James Applewhite has produced nine extraordinary books of poetry. This volume is the first anthology of his remarkable oeuvre. It brings together chronologically arranged selections from all of his previous books, from the first, published in 1975, through the most recent, published in 2002. Applewhite’s poetry is deeply rooted in the history and rhythms of rural North Carolina, where he was born and raised, and these poems mark stages in an artistic and personal journey he has undertaken over the past thirty years. In impeccable and surprising language, Applewhite depicts the social conventions, changes, frictions, and continuities of small southern towns. He celebrates that which he values as decent and life-enhancing, and his veneration is perhaps most apparent in his response to the natural world, to the rivers and trees and flowers. Yet Applewhite’s love for his native land is not straightforward. His verse chronicles his conflicted feelings for the region that gave him the initial, evocative language of place and immersed him in a blazing sensory world while it also bequeathed the distortions, denials, and prejudices that make it so painful a labyrinth. Rendering troubled legacies as well as profound decency, Applewhite reveals the universally human in a distinctively local voice, within dramatic and mundane moments of hope and sorrow and faith.
In his poem “Afterward,” James Applewhite imagines a curious Eve in the Garden of Eden, her eye falling upon a twisting river and an S-shaped snake before she eats from the tree of knowledge, choosing change over stasis. Applewhite’s new collection Time Beginnings casts a keenly observant eye on the ever-varied natural world and meditates on the place of humans within it. In these philosophical poems, the slow creation of new planets in the farthest reaches of the galaxy mirrors the development of single-celled Earth organisms whose “first awareness . . . foretell[s] a consciousness / of self, the life lived knowing of death.” Meditating upon topics as far-ranging as the movement of photons in the heart of the sun and the single drop of blood on the finger of a girl holding a rosebud, James Applewhite’s poems explore deeply the mysteries of the galaxies and the complexities of being human.
Throughout his long career, James Applewhite has skillfully navigated the world of science through poetry. His new book makes no exception, fearlessly exploring time and consciousness in relation to the universe as described by Big Bang cosmology -- and as experienced by human beings in the everyday world. Applying experiences from his present-day life as well as a multitude of memories from his childhood to scientific theories of the nature of the universe, the poet engages in a patient but relentless -- and finally deeply rewarding -- quest for a sense of meaning in a cosmos whose dimensions of space and time defy the human capacity to imagine. In his quest, Applewhite suggests the continuing possibility of a crucial connection to the universe through our seemingly tiny, evanescent experiences here on planet Earth. The poems in Cosmos help us value the human-related dimensions of being all the more as they are discerned against the cosmic vastness. "We've known for a long time gravitydoesn't exist," Dr. Verlinde said.This adhesion of all mass to itself isfollowing the vector of energy downwardwith the thermodynamic arrow, which pierces uswith our moments. The illusion encloses,scenes in mind return nonsensically -- my foot slips on the slick bank and fora moment suspended in fallingI know the time slow down, seeingthe red-star sweet gum leafsliding with the current's surfacethat holds the late September skyand heat in a thin film. Then I pierce it, splashing through -- the rowboat my brother called the Peanut Shellrocking out from the bank whileI arise back through the brown creekskin and into air of the dream worldI know so well, where Henry is laughing. -- from "Reading the Science News
These poems record the partly predictable, partly random representative days in a year that inspire wonder at their swiftness. Seasonal time is reflected in the changing angle of sunlight, and familial time is marked by birthdays and holiday celebrations. Public events take on both a sense of history and a sense of unreality in the bright glare of media attention and shiny celebrity surfaces. All the various time-orders in which we live overlay one another: a red leaf adrift in a stream is emblematic of autumn’s recurrence; after years of marriage, a couple’s wedding suddenly seems very close. Spurred by the sensation of accelerating days at the turn of the new millennium, James Applewhite explores the interplay of immediate experience and lasting memory, of continuity and change, over time-that elusive, ineffable, yet crucial medium of self-definition and of understanding the cosmos.
These poems integrate the author's personal experience with his wide historical, literary and scientific knowledge to trace the transformation from an older South to a new; from the segregated, small-town world of the poet's grandparents to the contemporary reality of Stealth technology and the Oklahoma city bombing.
In this powerful collection, James Applewhite searches the world, from the back roads of his own American Southeast to the antiquities of Europe, for an expanded awareness of history. Time itself, these poems seem to say, is wholeness, the communion of generations, and it is in history, whether of the world, community, or our own families, that we find the locus of our common yearnings. Lucid, conversational, and utterly compelling, Daytime and Starlight presents through an array of perspectives the ephemera of memory—comic strips, love letters, newsreels, popular music, Greek and Roman statuary—and juxtaposes them with a flawless instinct for the telling detail against contemporary notions of evolution and cosmology. A half-remembered chiaroscuro of Burt Lancaster and Deborah Kerr on the beach, the haunting familiarity of figures in a Renaissance tapestry, the vision of air “green with evening”—in such brief suspensions of time, love and beauty balance regret and loss. Time and again, in poem after poem Applewhite strikes a clear, bell-like tone of affirmation: “We’re all in this together.”
The poems in James Applewhite's accomplished new collection of verse, A History of the River, combine to present a remarkably accurate and affecting portrait of southern culture. The fields, forests, rivers and creeks of North Carolina form the geography of Applewhite's meditations on a way of life driven by change yet rooted in tradition." "In poems of quiet authority Applewhite recalls the men and women - his forebears - who settled this part of the country, living in squared log cabins and timber-framed houses, tilling the soil with mule-drawn plows, treating illness and disease with folk remedies, leading lives defined by hardship but enhanced by the sharing of common bonds. Applewhite also writes of the ways in which the advent of technology - the inexorable stream of automobiles, tractors, electric power lines, and television sets - subtly reshaped the lives of farming families, sometimes digging a gulf between generations. In "A Wilson County Farmer" a middle-aged tobacco planter stands before his house at dusk while, inside, his wife and daughter-in-law are lit by the "television's phosphorescent glow." Life is easier now, he reflects, but less certain and more lonely." "These poems turn on the connection between father and son, mother and daughter, the hard-won passing on of identity between figures standing in different social and psychological worlds. Drawing on the wellsprings of memory and the South's strong tradition of oral history, Applewhite in this book exemplifies what language can do, conveying rich and meaningful content in a voice warm with understanding."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
These poems are the waves emanating from the gravitational fall of my runs by the Eno river," writes James Applewhite, "and other travels, into a self I could not otherwise know. They are my repetitive song of belief in the possibility of presence in language." From "Observing the Sun": On a bank overlooking the Eno, I feel us as lightly aligned As heads of the Queen Anne's lace, Their congregation of angles. Red sun, dilated, has us all In its sights. Against its horizon, I spread my arms like a road sign To mark earth where we are. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
These poems record the partly predictable, partly random representative days in a year that inspire wonder at their swiftness. Seasonal time is reflected in the changing angle of sunlight, and familial time is marked by birthdays and holiday celebrations. Public events take on both a sense of history and a sense of unreality in the bright glare of media attention and shiny celebrity surfaces. All the various time-orders in which we live overlay one another: a red leaf adrift in a stream is emblematic of autumn’s recurrence; after years of marriage, a couple’s wedding suddenly seems very close. Spurred by the sensation of accelerating days at the turn of the new millennium, James Applewhite explores the interplay of immediate experience and lasting memory, of continuity and change, over time-that elusive, ineffable, yet crucial medium of self-definition and of understanding the cosmos.
France and Women, 1789-1914 is the first book to offer an authoritative account of women's history throughout the nineteenth century. James McMillan, author of the seminal work Housewife or Harlot, offers a major reinterpretation of the French past in relation to gender throughout these tumultuous decades of revolution and war. This book provides a challenging discussion of the factors which made French political culture so profoundly sexist and in particular, it shows that many of the myths about progress and emancipation associated with modernisation and the coming of mass politics do not stand up to close scrutiny. It also reveals the conservative nature of the republican left and of the ingrained belief throughout french society that women should remain within the domestic sphere. James McMillan considers the role played by French men and women in the politics, culture and society of their country throughout the 1800s.
Utopian thinking embraces fictional descriptions of how to create a better (but not a perfect) alternative way of life as well as intentional communities (that is, groups of people leading lives in small communities for their own betterment and the betterment of others). The first edition almost exclusively dealt with the intentional-community side of utopianism; this second edition offers a much more inclusive definition of the key term utopia by offering a great many entries devoted to describing fictional or literary utopian works. It is also heavily illustrated with plates from utopian works, especially those from the heyday of utopianism in the late nineteenth century. This second edition of Historical Dictionary of Utopianism contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on broad conceptual entries; narrower entries about specific works; and narrower entries about specific intentional communities or movements. This book is an excellent resource for students, researchers, and anyone wanting to know more about Utopianism.
The second volume of the letters and life of James Dickey. This volume chronicles Dickey's career from the publication of Deliverance through his poetic experimentation in The Eye Beaters, Blood, Victory, Madness, Buckhead and Mercy and Puella. Includes correspondence with Saul Bellow, Arthur Schlesinger, and Robert Penn Warren"--Provided by publisher.
As an ex-soldier and freelance fixer, Danny Gunn is no stranger to violence. Together with his older brother Clay, the pair return to Miami after Danny’s new girlfriend, Chrissie Haims, is found brutally murdered. Her house is torn asunder, but the house invasion gone wrong explanation doesn’t sit well with Danny. In clearing his name, Danny Gunn puts himself on the radar of two Miami detectives, Anderson and Brockovich. The stakes have never been higher for the Gunn brothers as they face mortal danger, from not one but two deadly gangs. On one side; the Southern Unification, an ultra-right brotherhood sworn to violent retribution. On the other side; a wild band of thrillseeking treasure hunters who care nothing for the law. The Gunn brothers have faced death many times before as combat soldiers, but this threat is much closer to home. From the back streets of Miami to the wild and untamed Everglades, the brothers tangle with their deadliest opponents yet.
Social Work Practice in the Military provides military social workers, military scholars, and civilian social workers with an overview of diverse practice settings as well as the history and future of military social work practice to give you an understanding of the military persona as an ethnic identity. This unique book provides in-depth coverage of issues such as family violence, substance abuse, medical social work, combat settings, ethical dilemmas, managed care's impact on the military, and much more. Social Work Practice in the Military is an essential guide for anyone working with military clients, families of military personnel, or near a military installation. This valuable book contains input from top current and past leaders within the ranks of military social workers to bring you a wide spectrum of firsthand ideas and input to help you better assist your military clients. Social Work Practice in the Military will help you better understand the diversity of social work practice within the military and the many unique situations a military social worker must face. This informative book will provide you with specific ways of improving the lives of your military clients and their families, such as: understanding how the most rapidly expanding arena of practice, family advocacy, which includes a broad array of family violence prevention and intervention services, can help military clients learning how TRICARE, the military managed health care program, impacts military families and social workers in order to provide your clients with the best care while working within the limited budget of a managed care program analyzing the historical discussions of the changing view of substance abuse treatment within the military and how you can best provide effective, multilevel services to your clients examining the extensive involvement of military social workers in a myriad of medical social work programs serving patients and families to help you offer the best patient care in situations involving domestic violence and drug abuse discovering essential skills for military social workers, such as, effective involvement in combat or deployed situations Through Social Work Practice in the Military, you will better understand the importance of your many roles as clinician, advocate, policymaker, resource liaison, and organizational consultant and learn how to successfully accomplish every one of these roles. Containing insight into the future directions of practice, this valuable book will help you effectively assist military clients and their families with the various challenges they face.
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