Deems Taylor (1885-1966) was a composer, music critic, author, commentator, translator, and artist. He was the first American composer commissioned to write an opera by New York’s Metropolitan Opera, and composed orchestral and solo works that remain part of the repertoire. He gained fame initially introducing the regular radio broadcasts of the New York Philharmonic in the mid-‘30s; his fame was so great, that animator Walt Disney invited him to be the on-screen host of Fantasia. Taylor wrote for many popular journals, including Vanity Fair and the New Yorker, as well as the daily press, and his work was collecting in many best-selling books. Taylor’s biographer, James Pegolotti, has made a fresh selection of the best of Taylor’s writings on music for this new volume. Divided into parts reflecting a chronological look at Taylor’s entire career, the work exposes the reader to Taylor’s wit and keen intellect. Pegolotti has written brief introductions for each section, placing Taylor’s work in the context of its time. Deems Taylor: Selected Writings brings into full view a forgotten important music reviewer and social commentator of the first half of the twentieth century.
Composer, critic, author, and radio personality, (Joseph) Deems Taylor (1885-1966) was one of the most influential figures in American culture from the 1920s through the 1940s. A self-taught composer, the New York City native wrote such pieces as the orchestral suite Through the Looking Glass and the acclaimed operas The King's Henchman and Peter Ibbetson, the first commissions ever offered by the Metropolitan Opera. Taylor's operatic works were among the most popular and widely performed of his day, yet he achieved greatest fame and recognition as the golden-voiced intermission commentator for the New York Philharmonic radio broadcasts and as the on-screen host of Walt Disney's classic film Fantasia. With his witty, clever, charming, and informative but unpatronizing manner, he almost single-handedly introduced classical music to millions of Americans across the nation. In this first biography of Taylor, James A. Pegolotti brings to life the remarkably multi-talented man within the context of his times. The captivating portrait recounts his formative years in the Bronx, his college years at New York University, where he composed four successive varsity musicals, his journalistic career first as a writer for the New York Tribune Sunday Magazine and then as the powerful music critic for the New York World, and his musical triumphs. Pegolotti also details Taylor's stints as editor of Musical America, president of the American Society of Composers, Authors and Publishers (ASCAP), best-selling author of Of Men and Music and other books, collaborator with Disney and Leopold Stokowski on Fantasia, and even judge for the Miss America pageant. He describes how Taylor used his critic's pulpit to champion American music, opera, and musicians, and also chronicles his colorful personal life, including his third marriage at age sixty to a twenty-year-old costume designer. Enlivened with such figures as George Gershwin, Jerome Kern, F. Scott Fitzgerald, Ayn Rand, and Taylor's fellow Algonquin Round Table tastemakers, this in-depth, well-balanced, and objective biography will stand as the definitive work on the great American composer-critic.
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