James Arness gives the full story on his early years, his family, his military career and his film work in Hollywood, including appearances in the cult-favorite science fiction movies Them! and The Thing. He had a very long run on television's Gunsmoke and a role in the miniseries How The West Was Won. His post-theatrical period is also covered. This is a republication in paperback of the 2001 edition--the long anticipated account of one of the icons of 20th-century television. He offers many anecdotes of interacting with the Gunsmoke family, such as Miss Kitty, Doc and Festus. His own work as a producer is covered. Throughout are previously unpublished photographs from the author's collection. Appendices include comments by show biz colleagues and Gunsmoke alumni, and a sampling of letters received from his fans. Actor and fellow Gunsmoke performer Burt Reynolds has written a foreword to the book.
During television's first fifty years—long before cable networks, Hulu, Netflix, and the like—families would gather around their television sets nightly to watch entertaining shows such as I Love Lucy, Gunsmoke, M*A*S*H, The Beverly Hillbillies, Fantasy Island, and The Rockford Files. Many of the stars of these beloved shows have passed away, but their presence remains intact—not only through their television show performances, which are still viewed and appreciated today, but also through stories they told in interviews over the years. Seasoned journalists and authors James Bawden and Ron Miller have captured provocative and entertaining interviews with important figures from TV's first fifty years. These thirty-nine interviews, selected from conversations conducted from 1971–1998, present a fascinating glimpse of some of television's most influential performers. Featured are exclusive interviews with major stars (including Donna Reed, James Garner, and Ricardo Montalban), icons of comedy (including Lucille Ball, George Burns, and Milton Berle), TV hosts (including Dick Clark and Ed Sullivan), and notable musical entertainers (such as Glen Campbell, Mary Martin, and Lawrence Welk). Each chapter of this volume explores the subject's television work—with detailed behind-the-scenes disclosures—and includes additional information about the subject's performances in film and on stage.
This book is the only comprehensive summary of natural resources of Oregon and adds to World Soil Book Series state-level collection. Due to broad latitudinal and elevation differences, Oregon has an exceptionally diverse climate, which exerts a major influence on soil formation. The mean annual temperature in Oregon ranges from 0°C in the Wallowa and Blue Mountains of northeastern Oregon to 13 °C in south-central Oregon. The mean annual precipitation ranges from 175 mm in southeastern Oregon to over 5,000 mm at higher elevations in the Coast Range. The dominant vegetation type in Oregon is temperate shrublands, followed by forests dominated by lodgepole pine, Douglas-fir, and mixed conifers, grasslands, subalpine forests, maritime Sitka spruce-western hemlock forests, and ponderosa pine-dominated forests. Oregon is divided into 17 Major Land Resource Areas, the largest of which include the Malheur High Plateau, the Cascade Mountains, the Blue Mountain Foothills, and Blue Mountains. The single most important geologic event in Oregon was the deposition of Mazama ash 7,700 years by the explosion of Mt. Mazama. Oregon has soil series representative of 10 orders, 40 suborders, 114 great groups, 389 subgroups, over 1,000 families, and over 1,700 soil series. Mollisols are the dominant order in Oregon, followed by Aridisols, Inceptisols, Andisols, Ultisols, and Alfisols. Soils in Oregon are used primarily for forest products, livestock grazing, agricultural crops, and wildlife management. Key land use issues in Oregon are climate change; wetland loss; flooding; landslides; volcanoes, earthquakes, and tsunamis; coastal erosion; and wildfires.
For decades, James Bawden and Ron Miller have established themselves as maestros of provocative interviews, giving fans unmatched insights into the lives of Hollywood A-listers. In their fourth collection, the authors pay tribute to film pioneers who lit up Tinseltown from the 1930s through the 1960s. They Made the Movies features conversations with legendary directors who created many of film's all-time classics, including Frank Capra (It's A Wonderful Life, 1946), Richard Fleischer (20,000 Leagues Under the Sea, 1954), Alfred Hitchcock (Psycho, 1960), Ralph Nelson (Lilies of the Field, 1963), Robert Wise (The Sound of Music, 1965), and Chuck Jones (How the Grinch Stole Christmas! 1966). Tantalizing firsthand details about many acclaimed films are revealed, such as the revelation of Mervyn LeRoy's first-choice of lead actress for The Wizard of Oz ("Shirley Temple... but Shirley couldn't sing like Judy [Garland]"), Billy Wilder's insights on directing ("You have to be a sycophant, a sadist, a nurse, a philosopher"), and how megaproducer Hal B. Wallis purchased an unproduced play titled Everybody Comes to Rick's and transformed it into Casablanca ("The part [of Sam] almost went to Lena Horne, but I thought she was too beautiful"). The authors also celebrate the contributions of marginalized filmmakers such as Ida Lupino, James Wong Howe, Oscar Micheaux, and Luis Valdez, who prevailed in Hollywood despite the discrimination they faced throughout their careers. They Made the Movies appeals to film and television enthusiasts of all ages.
This work explores the relationship between twenty-five enduring works of horror literature and the classic films that have been adapted from them. Each chapter delves into the historical and cultural background of a particular type of horror--hauntings, zombies, aliens and more--and provides an overview of a specific work's critical and popular reception. Among the print-to-film titles discussed are Frankenstein, Dracula, Doctor Jekyll and Mr. Hyde, The Masque of the Red Death, The Hound of the Baskervilles, The Phantom of the Opera, Psycho, The Exorcist, and The Shining.
Most of us are unaware of how much we depend on quantum mechanics on a day-to-day basis. Using illustrations and examples from science fiction pulp magazines and comic books, The Amazing Story of Quantum Mechanics explains the fundamental principles of quantum mechanics that underlie the world we live in. Watch a Video
This volume serves as an invaluable study guide covering all of the key political, social, and cultural concepts of the turbulent 1960s. The 1960s were a polarizing decade, beginning brightly and with hope but ending in disappointment and disarray. By the end, traditional values had been subverted, political institutions had been overturned, and marginalized groups had battled their own government to win equal rights and freedoms. The clear-cut foreign policies of the postwar era brought mixed results, and the world's mightiest nation became mired in a war it could not win. This overview of the 1960s covers all of the key political, social, and cultural concepts of the decade through topical and biographical entries, primary documents, a sample document-based essay question and top tips, and period-specific learning objectives. The book contains an Introduction that presents the historical themes of the period. Alphabetical encyclopedic entries relating to the period specific themes comprise the core reference material in the book. The book also contains a range of primary documents with their own introductions and a sample document-based essay question. Other features include a list of "Top Tips," a thematically tagged chronology, and a list of specific learning objectives readers can use to gauge their working knowledge and understanding of the period.
Back in the 1960’s, the private investigators were able to disprove fraudulente injury claims by gaining the confidence of claimants and having them perform activities that they had the doctors, attorneys, insurance adjusters and courts convinced could not be performed. The millions of dollars saved by the insurance companies using the ‘Rope Job’ came to a sudden halt in 1970 due to claimants attorneys filing law suits against the insurance companies for invasion of privacy. The claimants attorneys stated their claimants could not be contacted by anyone representing the insurance industry once they became represented by an attorney. Since 1970, the insurance companies spend tens of thousands of dollars for surveillance on what they perceive to be bogus claims and often with no tangeble results.
Ask yourself the big questions, keep an open mind, and learn from some of the greatest thinkers of all time with Agnosticism. Famous martial artist Bruce Lee didnt believe that anyone should be indoctrinated into one specific style of fighting. The best fighter is master of many styles and has the skill to apply the right methods as situations present themselves. Agnostics take the same approach to philosophy and religion. Each religion, as each philosophy, has something to teach. There is no solitary creed that applies to every situation. Some of the worlds greatest thinkers, such as Confucius and Socrates, promoted agnostic ways of thinking. For instance, Confucius said, To know is to know that you know nothing. That is the meaning of true knowledge. Learn more about agnosticism and start asking yourself some big questions with this book: What is the definition of God? Is religion good or evil? What is our purpose in life? How do we as a nation raise strong and independent thinkers? Author James Kirk Wall also offers an agnostic approach to evolution and intelligent design, as well as lessons from great thinkers throughout history and tips on applying agnosticism to business and government. Instead of blindly following one idea or another, start breaking down the shameless walls of ignorance and discover Agnosticism.
The Boys From Lake County" lists the 100 men who originally enlisted in Co A, 73rd Indiana Volunteer Infantry Regiment. It details their age at enlistment, their height, complexion, color of hair, color of eyes, where they were born, where they resided in Lake County, civilian occupation, and what happened to them during the Civil War.
From the outbreak of the Cold War to the rise of the United States as the last remaining superpower, the years following World War II were filled with momentous events and rapid change. Diplomatically, economically, politically, and culturally, the United States became a major influence around the globe. On the domestic front, this period witnessed some of the most turbulent and prosperous years in American history. "Postwar America: An Encyclopedia of Social, Political, Cultural, and Economic History" provides detailed coverage of all the remarkable developments within the United States during this period, as well as their dramatic impact on the rest of the world. A-Z entries address specific persons, groups, concepts, events, geographical locations, organizations, and cultural and technological phenomena. Sidebars highlight primary source materials, items of special interest, statistical data, and other information; and Cultural Landmark entries chronologically detail the music, literature, arts, and cultural history of the era. Bibliographies covering literature from the postwar era and about the era are also included, as are illustrations and specialized indexes.
At a critical stage of the Texas Revolution a large Mexican army surrounded a makeshift fortification known locally as the Alamo. It was there that a small defensive force of mostly Texans had become holed up, and where they vowed to ‘never surrender or retreat’. After a siege lasting thirteen days, the Mexicans assaulted the fortification during the early hours of Sunday, 6 March 1836. Except for a few women and children, and one male slave, everyone inside was killed. All this is well known, and to this day the Alamo Mission is an American national monument sacred to the people of Texas. The Battle of Alamo sits alongside such dramatic last stands as Little Big Horn and Rorke’s Drift as one of the most heroic and sacrificial battles against the odds in military history. But what few realise is that a large number of those who fought and died for Texas at the Alamo were British. For the first time, the stories of these men, their lives and their deaths at the Alamo, are revealed. They include an Englishman named William Blazeby, who led a troop of New Orleans Greys; a Scotsman named John McGregor, who took to his bagpipes and accompanied Davy Crockett on the fiddle to keep up the spirits of the defenders; and an Irishman named Robert Evans, who, as Master of Ordnance was shot down while trying to set light to the gunpowder in the chapel when the battle was lost. Through men such as these, the full story of this iconic encounter in the history of the United States of America is told in detail by the author. The roles of the opposing commanders, the infamous General Santa Anna and Lieutenant Colonel William ‘Buck’ Travis, are also examined. At the same time, James Bancroft also investigates the death of James Bowie, renowned, of course, for his large hunting knife, and Davy Crockett. Exactly how the so called ‘King of the Wild Frontier’ met his end has been the subject of controversial debate ever since Texas fought off its Mexican shackles – thanks in no small measure to those Britons who stood shoulder-to-shoulder with their American comrades on the crumbling walls of the Alamo more than 185 years ago.
Whether it's the hum drum existence of Marion Crane and her illicit love affair, the psychotic antics of Norman Bates, the sudden irrational migration of birds, a crop duster swooping down on Roger Thornhill in the middle of nowhere, or Vincent Vega and Mia Wallace's unforgettable dance at Jack Rabbit Slim's - they are all cinematic moments that forever changed the psyche and viewing experience of American audiences. Bigger Than Blockbusters: Movies That Defined America tells the stories behind the most significant and influential films in American culture, movies that have had a profound influence on the literary, cinematic and popular culture of our time. Arranged chronologically, the volume gives readers an opportunity to place the films within the context of the social and cultural historic dynamic of the time, making this an ideal source for student papers and reports. Each entry includes the filmmaker, actors, release information, a synopsis of the film, critics' reviews, awards, current availability, and then background on the making of the film in an artistic, economic, and technological context. Spanning all genres, including horror and drama, adventure, comedy, musicals, science fiction, and more, this volume is loaded with enough trivia and factoids to satisfy even the most die-hard movie buff. Also included are other Greatest Films compilations from the National Society of Film Critics and noteworthy sources for comparative purposes. Guaranteed to inspire forays into film favorites as well as some very lively debate, this resource is essential reading for film lovers and students alike.
Is a willful little darling driving you to distraction? The New Strong-Willed Child is the resource you need--a classic bestseller completely rewritten, updated, and expanded for a new generation of parents and teachers. Challenging as they are to raise, strong-willed children can grow up to be men and women of strong character--if lovingly guided with understanding and the right kind of discipline. Find out what Dr. James Dobson, today's most trusted authority on parenting, has to say about what makes strong-willed children the way they are; shaping the will while protecting the spirit; avoiding the most common parenting mistake; and much more. If you are struggling to raise and teach children who are convinced they should be able to live by their own rules, The New Strong-Willed Child is a must-read (This new edition is part of Dr. James Dobson's Building A Family Legacy initiative.)
Cod is one of the most widely consumed fish in the world. For many years, the Atlantic cod industry took center stage, but partly thanks to climate change and overfishing, it is more and more likely that the cod on your kitchen table or in your fast food fish fillets came from Alaska’s Pacific Cod Fishery. Alaska Codfish Chronicle is the first comprehensive history of this fishery. It looks at the early decades of the fishery’s history, a period marked by hardship and danger, as well as the dominance of foreign fishermen. And the modern era, beginning in 1976 when the United States claimed an exclusive economic zone around the Alaska coasts, “Americanizing” the fishery and replacing the foreign fleets that had been ravaging the resources in the Gulf of Alaska and the Bering Sea. Today, the Pacific cod fishery is, in terms of poundage, the second largest fishery in Alaska, and considered among the best-managed fisheries in the world. This history is extremely well documented, does not spare details, and is accessible to general readers. It incorporates nearly a hundred photographs and illustrations and is sprinkled with numerous observations from fishing industry journals and reports, even incorporating poems and recipes, making this an especially thorough and unique account of one of Alaska’s most iconic and important industries.
Continuing Dynamite Entertainment's collections of the very best of Vampirella, Volume 4 brings you classic tales spotlighting epic storylines and epic creators from the acclaimed limited series, Vampirella: Blood Lust, by James Robinson and Joe Jusko, who craft a memorable tale of Vampirella's homeworld, Drakulon. Plus classic gems like "Two So Different" by James Robinson and Ray Lago, "Vampirella Vs Dracula" by James Robinson, David Mack, and Rick Mays, "Sanctuary" by Christopher Priest and Alan Davis, "Lust For Life" by Ty Templeton and Bruce Timm, "The New European" by Alan Moore and Gary Frank, "Looking For Mr. Goodwin" by Jeph Loeb and Tim Sale, all joined by Kurt Busiek and Arthur Adams in a rare tale from the vault of Vampirella called "Bugs.
Two decades after its first publication, Roadside Kansas remains the premier guide to the geology, natural resources, landmarks, and landscapes along nine of the Sunflower State's major highways. During that span, however, many aspects of the Kansas landscape changed: the growth of some towns and near disappearance of others, the expansion of highways, the development of industry. Even the rocks themselves changed in places as erosion took its relentless toll. More broadly, there have been changes in the science of geology. This new edition reflects all of these changes and thoroughly updates the previous edition in ways that reinforce its preeminent status. Covering more than 2,600 miles, Buchanan and McCauley organize their book by highway and milepost markers, so that modern-day explorers can follow the road logs easily, learning about the land as they travel through the state. Featuring more than 100 photographs, drawings, and maps, the book also provides deft descriptions of fascinating contemporary and historical features to be seen all across Kansas. Especially in an economic era that has encouraged all of us to travel closer to home, the new edition is sure to be a hit with families from Kansas and the region who decide to explore and learn more about the state and its distinctive wonders. They'll discover what Buchanan and McCauley have known for a long time: Kansas highways provide much more than passage to Colorado or some other state. They are destinations in their own right. Published for the Kansas Geological Survey
James Twitchell takes an in-depth look at the ads and ad campaigns—and their creators—that have most influenced our culture and marketplace in the twentieth century. P. T. Barnum’s creation of buzz, Pepsodent and the magic of the preemptive claim, Listerine introducing America to the scourge of halitosis, Nike’s “Just Do It,” Clairol’s “Does She or Doesn’t She?,” Leo Burnett’s invention of the Marlboro Man, Revlon’s Charlie Girl, Coke’s re-creation of Santa Claus, Absolut and the art world—these campaigns are the signposts of a century of consumerism, our modern canon understood, accepted, beloved, and hated the world over.
The American popular hero has deeply bipolar origins: Depending on prevailing attitudes about the use or abuse of authority, American heroes may be rooted in the traditions of the Roman conquerors of The Aeneid or of the biblical underdog warriors and prophets. This book reviews the history of American popular culture and its heroes from the Revolutionary War and pre-Civil War "women's literature" to the dime novel tales of Jesse James and Buffalo Bill. "Hinge-heroes" like The Virginian and the Rider's of the Purple Sage paved the way for John Wayne's and Humphrey Bogart's champions of civilization, while Jimmy Stewart's scrappy rebels fought soulless bankers and cynical politicians. The 1960s and 1970s saw a wave of new renegades--the doctors of MASH and the rebel alliance of Star Wars--but early 21st Century terrorism called for the grit of world weary cops and the super-heroism of Wonder Woman and Black Panther to make the world safe.
Max starts out as a bum, dressed like a priest and traveling on the roads of the continent. He is a silent man to start; but, he learns to speak again and winds up dodging killers and entertaining the world from AN HOUR LONG TV program. His adoring billion-numbered audience nicknames him THE POET and he tries to justify their faith in him. He has multiple personality disorder.
Originally published in 1994, this important book traces the rise of film propaganda in the 20th Century, discussing specifically how film can be used to manipulate public perception and opinions. Two distinct areas are covered: war propaganda, including feature and documentary films regarding warfare; and civilian propaganda, including films that address a variety of political subjects. Although the focus is American film and American politics, this book offers insights for all those interested in the affect of film on the minds of citizens of any country or state.
Journalists James Bawden and Ron Miller spent their careers interviewing the greatest stars of Hollywood's golden age. They visited Lee Marvin at home and politely admired his fishing trophies, chatted with Janet Leigh while a young Jamie Lee Curtis played, and even made Elizabeth Taylor laugh out loud. In You Ain't Heard Nothin' Yet, Bawden and Miller return with a new collection of rare interviews with iconic film stars including Henry Fonda, Esther Williams, Buster Keaton, Maureen O'Sullivan, Walter Pidgeon, and many more. The book is filled with humorous anecdotes and incredible behind-the-scenes stories. For instance, Bette Davis reflects that she and Katharine Hepburn were both considered for the role of Scarlett O'Hara but neither was "gorgeous enough" for the part; Janet Leigh analyzes the famous shower scene in Psycho (1960), which was shot in seven days and gave the actress nightmares for years; and Jimmy Stewart describes Alfred Hitchcock as a "strange, roly-poly man, interested only in blondes and murder." Popular horror film stars from Lon Chaney Jr. to Boris Karloff and Vincent Price are also featured in a special "movie monsters" section. With first-person accounts of Hollywood life from some of the most distinguished luminaries in the history of American cinema, this entertaining book will delight classic movie fans.
A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor. Spencer Tracy’s image on-screen was that of a self-reliant man whose sense of rectitude toward others was matched by his sense of humor toward himself. Whether he was Father Flanagan of Boys Town, Clarence Darrow of Inherit the Wind, or the crippled war veteran in Bad Day at Black Rock, Tracy was forever seen as a pillar of strength. His full name was Spencer Bonaventure Tracy. He was called “The Gray Fox” by Frank Sinatra; other actors called him the “The Pope.” “The best goddamned actor I’ve ever seen!”—George M. Cohan In his several comedy roles opposite Katharine Hepburn (Woman of the Year and Adam’s Rib among them) or in Father of the Bride with Elizabeth Taylor, Tracy was the sort of regular American guy one could depend on. Now James Curtis, acclaimed biographer of Preston Sturges (“Definitive” —Variety), James Whale, and W. C. Fields (“By far the fullest, fairest, and most touching account . . . we have yet had. Or are likely to have” —Richard Schickel, The New York Times Book Review, cover review), gives us the life of one of the most revered screen actors of his generation. Curtis writes of Tracy’s distinguished career, his deep Catholicism, his devoted relationship to his wife, his drinking that got him into so much trouble, and his twenty-six-year-long bond with his partner on-screen and off, Katharine Hepburn. Drawing on Tracy’s personal papers and writing with the full cooperation of Tracy’s daughter, Curtis tells the rich story of the brilliant but haunted man at the heart of the legend. We see him from his boyhood in Milwaukee; given over to Dominican nuns (“They drill that religion in you”); his years struggling in regional shows and stock (Tracy had a photographic memory and an instinct for inhabiting a character from within); acting opposite his future wife, Louise Treadwell; marrying and having two children, their son, John, born deaf. We see Tracy’s success on Broadway, his turning out mostly forgettable programmers with the Fox Film Corporation, and going to Metro-Goldwyn-Mayer and getting the kinds of roles that had eluded him in the past—a streetwise priest opposite Clark Gable in San Francisco; a screwball comedy, Libeled Lady; Kipling’s classic of the sea, Captains Courageous. Three years after arriving at MGM, Tracy became America’s top male star. We see how Tracy embarked on a series of affairs with his costars . . . making Northwest Passage and Dr. Jekyll and Mr. Hyde, which brought Ingrid Bergman into his life. By the time the unhappy shoot was over, Tracy, looking to do a comedy, made Woman of the Year. Its unlikely costar: Katharine Hepburn. We see Hepburn making Tracy her life’s project—protecting and sustaining him in the difficult job of being a top-tier movie star. And we see Tracy’s wife, Louise, devoting herself to studying how deaf children could be taught to communicate orally with the hearing and speaking world. Curtis writes that Tracy was ready to retire when producer-director Stanley Kramer recruited him for Inherit the Wind—a collaboration that led to Judgment at Nuremberg, It’s a Mad Mad Mad Mad World, and Tracy’s final picture, Guess Who’s Coming to Dinner . . . A rich, vibrant portrait—the most intimate and telling yet of this complex man considered by many to be the actor’s actor.
Annotation The first comprehensive guide to insurance law written from the corporate policyholder's perspective, Policyholder's Guide to the Law of Insurance Coverage provides expert guidance through the labyrinth of legal issues surrounding insuring instruments and underlying claims, plus practical strategies and legal arguments to help you secure coverage for contested claims. Policyholder's Guide addresses virtually every insurance-related legal issue you are likely to encounter in the regular course of business, as well as those issues unique to specialized industries or unusual situations including: Liability policies -- Special liability policies -- First-party policies -- Specialty first-party property policies -- Environmental -- Marine and aviation -- Toxic tort -- Copyright claims issues Litigation in insurance coverage disputes. Policyholder's Guide gives you in-depth analysis of the latest court decisions plus current policy language and cutting-edge legal arguments thatyou may use to advance your case. You also get hundreds of case citations, footnotes, cross-references, checklists and other useful aids to make legal research easy.
John Volpe is a slayer, a stalker, a man with a mission. He is a man with a vengeance. A person ready to pay his debt. He believes in superstition; he feels the terror inside his heart. Journey back in time to the point and reason for his very first killing.
After twenty-two years in the service, Ray Hunter is a disgraced fleet captain, having put his crew and frigate in harms way. Hes about to get kicked out, but he is offered an enticing off-the-books proposition. Admiral Weatherfew tells Hunter he has the right mix of experience in both command and administration, and hed be a perfect fit for a black operation to build a force to counter the rising threat of the Parliamentary Ruling Council. If Hunter accepts, hes told not to fail or the world will be plunged into a dark age of despotism and mayhem, and millions will die. Hunter is asked to enter a non-descript system with no habitable planets to create an infrastructure as a last-ditch effort against the anarchy and chaos thats slowly destroying the empire. He must not only build this safe haven, but gather people and materials to defend it against all comers.
Cancer's attack can be slow and sneaky, siphoning away life from its unsuspecting host in small, initially imperceptible increments, continually and insidiously nudging its intended victim nearer the precipice.
World War II saw the first generation of young men that had grown up comfortable with modern industrial technology go into combat. As kids, the GIs had built jalopies in their garage and poured over glossy, full-color issues of Popular Mechanics; they had read Buck Rogers in the Twenty Fifth Century comic books, listened to his adventures on the radio, and watched him pilot rocket ships in the Saturday morning serials at the Bijou. Tinkerers, problem-solvers, risk-takers, and day-dreamers, they were curious and outspoken—a generation well prepared to improvise, innovate, and adapt technology on the battlefield. Since they were also a generation which had unprecedented technology available to them, their ability to innovate with technology proved an immeasurable edge on the field of combat. This book tells their story through the experience of the battle of Normandy, bringing together three disparate brands of history: (1) military history; (2) the history of science and technology; and (3) social, economic, cultural, and intellectual history. All three historical narratives combine to tell the tale of GI genius and the process by which GI ingenuity became an enduring feature of the American citizen-soldier. GI Ingenuity is in large part an old-fashioned combat history, with mayhem and mass slaughter at center stage. It tells the story of death and destruction on the killing fields of Normandy, as well as the battlegrounds that provide the prologue and postscript to the transformation of war that occurred in France in 1944. This story of GI ingenuity, moreover, puts the battles in the context of the immense social, economic, scientific, and technological changes that accompanied the evolution of combat in the twentieth century. GI Ingenuity illustrates the great transition of the American genius in battle from an industrial-age army to a postmodern military. And it does it by looking at the place where the transition happened—on the battlefield.
Leading a top-secret team into the world's deepest cave to seek a cure for a near-pandemic disease, scientist Hallie Leland encounters regional violence before a mole sabotages the team's efforts. A first novel by the award-winning author of Forever on the Mountain. 35,000 first printing.
(Book). The Modern Amazons: Warrior Women on Screen documents the public's seemingly insatiable fascination with the warrior woman archetype in film and on television. The book examines the cautious beginnings of new roles for women in the late fifties, the rapid development of female action leads during the burgeoning second-wave feminist movement in the late sixties and seventies, and the present-day onslaught of female action characters now leaping from page to screen. The book itself is organized into chapters that group women warriors into sub-genres, e.g., classic Amazons like Xena Warrior Princess and the women of the Conan films; superheroes and their archenemies such as Wonder Woman, Batgirl, and Catwoman; revenge films such as the Kill Bill movies; Sexploitation and Blaxploitation films such as Coffy and the Ilsa trilogy; Hong Kong cinema and warriors like Angela Mao, Cynthia Rothrock, and Zhang Ziyi; sci-fi warriors from Star Trek , Blade Runner , and Star Wars ; supersleuths and spies like the Avengers and Charlie's Angels; and gothic warriors such as Buffy the Vampire Slayer and Kate Beckinsale in Underworld and Van Helsing . In addition, the book is lavishly illustrated with over 400 photos of these popular-culture icons in action, interesting articles and sidebars about themes, trends, weapons, style, and trivia, as well as a complete filmography of more than 150 titles.
James Vincent is a "world class" musician. That he is not a household name is entirely by his choice, yet almost all who have seen him perform or heard his recordings have become his fans. He has written a unique, brutally honest account of his life his childhood and discovery of the guitar; his going on the road at seventeen to play in seedy dives and military service clubs; later, in famous upscale clubs across the country; then making records and playing huge concert venues. James gives us an inside look at the recording industry the studios, the performers, producers and promoters. He gives us behind the scenes insights into many famous personalities names like Santana, Garcia, Harrison and Cetera, and acknowledges some unsung heroes in the music world. His cast of characters includes the very rich and the down and out, the saint and the prostitute, the famous, the infamous and the very bizarre. This is a story about learning the hard way; about dysfunctional families, choices and consequences, lust, infidelity, despair, triumph, tragedy, friendship and betrayal. Most of all, it is a life's journey to discover the meaning of unconditional love and spiritual fulfillment. It is indeed, an odyssey. ?R.J.M.
Our parents left us out without fear for our safety and knew little about what we did. The wonderful freedom of discovering the world on your own. Our days were slow and unorganizedperfect for a kid. I wouldnt change a thing. A wonderful youtha gift that lasts a lifetime.
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