Hauntings lurk and spirits linger in the heart of America Reader, beware! Turn these pages and enter the world of the paranormal, where ghosts and ghouls alike creep just out of sight. Author James A. Willis shines a light in the dark corners of Ohio and scares those spirits out of hiding in this thrilling collection. From ghostly soldiers that still haunt Fort Meigs to the eerie Franklin Castle, there’s no shortage of bone-chilling tales to keep you up at night. There’s even a carved tombstone of an infant at Cedar Hill cemetery, whose ghostly eyes keep watch over those wander too close. Around the campfire or tucked away on a dark and stormy night, this big book of ghost stories is a hauntingly good read.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The legendary tales of Central Ohio reach far beyond the region. Bigfoot-like creatures have been sighted in the state since the 1800s. Wright-Patterson Air Force Base was the headquarters for the military's investigations into UFO sightings in the mid-twentieth century. Some of Johnny Appleseed's earliest orchards were planted near present-day Steubenville, Mansfield and Lima, and a farm in Nova boasts the last tree planted by Appleseed. Join James A. Willis as he travels across Central Ohio and delves into the Buckeye State's stories of murderous villains, courageous heroes and even a few ghosts and monsters.
Scary, mysterious & just plain weird stories from Southern Ohio The southern portion of the Buckeye State has long attracted its fair share of colorful characters and odd occurrences. Infamous bootlegger George Remus rose to power shortly after moving to Cincinnati. Roy Rogers, King of the Cowboys, was born and raised in southern Ohio. Some even say creatures not of this planet are drawn to the area, which has had numerous UFO sightings. In the same region, an unassuming university professor got away with murder, an eccentric built his version of a European castle using nearby river rocks, and a headless motorcycle ghost roams a rural roadway. Ride along with author James A. Willis as he ventures into Southern Ohio in search of all things strange and spooky.
In Timothie Bright and the Origins of Early Modern Shorthand, J.D. Fleming brings together two areas of sixteenth-century intellectual history. One is the period emergence of artificial systems for verbatim shorthand notation—a crucial episode in the history of information. The other is the ancient medical discourse of melancholy humour, or black bile. Timothie Bright (1550–1615), physician and priest, prompts the juxtaposition. For he was the author, not only of the period’s original shorthand manual—Characterie (1588)—but also of the first book in English on the dark humour: The Treatise of Melancholy (1586). Bright’s account of melancholy involves a cybernetic phenomenology of the human. Essentially, we are psyches (souls or minds). We are sealed off from our bodies, operating them as automata across an interface. Psychological presence, for Bright, is illusion and pathology. Engrossing performances or representations therefore bring great danger, and so does the doctrine of predestination—less for its content than its typical delivery. Painful preaching was indispensable in sixteenth-century English Protestantism. But it falls foul of Bright’s proscriptions. These are followed by his publication of the first known system for verbatim shorthand notation since antiquity, its technique heavily inflected toward a vocabulary of the pulpit. The passionate, oral performance of the inspired preacher receives an unprecedented textual preservative—and prophylactic. Bright’s technology of information serves his phenomenology of alienation. This book will be of interest to students and scholars of the early modern period, the tradition of melancholy, and the history of information—as theory, and technology.
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