred at the plantation, including a deadly shootout, a successful escape by two slaves (documented in an unprecedented way), and litigation over ownership that wound its way to both the Texas Supreme Court and the U.S. Supreme Court.
Pure food" became the rallying cry among a divergent group of campaigners who lobbied Congress for a law regulating foods and drugs. James Harvey Young reveals the complex and pluralistic nature not only of that crusade but also of the broader Progressive movement of which it was a significant strand. In the vivid style familiar to readers of his earlier works, The Toadstool Millionaires and The Medical Messiahs, Young sets the pure food movement in the context of changing technology and medical theory and describes pioneering laws to control imported drugs and domestic oleomargarine. He explains controversy within the pure food coalition, showing how farming and business groups sought competitive commercial advantage, while consumer advocates wished to promote commercial integrity and advance public health. The author focuses on how the public became increasingly fearful of hazards in adulterated foods and narcotic nostrums and how Congress finally achieved the compromises necessary to pass the Food and Drugs Act and the meat inspection law of 1906. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
William Frederick "Billy" Klair (1875-1937) was the undisputed czar of Lexington, Kentucky, for decades. As political boss in a mid-sized, southern city, he faced problems strikingly similar to those of large cities in the North. As he watched the city grow from a sleepy market town of 16,000 residents to a bustling, active urban center of over 50,000, Klair saw changes that altered not just Lexington but the nation and the world: urbanization, industrialization, and immigration. But Klair did not merely watch these changes; like other political bosses and social reformers, he actively participated in the transformation of his city. As a political boss and a practitioner of what George Washington Plunkitt of Tammany Hall referred to as "honest graft," Klair applied lessons of organization, innovation, manipulation, power, and control from the machine age to bring together diverse groups of Lexingtonians and Kentuckians as supporters of a powerful political machine. James Duane Bolin also examines the underside of the city, once known as the Athens of the West. He balances the postcard view of Bluegrass mansions and horse farms with the city's well-known vice district, housing problems, racial tensions, and corrupt politics. With the reality of life in Lexington as a backdrop, the career of Billy Klair provides as a valuable and engaging case study of the inner workings of a southern political machine.
The first comprehensive history of the state since the publication of Thomas D. Clark's landmark History of Kentucky over sixty years ago. A New History of Kentucky brings the Commonwealth to life, from Pikeville to the Purchase, from Covington to Corbin, this account reveals Kentucky's many faces and deep traditions. Lowell Harrison, professor emeritus of history at Western Kentucky University, is the author of many books, including George Rogers Clark and the War in the West, The Civil War in Kentucky, Kentucky's Road to Statehood , Lincoln of Kentucky, and Kentucky's Governors.
Declared by their author to be a chapter in the moral history of Ireland, this much-acclaimed collection of 15 tales features timeless insights into the human condition. A fine and accessible introduction to the work of one of the 20th-century's most influential writers, it includes a masterpiece of the short-story genre, "The Dead.
A highly dsysfunctional family arrives in Long Islands trendy Hamptons for their annual summer reunion. After a wild night of partying, the family matriarch, Harriett Aubrey Grace, is found dead in the basement, the victim of a horrible accident or a terrible crime. Through the eyes of the estates caretaker, Connelly, the reader relives Harrietts succesful yet sad life and investigates her suspicious death and the sordid list of relatives that might be responsible for the crime. Connelly teams up with Harrietts long estranged but beautiful daughter, Tush, and the duo rush headlong into a murky family history fraught with malevolence and perversion and their own combustible attraction nearly leads them to the brink of disaster. Bravery, heroism, love, hate, jealousy, rage and despair are only some of what the reader uncovers exploring Harrietts empire, an empire that in the end proves to be little more than a pile of dirt.
All the resorts, early inns, and historic hotels, from Stevenson in the north to Point Clear on Mobile Bay, and from Eufaula in the east to Carrollton in the west are included and most importantly, every one is pictured. The collection of illustrations alone makes this a book of prime importance in a state and regional history, a unique record of social life of the past."--Jacket.
Examines the controversial establishment of the first Anglican Church in Boston in 1686, and how later, political leaders John Adams, Samuel Adams, and John Wilkes exploited the disputes as political dynamite together with taxation, trade, and the quartering of troops: topics which John Adams later recalled as causes of the American Revolution.
Clive James presents the "prequel" to his celebrated Cultural Amnesia, forty-nine essays that form a cultural education in one brilliant volume. Following his much-heralded publication of Cultural Amnesia, Clive James presents here his "prequel"-forty-nine essays, which he has selected as representing the best of his half-century career. Cultural Cohesion examines the twisted cultural terrain of the twentieth century in a volume that is not only erudite but also endlessly entertaining. Dividing his book into four sections-"Poetry," "Fiction and Literature," "Culture and Criticism," and ''Visual Images"-James comments on poets like W. H. Auden and Philip Larkin, novelists like D. H. Lawrence and Raymond Chandler, and filmmakers like Fellini and Bogdanovich. Book jacket.
Hilarious and trenchant, Reliable Essays collects the most memorable works of criticism and travel writing from well-loved author and broadcaster, Clive James. With an introduction by Julian Barnes. '[An] intellectual as well as a joker, a wise man as well as a wit' – Observer Whether discussing arts, politics or culture, Clive James opens up new avenues for thought whilst never being less than wonderfully entertaining. From his 'Postcard from Rome' to his observations on Margaret Thatcher, and his insights into Heaney, Larkin and Orwell, Clive is equally at home discussing the nature of celebrity and considering serious political matters. With brilliantly funny examinations of characters like Barry Humphries, Germaine Greer and Marilyn Monroe, this is a thoughtful, analytical and thoroughly enjoyable selection of Clive at his best. '[I]immensely enjoyable' – Telegraph Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
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