The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
In contemporary culture, existing audiovisual recordings are constantly reused and repurposed for various ends, raising questions regarding the ethics of such appropriations, particularly when the recording depicts actual people and events. Every reuse of a preexisting recording is, on some level, a misuse in that it was not intended or at least anticipated by the original maker, but not all misuses are necessarily unethical. In fact, there are many instances of productive misuse that seem justified. At the same time, there are other instances in which the misuse shades into abuse. Documentary scholars have long engaged with the question of the ethical responsibility of documentary makers in relation to their subjects. But what happens when this responsibility is set at a remove, when the recording already exists for the taking and repurposing? Reuse, Misuse and Abuse surveys a range of contemporary films and videos that appropriate preexisting footage and attempts to theorize their ethical implications.
The Archive Effect: Found Footage and the Audiovisual Experience of History examines the problems of representation inherent in the appropriation of archival film and video footage for historical purposes. Baron analyses the way in which the meanings of archival documents are modified when they are placed in new texts and contexts, constructing the viewer’s experience of and relationship to the past they portray. Rethinking the notion of the archival document in terms of its reception and the spectatorial experiences it generates, she explores the ‘archive effect’ as it is produced across the genres of documentary, mockumentary, experimental, and fiction films. This engaging work discusses how, for better or for worse, the archive effect is mobilized to create new histories, alternative histories, and misreadings of history. The book covers a multitude of contemporary cultural artefacts including fiction films like Zelig, Forrest Gump and JFK, mockumentaries such as The Blair Witch Project and Forgotten Silver, documentaries like Standard Operating Procedure and Grizzly Man, and videogames like Call of Duty: World at War. In addition, she examines the works of many experimental filmmakers including those of Péter Forgács, Adele Horne, Bill Morrison, Cheryl Dunye, and Natalie Bookchin.
From senior electrophysiologist and world-class educator George Klein, a fully illustrated guide with over 100 intracardiac tracings and figures that allow the physician to approach electrophysiologic problems effectively and systematically. The book is especially focused on electrophysiological maneuvers and provides a clear and understandable guide to their proper selection and interpretation using abundant clinical examples. Defines the integral role for "traditional" electrogram (EGM) analysis in order to understand the mechanism of a tachycardia. It goes without saying that a correct arrhythmia diagnosis is a prerequisite to catheter ablation regardless of the presence of sophisticated mapping and imaging technologies. Electrophysiological maneuvers are fundamental to this process, and proper selection and interpretation of maneuvers constitute a core skill of the electrophysiologist. In this volume, we make the case that most maneuvers are fundamentally similar in principle and can be understood by appreciating a few basic physiological and anatomical principles. The art lies not in a comprehensive knowledge by rote of every maneuver or its application, but rather a systematic approach using common principles. We illustrate this by showing abundant examples and emphasizing the "game plan," including checklists that can be applied to virtually any maneuver. —George J. Klein In my opinion, this book should be on the shelf of every electrophysiologist trainee as well as every clinical cardiac electrophysiologist. It is a classic, like its editor. Dr. Klein deserves high praise for organizing his and his colleagues’ clinical experiences and thought processes into a concise, practical text that should be part of all training programs in electrophysiology. —From the foreword by Mark E. Josephson, MD
Jeremy (Jez) ScozzariAt the age of four, I was kidnapped by an enemy of my father, and as a result of that day, I have learned to fight. Since the age of eighteen, I've been known as Jez (One Punch) Scozzari because the full force of my fist is enough to take down my opponent with just one hit. With the help of my dad, I turned into a tatted up machine--built for speed, built for stamina ... in all senses of the word. I was prepared to fight, prepared for practically anything. But nothing had prepared me for the girl who had once stolen my heart to come catapulting back into my life again. One look from her when she turned up that day at college, and I was back to when I was ten-years-old. She was my first crush ... my first kiss. And now that she's back, there's no way I'm going to let her escape this time.Caitlin SummersWhen I was ten, I fell for a boy who stole my heart. He was sweet, kind, and gentle. He was my first kiss--the one who made a lasting impression. Then, at the age of thirteen, I had to move, leaving behind my heart which belonged to that sweet, kind, and gentle boy.Now, I'm back, hearing that the sweet boy I left behind has turned into this tattooed bad boy with a reputation for fighting ... and an equal reputation for sleeping around.I was determined not to let him in. Determined to put my walls up so high that not even the famous "One Punch" Scozzari could penetrate them. But then came my first day of college when I saw him for the very first time in almost six years. One look from him and my solid walls came down with an earth-shattering crash. Just that one look and he had me ... and he knew he had me.That was day one of Jeremy stalking me.I'm screwed.Please note: This book is a standalone. However, it is recommended to read Deviant and Redemption first as it contains characters who are in Scozzari.Warning: Contains scenes which readers may find upsetting. Please proceed with caution.
All I Want for Christmas by Gina Rochelle Ditching her faithless fiancé, schoolteacher Isabella plans to spend the holidays alone. But when she unintentionally inspires a young pupil to make an impossible wish, she joins forces with his – totally gorgeous – uncle to put things right! Could two wishes come true this Christmas?
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