From properties and processes to design and construction analysis, this book collects the information, data and equations that are needed to design simply and economically on a day-to-day basis. Composites: Design Manual presents the information necessary to facilitate the design and procurement of FRP, Graphite and Aramid Composites. It describes mechanical, physical, and environmental properties of composites and materials such as resins, catalysts, reinforcements, multi-axials, and release agents. Over 100 tables, figures, data sheets, and examples simplify the practicalities of composites.
Four NEW chapters address additional aspects of documentation that rehabilitation professionals will encounter in practice: Legal aspects of documentation Documentation in pediatrics Payment policy and coding Computerized documentation
We think of precision warfare as a modern invention, closely associated with the Gulf War, the Kosovo Campaign and drone technologies. But its origins go back much further in history. As historian James Patton Rogers reveals, this quest to achieve precision in war began in 1917, during the early years of powered flight in the United States. This means that precision has been a significant, if not always achievable, feature of American strategic thought for more than a hundred years. Patton Rogers takes readers on a journey through the twentieth century, highlighting the innovative thinkers of the First World War, the experimental technologies of the Second World War and the surprising Cold War nuclear strategies that made precision the dominant feature it is today. From Russia’s offensive war in Ukraine to Libya, Ethiopia and Nagorno-Karabakh, the conflicts of the twenty-first-century are being fought with precision weapons. Patton Rogers answers two enduring questions: why has precision been such a defining feature of US military thinking? And how has this ambition shaped public and military perceptions of war today?
The origins of baseball are controversial. James A. Vlasich discusses the debates between two men intimately involved in nineteenth-century baseball, Henry Chadwick and Albert G. Spalding. Abner Graves of the Mills Commission claimed that Abner Doubleday had invented the game and he had done it in Cooperstown, New York. This claim was scrutinized at the time but the myth became etched into baseball history. Through the years, however, some critics have questioned the Mills Commission report. The problem is that the Baseball Hall of Fame is built on this shaky foundation. The lack of diligence on the part of Spalding's self-appointed committee has led to a credibility gap for the baseball shrine that continues a half century after its dedication. Indeed, the story of the building of the Baseball Hall of Fame is filled with intrigue worthy of a political thriller.
“Magisterial. ... A must read for anyone who wants to work in Hollywood or just know how Hollywood works.” — The Hollywood Reporter A New York Times bestseller, now updated with an afterword and exclusive new material From the #1 bestselling author behind acclaimed oral histories of Saturday Night Live and ESPN comes "the most hotly anticipated book [in decades]" (Variety): James Andrew Miller's irresistible insider chronicle of the modern entertainment industry, told through the epic story of Creative Artists Agency (CAA)—the ultimate power player that has represented the world's biggest stars and shaped the landscape of film, television, comedy, music, and sports. Started in 1975, when five bright and brash upstarts left creaky William Morris to form their own innovative talent agency, CAA would come to revolutionize Hollywood, representing everyone from Tom Cruise, Meryl Streep, Robert De Niro, and Steven Spielberg to Jennifer Lawrence, J.J. Abrams, Will Smith, and Brad Pitt. Over the next decades its tentacles would spread aggressively into sports, advertising, and digital media. Powerhouse is the fascinating, no-holds-barred saga of that ascent. Drawing on unprecedented and exclusive access to the men and women who built and battled with CAA—including co-founders Michael Ovitz and Ron Meyer and rivals like Ari Emanuel of William Morris Endeavor—as well as the stars themselves, Miller spins a unique and unforgettable tale of brilliance, ambition, betrayal, and outrageous success.
J. M. Adovasio has spent the last thirty years at the center of one of our most fiery scientific debates: Who were the first humans in the Americas, and how and when did they get there? At its heart, The First Americans is the story of the revolution in thinking that Adovasio and his fellow archaeologists have brought about, and the firestorm it has ignited. As he writes, “The work of lifetimes has been put at risk, reputations have been damaged, an astounding amount of silliness and even profound stupidity has been taken as serious thought, and always lurking in the background of all the argumentation and gnashing of tenets has been the question of whether the field of archaeology can ever be pursued as a science.”
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
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