A history of the largely forgotten peasant revolution that swept central and eastern Europe after World War I—and how it changed the course of interwar politics and World War II As the First World War ended, villages across central and eastern Europe rose in revolt. Led in many places by a shadowy movement of army deserters, peasants attacked those whom they blamed for wartime abuses and long years of exploitation—large estate owners, officials, and merchants, who were often Jewish. At the same time, peasants tried to realize their rural visions of a reborn society, establishing local self-government or attempting to influence the new states that were being built atop the wreckage of the Austro-Hungarian and Russian Empires. In The Last Peasant War, Jakub Beneš presents the first comprehensive history of this dramatic and largely forgotten revolution and traces its impact on interwar politics and the course of the Second World War. Sweeping large portions of the countryside between the Alps and the Urals from 1917 to 1921, this peasant revolution had momentous aftereffects, especially among Slavic peoples in the former lands of the Austro-Hungarian Empire. It enabled an unprecedented expansion of agrarian politics in the interwar period and provided a script for rural resistance that was later revived to resist Nazi occupation and to challenge Communist rule in east central Europe. By shifting historical focus from well-studied cities to the often-neglected countryside, The Last Peasant War reveals how the movements and ambitions of peasant villagers profoundly shaped Europe’s most calamitous decades.
This is an open access book. Media industry research and EU policymaking are predominantly tailored to large (and, in the latter case, Western) European markets. This open access book addresses the specific qualities of smaller media markets, highlighting their vulnerability to global digital competition and outlining survival strategies for them. New online distribution models and new trends in the consumption of audiovisual content are limited by, and pose new challenges for, existing audiovisual business models and their legal framework in the EU. The European Commission's Digital Single Market (DSM) strategy, which was intended e.g. to remove obstacles to the cross-border distribution of audiovisual content, has triggered a heated debate on the transformation of the existing ecosystem for European screen industries. While most current discussions focus on the United States, Western Europe, and the multinational giants, this book approaches these industry trends and policy questions from the perspective of relatively small and peripheral (in terms of their population, language, cross-border cultural flows, and financial and/or symbolic capital) media markets. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
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