1910, and Corley Roper, an eminent children's author of his age, mourns the death of his young daughter. Estranged from his wife, and wracked by grief, he happens one night upon Mary Wilson, a woman in a similar position, as she mourns her stillborn son. No longer able to inhabit the fictional world that made his name, and haunted by the spectre of this other lost child, Roper decides that it is only through engaging with the real world, and the mystery of Mary Wilson's dispossessed heritage, that he may find purpose. Meanwhile, a young American journalist, Alice Dangerfield, has travelled across the Atlantic on a quest of her own, to track down her most cherished author.
In each installment of 7 Hours, a character is visited by the enigmatic Thomas Constant, who makes a heart-stopping statement: “You are about to die. But you may choose from one of three options: Live seven more hours, travel back in time and relive seven hours, or accept the inevitable and die now.” Luke Harrison is haunted by dreams of an imaginary past. Five years ago his wife, Arianna, fell victim to a horrifying degenerative disease, unraveling all of their dreams in an instant. Luke’s entire life is focused on her care and comfort. But there is an approaching darkness, a malevolent Watcher who seems intent on taking Arianna from Luke. Dreams and reality collide as Luke faces his own impending death. He doesn’t know what's real anymore, and time is running out. The clock is ticking. What will you do with the time you have left?
The Christian rival to Harry Potter has come. Peter Crossings finds his life rather dull-all he really wants is an adventure. But when he is nearly killed by a strange shadow creature from another world, his life is quickly thrust into a journey beyond his imagination. Peter must confront ancient mysteries, Aracites-a race of spider-like creatures, crimson-eyed shadows intent on his death-and most of all, his own fears if he is to save the unimaginable, fantastical world of Eden. Through it all, he must learn to trust in a Power greater than he has ever known. But can Peter remember an event from his past that holds the answer to saving this mystifying world before it's too late? If not, it may cost him his life ..."--Cover.
Garden designer, lecturer and broadcaster Matt James explores how to design an urban outdoor space, no matter the size or location - from balconies and roof terraces to courtyards, basement areas and front gardens, factoring in areas for relaxation, play and growing your own produce. There are 16 step-by-step projects including creating a 'living' green wall, planting under mature trees and making a gravel garden and 13 case studies showing great design in action, with examples from Tom Stuart-Smith, Charlotte Rowe and Christopher Bradley-Hole. Award-winning photographer Marianne Majerus provides the visual inspiration.
James Mussell reads nineteenth-century scientific debates in light of recent theoretical discussions of scientific writing to propose a new methodology for understanding the periodical press in terms of its movements in time and space. That there is no disjunction between text and object is already recognized in science studies, Mussell argues; however, this principle should also be extended to our understanding of print culture within its cultural context. He provides historical accounts of scientific controversy, documents references to time and space in the periodical press, and follows magazines and journals as they circulate through society to shed new light on the dissemination and distribution of periodicals, authorship and textual authority, and the role of mediation in material culture. Well-known writers like H. G. Wells and Arthur Conan Doyle are discovered in new contexts, while other authors, publishers, editors, and scientists are discussed for the first time. Mussell is persuasive in showing how his methodology increases our understanding of the process of transformation and translation that underpins the production of print and informs current debates about the status of digital publication and the preservation of archival material in electronic forms. Adding to the book's usefulness are an extended bibliography and a discussion of recent debates regarding digital publication.
With a rigorous approach and self-imposed limitations to both scale and composition, Tomma Abts (b. 1967) has reinvigorated painterly abstraction and its relevance within contemporary art. Using a fixed canvas size and a vertical format, Abts deploys basic formal elements such as arcs, circles, planes, and stripes to create powerful works that are at once subtle and eccentric. This extraordinary book, designed in collaboration with the artist herself, is a substantial and deeply insightful treatment of her career to date and features sixty works made over the past decade. Essays not only contextualize Abts's work within an art-historical framework of methods, process, and style, but also examine her paintings' philosophical and psychological dimensions and their embodiment of a creative process that transcends the specifics of any particular work. The beautifully designed and illustrated exhibition catalogue examines both the art-historical framework of Tomma Abts's painting as well as its deep philosophical and psychological dimensions. James Rondeau is president and Eloise W. Martin Director of the Art Institute of Chicago. Lizzie Carey-Thomas is head of programs at the Serpentine Galleries in London. Kate Nesin is an independent art historian. Juliane Rebentisch is a professor of philosophy and aesthetics at the Offenbach University of Art and Design in Berlin"--
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