In this updated edition, the Godfather of Soul tells--with pride and humor--his own rags-to-riches story of survival and artistic achievement. From his boyhood in a Georgia whorehouse, where Brown used music as an escape from poverty, to international fame, to recent brushes with the law, readers learn the truth behind the legend.
“Continues where Brown’s first memoir, The Los Angeles Diaries, left off. It’s molten stuff, the story of his efforts to control his river of rage.” —Los Angeles Times Award–winning author James Brown gained a cult following after chronicling his turbulent childhood and spiraling drug addiction in The Los Angeles Diaries. This River picks up where Brown left off in his first memoir, describing his tenuous relationship with sobriety, telling of agonizing relapses, and tracking his attempts to become a better father. This is the heartbreaking and at times uplifting tale of Brown’s battles, peeking into his former life as an addict and detailing his subsequent ascent to sobriety and fight for redemption. “A beautifully crafted and intensely moving book. Without artifice or pretension—without false moves of any sort—James Brown goes after the biggest literary game: death, love, children, degeneration, hopelessness, hope. I read this book straight through, in one spellbound sitting, and I will read it again in a week or two. It is so good.” —Tim O’Brien, National Book Award winning–author of The Things They Carried “Beautifully written, this is clear–eyed truth–telling by a man coming to terms with the best and worst in himself and others.” —Booklist “This River pulls no punches—art shouldn’t and Brown doesn’t. The good, the bad, the ugly are all there in a lucid, uncluttered, muscular prose studded with honesty, willpower, and courage. Brown’s is a story of a man who, against overwhelming odds, not only came back from the abyss, but triumphed.” —Duff Brenna, author of AWP Best Novel The Book of Mamie
Music, Magazines & Mayhem Between 1994 and 1997, James Brown's loaded magazine became the the must-buy and must-be-in publication of the decade. It won every award going, year after year, and came to define not only its audience but also a generation. Bright, loud, funny, provocative, ambitious and careless, loaded was read from the barracks of Afghanistan to the England dressing room at Euro '96. It captured a hedonistic lifestyle of alcohol, cocaine and more. The last great hurrah before the end of the century. It was the biggest noise in the golden generation of magazine publishing, rocketing from zero to half a million sales in a matter of months. What MTV had been to the 80s, loaded was to the 90s. ANIMAL HOUSE follows James Brown's remarkable career from a high school drop-out fanzine writer with few qualifications to NME features editor aged 22, and loaded founder at 27. In between, his mother died in tragic circumstances and gradually his own drug and alcohol use began to take over. Loaded's unexpected success legitimised (and paid for) James's lifestyle, and it wasn't until he crashed and burned at GQ, and went through rehab, that any sense of perspective kicked in. Recuperating on the island of Mustique whilst plotting his return with Oz founder Felix Denis, James was asked by neighbour Lord Patrick Lichfield: "How on earth did you manage to sell so many magazines whilst taking so many drugs?" This book is his answer.
“You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, black and white, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history, illuminating not only our understanding of the immensely troubled, misunderstood, and complicated Godfather of Soul, but the ways in which our cultural heritage has been shaped by Brown’s enduring legacy. Praise for Kill ’Em and Leave “A tour de force of cultural reportage.”—The Seattle Times “Thoughtful and probing.”—The New York Times Book Review “Masterly . . . powerful.”—Los Angeles Review of Books “McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to ‘the real James Brown’] as we’ll ever get.”—David Hajdu, The Nation “A feat of intrepid journalistic fortitude.”—USA Today “[McBride is] the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York “Illuminating . . . engaging.”—The Washington Post “A gorgeously written piece of reportage that gives us glimpses of Brown’s genius and contradictions.”—O: The Oprah Magazine
Plagued by the suicides of both his siblings, and heir to alcohol and drug abuse, divorce, and economic ruin, James Brown lived a life clouded by addiction, broken promises, and despair. In The Los Angeles Diaries, he reveals his struggle for survival, mining his past to present the inspiring story of his redemption. Beautifully written and limned with dark humor, these twelve deeply confessional, interconnected chapters address personal failure, heartbreak, the trials of writing for Hollywood, and the life–shattering events that finally convinced Brown that he must "change or die." In "Snapshot," Brown is five years old and recalls the night his mother "sets fire to an apartment building down the street." In "Daisy," Brown purchases a Vietnamese potbellied pig for his wife to atone for his sins, only to find the pig's bulk growing in direct proportion to the tensions in his marriage. Harrowing and brutally honest, The Los Angeles Diaries is the chronicle of a man on a collision course with life, who ultimately finds the strength and courage to conquer his demons and believe once more.
Plagued by the suicides of both his siblings, heir to alcohol and drug abuse, divorce, and economic ruin, novelist James Brown lived a life clouded by addiction, broken promises, and despair. Beautifully written and limned with dark humor, these twelve deeply confessional, interconnected chapters address personal failure, heartbreak, the trials of writing for Hollywood, and the life-shattering events that finally convinced Brown he must change or die.
Beneath the slick, glittering surface of L.A., an underworld of depravity and wickedness reins. Fritz Brown is a part-time private eye and full-time repo-man who gets his kicks listening to classical music. But the waters get too deep for Brown when he takes a case from a cash-flashing golf caddy named Freddy “Fat Dog” Baker that puts him on the trail of his client’s sister and the older gentleman she’s run off with. But more suspicious than his sister, a classy cellist, is Fat Dog himself, who has a past more sordid than he lets on. Diving into a cesspool of payoffs, incest, and arson, Brown’s California dreaming transforms into a technicolor nightmare. In his hypnotic debut, master crime writer James Ellroy takes us to the edge of an abyss, where nothing, not even Beethoven, can let in the light.
Husband, addict, father, skeptic. Now sixty—with years of sobriety under his belt—the celebrated author of The Los Angeles Diaries and This River returns with his most moving work yet. Opening with the tragic tale of an elderly couple consumed by opioid addiction and moving through the horrors of a Las Vegas massacre to the loss of a beloved sponsor, these essays draw on Brown’s personal journey to illustrate how an individual life, in all its messiness and charm, can offer a blueprint for healing. From writing about finding a new path in life while raising three sons, to making peace with the family whose ghosts have haunted him, and helping the next generation of addicts overcome their disease, this haunting and hopeful book is a reinvention of the recovery story and a lasting testimony from the master of the modern memoir. “The third panel in Brown’s masterwork triptych on addiction from youth to sixty, Apology to the Young Addict also accomplishes at last a staggeringly rare mercy—on the ghosts of memory, the ravages of disease, the brutal hypocrisies of religion, and finally—most shockingly—on himself.” —Gina Frangello, author of Every Kind of Wanting and A Life in Men
Renowned novelist James Brown's searing memoir is a wrenching yet often wry chronicle of loss and reaffirmation written in response to a life marked by alcohol and drug abuse; mental illness; economic hardship; and the suicides of his two siblings. Harrowing, brutally honest, and no-holds-barred, The L.A. Diaries unveils Brown's struggle for survival, mining his perilous past to present the inspiring story of his redemption. Beautifully written, moving, and lined with dark humour, these twelve interconnected confessional chapters address personal failure; heartbreak; the trials of writing for Hollywood; and the life-shattering events that finally convinced him he must 'change or die'.
James has a story to tell - and what a story. If you have ever worked in a casino - read on, if you've ever gambled in a casino - read on, or if you'd just like to read about a life of adventure and mayhem starting in 1960's Glasgow (and James is still involved in casinos) - then this is the story for you... You won't regret it! When a family friend offers a young working class lad in Scotland the chance to work in a local casino little does he know the life of adventure which is about to begin. The author describes in tremendous detail the working life of a casino and the antics and scrapes of life outside work - whether he is in GLASGOW, LONDON, NIGERIA, IRAN, YUGOSLAVIA, GREECE, EGYPT OR OTHER EXOTIC LOCATIONS.
This immensely detailed eight-piece compilation documents the fluctuating prices of agricultural produce in England between the thirteenth and eighteenth centuries. Volume 7 Part 1 (edited after the author's death by his son and published in 1902) presents data from 1703 to 1793.
The findings from the excavations (1964-1966) at a prominent mound in the central Jordan Valley are described by the excavator. Strata of occupation extend from the late ninth century B.C. through the Roman period. Each is described in terms of its architecture, pottery, and other artifacts. University Museum Monograph, 60
A Guide to the Identification and Natural History of the Sparrows of the United States and Canada provides comprehensive information on all the features that make possible identification of all 62 species of sparrows that occur in North America. The text gives detailed descriptions of the summer, winter, and juvenile plumages of each species, as well as comparisons with similar species. The species accounts are illustrated with range maps and superb line drawings showing behavioral postures and, where useful, fine features of tail feather patterns. The 27 color plates splendidly illustrate the various plumages of each species with the emphasis on the distinctive appearance of birds of different sex, age, and geographic regions. This beautiful and authoritative book is a must for the library of all keen birders living in and visiting North America. Species accounts include discussions of species': * Identification * Measurements * Voice * Habitat * Ecology * Nesting biology * Distribution * Taxonomy * Geographic variations * Historical and present status
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.
This work provides an authoritative survey of America's long and turbulent history of rebellions against laws and institutions of the state, ranging from violent acts of sedition and terrorism to acts of nonviolent civil disobedience against discriminatory or unjust laws. Crimes against the State is an evenhanded and illuminating one-stop resource for understanding acts of rebellion against legal authorities and institutions and the motivations/goals driving them. Special care is taken to differentiate between hostile acts and actors that seek to overthrow or otherwise damage the state and/or targeted demographic groups through violence (such "bad actors" as the January 6 Capitol mob and bombers of abortion clinics) and acts and actors that seek to defy, reform, or improve laws and institutions of the state through nonviolent action (such "good actors" as activists in the civil rights movement). Within these pages, readers will 1) learn how to differentiate between sedition, insurrection, treason, domestic terrorism, espionage, and other acts meant to injure or overthrow the government; 2) gain a deeper understanding of laws, policies, and events that have aroused violent or nonviolent opposition; 3) gain a deeper understanding of the perspectives and motivations of both good actors and bad actors; and 4) learn about state responses to these challenges and threats, from martial law–style crackdowns to new laws and reforms.
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