“The road novel—or the road half-novel—has rarely been funnier or more appealing.”—Benjamin Moser, Harper’s In the great American tradition of funny road narratives— from Mark Twain to Hunter S. Thompson—a young journalist searches for his first big break down the lonesome highways of the Southwest and northern Mexico. Alternating chapters of fiction and nonfiction provide a hilarious account of Jake Silverstein’s misadventures on the hunt for an elusive magazine article—a journey that becomes a quest to understand the purpose of journalism and the nature of storytelling.
“The road novel—or the road half-novel—has rarely been funnier or more appealing.”—Benjamin Moser, Harper’s In the great American tradition of funny road narratives— from Mark Twain to Hunter S. Thompson—a young journalist searches for his first big break down the lonesome highways of the Southwest and northern Mexico. Alternating chapters of fiction and nonfiction provide a hilarious account of Jake Silverstein’s misadventures on the hunt for an elusive magazine article—a journey that becomes a quest to understand the purpose of journalism and the nature of storytelling.
Competition, the drive for efficiency, and continuous improvement ultimately push businesses toward automation and later towards autonomy. If a business can operate without human intervention, it will minimize its operational cost. If Uber can remove the expense of a driver with an autonomous vehicle, it will provide its service cheaper than a competitor who can’t. If an artificially intelligent trading company can search, find, and take advantage of some arbitrage opportunity, then it can profit where its competitors cannot. A business that can analyze and execute in real-time without needing to wait for a human to act, is a business that will be able to take advantage of brief inefficiencies from other markets or businesses. This trend following a thesis that is based on 100 years of proven economic theory. Short-wave economic cycles, those 5- to 10-year cycles, are driven by credit but the long-wave economic cycles, those 50- to 60-year cycles, are driven by technological revolution. We’ve had 5 cycles over the past 200 years with the last wave, the Age of Information & Telecommunications. We've seen evidence that a new cycle has begun. Technological revolutions come by way of a cluster of new innovations. About a decade ago, you started to see AI, robotics and IoT (sensors) delivering on automation. That’s been powerful, but not transformational. It does not force businesses to fundamentally change how they do business. The last piece of the puzzle was cryptocurrency because it allows us to process and transfer economic value without human intervention. Soon, there will be a global race to build autonomous operations. Businesses and organizations without autonomous operations simply will not be able to compete with those that do because … autonomy is the ultimate competitive advantage. Crypto is the mechanism that will accrue value from being the infrastructure for the next digital financial revolution. Crypto Asset Investing lays out a case that we’ve begun a new technological revolution similar to the Internet Age of the 1990’s. Artificial intelligence, the Internet of Things, robotics and cryptocurrency are converging to deliver on a new age, what I call the Age of Autonomy. Understanding the transformation that’s taken place before anyone else can yield enormous investment opportunity. In this book, you’ll learn how and why to invest in crypto assets.
The book examines key topics such as interpersonal and family relationships in old age, media portrayals of aging, cultural variations in intergenerational communication, and health communication in old age.
Two high school students in a summer arts program at Yale University collaborate on an "anti-guy musical" with the working title, Castration Celebration.
New New York celebrates the newest landmarks of New York—Time Warner Center, Hearst Tower, Brooklyn Bridge Park, The High Line, and more—placing them in the context of the famous and beloved highlights of the city—Rockefeller Center, Brooklyn Bridge, Central Park, Lincoln Center, Metropolitan Museum of Art, Times Square. Award-winning photographer Jake Rajs captures these sites with remarkable color, clarity, and spirit, proclaiming the innovation of the newest of New York and this nostalgia of the old. An essay by architecture critic Philip Nobel offers a lively commentary to set the scene for Rajs’s compelling visual presentation. This wide-ranging portfolio is a vibrant portrait of the energy and creativity that make New York a true world capital.
The Architecture of Survival: Setting and Politics in Apocalypse Films offers a compelling exploration of how popular films and TV series from the past two decades use architectural spaces to comment on socio-political issues. The authors harness varied theoretical perspectives to demonstrate how, through set design, these works suggest that certain kinds of architecture support human development, community, and freedom, while other kinds separate us from our fellow humans and make democratic politics impossible. The clean lines of modernist design serve in films such as Contagion and Ex Machina as a metaphor for the sanitized, sterile politics that drive disaster. In The Walking Dead apocalypse survivors favor traditional architectural styles when rebuilding society, a choice that symbolically affirms their democratic principles. The massive walls and super-gentrification as seen in Elysium and Army of the Dead divide humanity, with those on one side wielding illegitimate power. Empty streetscapes intensify loneliness, alienation, and the destruction of civil norms. "Smart cities," offering a blend of high-tech surveillance and big data, erode social capital and community in Her and Transcendence. The book concludes with a somewhat hopeful glimpse into architecture’s potential to mitigate the catastrophic adverse effects of climate change, as seen in films like Zootopia.
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