Amid the halls of Harvard Law, a professor of legend, James Bradley Thayer, shaped generations of students from 1874 to 1902. His devoted protégés included future Supreme Court justices, appellate judges, and law school deans. The legal giants of the Progressive Era—Holmes, Brandeis, and Hand, to name only a few—came under Thayer’s tutelage in their formative years. He imparted to his pupils a novel jurisprudence, attuned to modern realities, that would become known as legal realism. Thayer’s students learned to confront with candor the fallibility of the bench and the uncertainty of the law. Most of all, he instilled in them an abiding faith that appointed judges must entrust elected lawmakers to remedy their own mistakes if America’s experiment in self-government is to survive. In the eyes of his loyal disciples, Thayer was no mere professor; he was a prophet bequeathing to them sacred truths. His followers eventually came to preside over their own courtrooms and classrooms, and from these privileged perches they remade the law in Thayer’s image. Thanks to their efforts, Thayer’s insights are now commonplace truisms. The Prophet of Harvard Law draws from untouched archival sources to reveal the origins of the legal world we inhabit today. It is a story of ideas and people in equal measure. Long before judges don their robes or scholars their gowns, they are mere law students on the cusp of adulthood. At that pivotal phase, a professor can make a mark that endures forever after. Thayer’s life and legacy testify to the profound role of mentorship in shaping the course of legal history.
“Take a Shot! is a fast and furious ride. It’s Moneyball meets The Hangover! I love it almost as much as my Oscar and Lombardi Trophies.” — Steve Tisch, Chairman, New York Giants & Academy Award–winning producer, Forrest Gump Take a Shot! is the incredible true story of how three unlikely partners—world-famous fitness icon Jake Steinfeld, former Princeton University lacrosse star Dave Morrow, and son of a TV preacher Tim Robertson—broke all the rules and beat all the odds to create Major League Lacrosse. This book will take you on a roller-coaster ride through the ups and downs of starting a business—and not just any business, but a professional sports league built around America’s oldest and most tradition-bound game. Today, Major League Lacrosse is entering its 12th season, and the sport has exploded into the fastest-growing game in the U.S. But it wasn’t always that way . . . not even close. For four crazy, chaotic years, from 1998 to 2001, Jake, Dave, and Tim faced enormous obstacles and endless challenges in their lonely battle to make their lacrosse dream come true. From the earliest inspiration—Jake’s chance reading of a magazine article that got the ball rolling—to the wild search for investors and owners, to the insane setbacks that nearly derailed the league time and time again, to the emotional and triumphant debut of Major League Lacrosse, Take a Shot! is an action-packed, thrill-a-minute adventure story. But this book is also about friendship under fire. It tells the tale of three men from vastly different worlds—Jake, the brash Hollywood icon and driving force behind Major League Lacrosse; Dave, a shy Ivy Leaguer from blue-collar Detroit and the ultimate fish out of water; and Tim, the son of TV evangelist Pat Robertson and a multimedia mogul—who teamed up to try the impossible: start a professional sports league from scratch at a time when other leagues were crashing and burning around them. When Jake recruited Dave to be his partner, neither had any idea what was in store for them, nor what it took to start something like this (after all, who does?). But they had something more important: a gut instinct that, from day one, they could always trust each other. And so, with only a handshake, they ignored all the naysayers who warned them that they were doomed to fail and together built Major League Lacrosse, weathering every crisis and shrugging off each disaster along the way. And in the process, their partnership evolved into an enduring friendship, as Jake helped Dave blossom into a big-time entrepreneur, and Dave—at a crucial moment with everything on the line—came out of his shell and justified Jake’s relentless faith in him.
The basis of the film starring Orlando Bloom and Scott Eastwood, The Outpost is the heartbreaking and inspiring story of one of America's deadliest battles during the war in Afghanistan, acclaimed by critics everywhere as a classic. At 5:58 AM on October 3rd, 2009, Combat Outpost Keating, located in frighteningly vulnerable terrain in Afghanistan just 14 miles from the Pakistani border, was viciously attacked. Though the 53 Americans there prevailed against nearly 400 Taliban fighters, their casualties made it the deadliest fight of the war for the U.S. that year. Four months after the battle, a Pentagon review revealed that there was no reason for the troops at Keating to have been there in the first place. In The Outpost, Jake Tapper gives us the powerful saga of COP Keating, from its establishment to eventual destruction, introducing us to an unforgettable cast of soldiers and their families, and to a place and war that has remained profoundly distant to most Americans. A runaway bestseller, it makes a savage war real, and American courage manifest. "The Outpost is a mind-boggling, all-too-true story of heroism, hubris, failed strategy, and heartbreaking sacrifice. If you want to understand how the war in Afghanistan went off the rails, you need to read this book." -- Jon Krakauer
The riveting, disturbing exposé of the vice president who co-opted executive control over the U.S. government and became the “shadow president” of the George W. Bush administration. Dick Cheney was the most powerful yet most unpopular vice president in U.S. history. He thrived alongside a president who had little interest in policy and limited experience in the ways of Washington. Yet Cheney’s quiet, steady rise to prominence over a span of three decades occurred largely behind the scenes. He survived the collapse of the Nixon presidency, finding a position in the administration of Gerald Ford. He was then elected to the House of Representatives, and later he earned a spot in the cabinet of the first Bush presidency. But when he became George W. Bush’s running mate, Cheney reached a new level of influence. From engineering his own selection as vice president to his support of policies allowing torture as a permissible weapon in the “war on terror,” Cheney steered America consistently rightward. In Vice, veteran reporters Lou Dubose and Jake Bernstein uncover startling revelations, including • the extraordinary intimidation of CIA officials by a vice president bent on obtaining intelligence to support a foregone conclusion: the invasion of Iraq • details on Cheney’s secret energy task force, including his meeting with Enron chief Ken Lay months before Lay was indicted—and how Cheney went to court to erode the powers of Congress • how Cheney helped to kill 2003 diplomatic overtures from Iran to discuss concessions on its nuclear program and policy toward Israel • Cheney’s role in engineering multibillion-dollar military contracts in Iraq to benefit Halliburton, the company he once ran In the words of one of Cheney’s colleagues from the House: “Dick keeps his own counsel. He’s completely in control. He’s completely sure of himself in everything he does. It’s what got him to where he is today: the most powerful vice president to ever hold office. It’s also what’s bringing about his downfall.”
The Church of Jesus Christ of Latter-day Saints adopted the vocal and theatrical traditions of American musical theater as important theological tenets. As Church membership grew, leaders saw how the genre could help define the faith and wove musical theater into many aspects of Mormon life. Jake Johnson merges the study of belonging in America with scholarship on voice and popular music to explore the surprising yet profound link between two quintessentially American institutions. Throughout the twentieth and twenty-first centuries, Mormons gravitated toward musicals as a common platform for transmitting political and theological ideas. Johnson sees Mormons using musical theater as a medium for theology of voice--a religious practice that suggests how vicariously voicing another person can bring one closer to godliness. This sounding, Johnson suggests, created new opportunities for living. Voice and the musical theater tradition provided a site for Mormons to negotiate their way into middle-class respectability. At the same time, musical theater became a unique expressive tool of Mormon culture.
Color illustration on front cover three superimposed vignettes: man in pink shirt embracing a woman with brown hair and purple dress, face of a man in a hat, and a man on a white horse in desert landscape.
Laredo was the only man ever to escape from the infamous Mexican prison called Rebano. All he wanted was his land, but they'd stolen that while he was in that hell-hole. So he set out to take back what was his. Old friends became enemies and strangers became friends. Laredo would walk his land once again ... or die trying.
Features only the most useful and best-funded fellowships and grants. Includes valuable advice from successful students on eligibility requirements, applications, interviews, and essays.
Una clinica psichiatrica, un dottore annoiato, che in poche ore sprofonda in un incubo. Terence Adams non riesce a capire dove sia finito tutto il personale medico, e si ritrova da solo, a doversi nascondere, per evitare di essere aggredito dai pazienti, in una notte di follia collettiva. Ma c’è qualcosa di strano, che lui non si riesce a spiegare. Terence scappa, si rifugia a casa, ma sua moglie non lo riconosce. Nessuno sembra più riconoscerlo. Il confine fra realtà e pazzia si fa flebile, e l’unico modo di comprendere cosa sia davvero successo è tornare alla clinica, pur sapendo le conseguenze che lo aspettano. Le camere sprofondarono nel silenzio. Solo dopo un paio d’ore cominciò a udire dei rumori che provenivano dal corridoio. Erano dei passi. Numerosi passi. Terence si alzò, riabbottonò il camice e rimase in ascolto. I passi proseguivano verso di lui, e ogni secondo che passava si facevano sempre più pesanti e affrettati. A un tratto, udì bussare alla porta del suo ufficio. «Sì?...» Cercò di capire chi fosse. «Apri» ordinò la voce. L’aveva riconosciuto subito. Era Todd, il più anziano dei suoi pazienti. Soffriva di schizofrenia acuta. Alternava momenti di lucidità a momenti di completa pazzia, in cui credeva di essere un genio della scienza. A volte lo aveva scoperto mentre con il pennarello sperimentava formule astruse, scrivendole su tutti i muri della sua stanza. «Cosa vuoi?» chiese Terence, provando una leggera apprensione. «Non puoi stare lì» rispose Todd. «Devi stare con noi.» Cos’era accaduto? Dove erano i suoi colleghi? La dottoressa Malcolm, il dottor Brown, gli altri? Terence cominciò a preoccuparsi. Tutti i pazienti erano fuori dalle loro stanze, quando avrebbero dovuto essere a letto. «Chi c’è con te, Todd?» volle sapere Terence. «Ci sono Ursula, Clark e tutti gli altri» rispose lui. La sua voce era agitata e frenetica. Il dottore udì gli altri dimenarsi da dietro la porta e cominciò a temere il peggio. «Dove sono i medici?» «Li abbiamo già sistemati. Ora tocca a te, dottore.» Todd pronunciò l’ultima parola con accento allusivo e la sua voce vibrò, completamente in balìa della rabbia.
Im Yellowstone Park bricht ein Supervulkan aus, der Nordamerika ins Chaos stürzt und den Rest der Welt in Panik versetzt. Verzweifelt und unter Anwendung aller Mittel versuchen die Menschen dem Megaausbruch zu entkommen, denn sie wissen, dass er den Kontinent und die Welt in einem ewigen Aschewinter versinken lassen wird. Doch egal, was die Menschheit unternimmt, um mit dieser Katastrophe fertig zu werden – nichts kann sie auf das vorbereiten, was aus der Asche steigt: Kaiju!
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