Dramatic changes in political institutions and behavior over the past three decades have underscored the dynamic nature of American politics, confronting political scientists with a new and pressing intellectual agenda. The pioneering work of early postwar scholars, while laying a firm empirical foundation for contemporary scholarship, failed to consider how American politics might change or recognize the forces that would make fundamental change inevitable. In reassessing the static interpretations fostered by these classic studies, political scientists are now examining the underlying dynamics that generate transformational change. Transforming American Politics is a series that brings together texts addressing four closely related aspects of change. A first concern is documenting and explaining recent changes in American politics—in institutions, processes, behavior, and policymaking. A second is reinterpreting classic studies and theories to provide a more accurate perspective on postwar politics. The series looks at historical change to identify recurring patterns of political transformation within and across the distinctive eras of American politics. Last and perhaps most important, the series presents new theories and interpretations that explain the dynamic processes at work and thus clarify the direction of contemporary politics. All of the books focus on the central theme of transformation—transformation in both the conduct of American politics and in the way we study and understand its many aspects.
Barack Obama entered office on a wave of popular expectation; will he exit at the hands of a Tea Party inspired populist tsunami or return for four more years? Obama in Office brings together well-established political scientists and journalists to offer the first detailed assessment of President Obama and his first two years in office. This book covers the range of policy tests which the administration has faced during this period, including the recession and its jobless recovery, health care reform, financial regulation, the BP oil leak in the Gulf of Mexico, and the ongoing war in Afghanistan. Looking beyond the midterms, Obama in Office considers the results of 2010, the impact of the Tea Party, and the prospects for 2012.
In Conversations with James Thurber this remarkable man who has been called America¿s twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing. These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world. As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.
The WISP series (short for Wonderfully Illustrated Short Pieces) represents an ingenious marriage of two creative forces: the artistry of today's foremost children's book illustrators and the literary legacy of beloved authors of popular short works for adults. The resulting offspring of this union are captivating, full-color illustrated editions of timeless classics that readers will want to savor and collect. For the first time ever, the series makes selected popular short works previously offered only in collections available in a unique, stand-alone format. Also for the first time, WISPs harness the talents of top children's book illustrators for the benefit and delight of a new, older audience. The unique appeal of WISPs is brought to life in Marc Simont's The Secret Lives of Walter Mitty and James Thurber, which imaginatively renders the fantastic adventures of the famed protagonist in Thurber's beloved story, first published in 1939. Also included in this edition are Simont's renderings of Thurber's tongue-in-cheek autobiographical essay "The Secret Life of James Thurber", which first appeared in The New Yorker in 1943 and is not widely available. These one-of-a-kind, attractively priced and invitingly formatted illustrated editions will make a great impulse buy with broad appeal.
In Conversations with James Thurber this remarkable man who has been called America¿s twentieth-century Mark Twain and who was one of the great talkers of his time expresses his opinions on just about everything and recounts stories and anecdotes about his life which provided the basis for much of his humor writing. These entertaining interviews, conducted by Arthur Miller, Harvey Breit, George Plimpton, Arthur Gelb, and others, span twenty-two years, from 1939--1961. In them Thurber recalls his youth in Columbus, Ohio, his struggles as a student at Ohio State University, and his days of literary and journalistic apprenticeship in Europe as a code clerk and newspaperman who had to recreate entire stories from a few words of coded copy provided by the wire service. He tells too of his early days in New York City when he joined the staff of The New Yorker, of the origins of his drawings, of the pleasures that word games and mental puzzles gave him, and of his increasing blindness and its effect on his work and his perception of the world. As a man who like to express his opinions and to have an audience, Thurber enjoyed interviews and rarely refused to grant them. With the interview format he became so skilled that he perfected the interview-monologue into a Thurberesque art form, the oral equivalent of the autobiographical essay that he refined in his prose.
Pure food" became the rallying cry among a divergent group of campaigners who lobbied Congress for a law regulating foods and drugs. James Harvey Young reveals the complex and pluralistic nature not only of that crusade but also of the broader Progressive movement of which it was a significant strand. In the vivid style familiar to readers of his earlier works, The Toadstool Millionaires and The Medical Messiahs, Young sets the pure food movement in the context of changing technology and medical theory and describes pioneering laws to control imported drugs and domestic oleomargarine. He explains controversy within the pure food coalition, showing how farming and business groups sought competitive commercial advantage, while consumer advocates wished to promote commercial integrity and advance public health. The author focuses on how the public became increasingly fearful of hazards in adulterated foods and narcotic nostrums and how Congress finally achieved the compromises necessary to pass the Food and Drugs Act and the meat inspection law of 1906. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The legendary tales of Central Ohio reach far beyond the region. Bigfoot-like creatures have been sighted in the state since the 1800s. Wright-Patterson Air Force Base was the headquarters for the military's investigations into UFO sightings in the mid-twentieth century. Some of Johnny Appleseed's earliest orchards were planted near present-day Steubenville, Mansfield and Lima, and a farm in Nova boasts the last tree planted by Appleseed. Join James A. Willis as he travels across Central Ohio and delves into the Buckeye State's stories of murderous villains, courageous heroes and even a few ghosts and monsters.
A comprehensive collection of the American humorist’s best work—including “The Secret Life of Walter Mitty”—plus original drawings and a chronology of Thurber’s own troubled life James Thurber, whimsical fantasist and deadpan chronicler of everyday absurdities, brought American humor into the 20th century. His comic persona, a modern city-dweller whose zaniest flights of free association are tinged with anxiety, remains hilarious, subtly disturbing, and instantly recognizable. Here, in over 1,000 pages, editor Garrison Keillor presents the best and most extensive collection ever assembled. Pieces include “The Secret Life of Walter Mitty” and “The Catbird Seat,” the brilliantly satirical Fables for Our Time, the classic My Life and Hard Times, and the best of The Owl in the Attic, Let Your Mind Alone!, My World—And Welcome to It, and the other famous books. Plus 500 wonderful drawings, including The Seal in the Bedroom and celebrated sequences like “The Masculine Approach” and “The War Between Men and Women.” Rounding out the volume is a selection from The Years with Ross, a memoir of the New Yorker publisher, and a number of wonderful early pieces never collected by Thurber. Only a book of this scope can do justice to Thurber’s extraordinary career and to the many unexpected turns of his comic genius. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
James Thurber was a comedic genius. His fables are not simply parodies of Aesop. They are wry, accurate, and powerful reflections of ourselves, our foibles, our follies, and, above all, our self-importance. And they are very, very funny." --Neil Gaiman James Thurber has been called “one of the world’s greatest humorists” by Alistair Cooke (TheAtlantic), and “one of our great American institutions” (Stanley Walker)—and few works reveal Thurber’s genius as powerfully as his fables. Perennially entertaining and astutely satirical, Thurber pinpricks the idiosyncrasies of life with verbal frivolity, hilarious insights, political shrewdness, and, of course, quirky, quotable morals. Now, readers can savor 85 fables by the twentieth century’s preeminent humorist collected for the first time in a single anthology. Here, Fables for Our Time, Further Fables for Our Time, and ten previously uncollected fables—illustrated by ten contemporary artists including Seymour Chwast, Mark Ulriksen, Laurie Rosenwald, and R. O. Blechman—are presented in Collected Fables, a must-have for readers of all ages.
This timely and accessible book explores the shifting representations of schoolteachers and professors in plays and performances primarily from the twentieth and twenty-first centuries in the United States. Examining various historical and recurring types, such as spinsters, schoolmarms, presumed sexual deviants, radicals and communists, fascists, and emasculated men teachers, Wilson shines the spotlight on both well-known and nearly-forgotten plays. The analysis draws on a range of scholars from cultural and gender studies, queer theory, and critical race discourses to consider teacher characters within notable education movements and periods of political upheaval. Richly illustrated, the book will appeal to theatre scholars and general readers as it delves into plays and performances that reflect cultural fears, desires, and fetishistic fantasies associated with educators. In the process, the scrutiny on the array of characters may help illuminate current attacks on real-life teachers while providing meaningful opportunities for intervention in the ongoing education wars.
One of the greatest American humorists of our century, Thurber was not a man to shrink from danger--as long as he was safely ensconced behind his typewriter or drawing board. Here is a collection of ruminations on everyday villainy--stories, articles and drawings on the evil that men and women do. 32 line drawings.
A house without a dog is not a home. Meet Gaspard the Dalmatian who hates the London rain but loves a good sing along to The Antiques Roadshow; jet-setting Rufus and Marni, two wire-haired dachshunds who can often be found sniffing out vintage finds in Brooklyn’s flea markets; or Jack Russell Ollie who enjoys the views of the Eiffel Tower from his gorgeous Parisian apartment. Featuring big dogs, small dogs, countless rescue dogs and even a few champions, these stunning photographs celebrate the joyful, cherished, chaotic, but never dull life that’s lived with dogs. Each image perfectly capturing that unique relationship between us humans and our beloved pets.
In the spring of 1865, the first spring after the end of the Civil War, three baseball clubs were founded in downtown Columbus. This local enthusiasm for the game reflected the national trend during the post-war era, when baseball, or "base ball" as it was called, was spreading rapidly throughout the United States. Baseball in Columbus begins with these earliest baseball pioneers and tells the story of the national pastime in the capital city right up to the present-day Columbus Clippers of the International League. Columbus first made the "big leagues" in 1883 with the Columbus Buckeyes of the American Association, and local fans have embraced the city's teams and players ever since. Several of baseball's greats once wore a Columbus uniform during their minor league careers, including Enos Slaughter, Joe Garagiola, Harvey Haddix, Willie Stargell, Derek Jeter, and Bernie Williams.
The late James M. Cain was a newspaperman, playwright, and novelist. Although best known for his controversial novels (The Postman Always Rings Twice, Double Indemnity, Mildred Pierce, Serenade, The Butterfly, and Past All Dishonor), Cain always considered himself a journalist, a "newpaperman who wrote yarns on the side." The book includes some of Cain's best articles and essays. The material is sometimes serious, sometimes humorous and provides a unique look at 60 years of history.
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