An intimate portrait of one of the most charismatic figures to arrive on the car racing scene. Son of the legendary racing driver Gilles Villeneuve, Jacques is quickly following his father's fame. In his autobiography, Jacques brings to life the highs and lows, humor and heartbreak of driving in the intensely competitive environment of Formula 1written in the candid style for which he is known. 200 color photos.
In 1996 Jacques Villeneuve, driving brilliantly in a Rothmans Williams Renault, made a sensational debut in Formula I racing, the sport in which his father was killed in a Ferrari in 1982." "On a race-by-race basis Jacques describes his wheel-to-wheel confrontations with the top drivers in the world, among them his celebrated Rothmans Williams Renault team mate, Damon Hill, and the brilliant Ferrari driver and reigning World Champion, Michael Schumacher. Unphased by such illustrious competition, Jacques became a winner in only his fourth Grand Prix and sped relentlessly onward to establish a brilliant record of success." "Beyond the racing action Jacques provides exclusive insights into his private life, on Grand Prix weekends around the world and at his home in Monaco. His thought-provoking personal philosophy of life and his unique forms of private pleasure (including writing his own music and lyrics) reveal an intimate portrait of one of the most fascinating and charismatic sporting personalities to come along in years."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
An intimate portrait of one of the most charismatic figures to arrive on the car racing scene. Son of the legendary racing driver Gilles Villeneuve, Jacques is quickly following his father's fame. In his autobiography, Jacques brings to life the highs and lows, humor and heartbreak of driving in the intensely competitive environment of Formula 1written in the candid style for which he is known. 200 color photos.
The risk of explosion is inseparable from industrial activity, as we are often reminded by the news. In order to avoid an explosion, it is necessary to understand the phenomena surrounding it, and take the necessary preventive measures to protect society if it comes to the worst-case scenario. This book will detail these phenomena. The Mechanisms of Explosions presents theoretical aspects from a physicochemical point of view and proposes various methods adapted to each type of explosion, including ATEX explosions. The author shares his knowledge of the mechanisms of explosions, acquired during numerous investigations. These 27 case studies – detailing circumstances, mechanisms and the nature and intensity of explosive effects – were selected to cover all of the possible physical or chemical phenomena, substances and mechanisms, without limiting themselves to the most common situations. This book, packed full of information, is designed to benefit those who analyze and investigate explosions, particularly insurance and judicial experts, prevention engineers, security managers and trainers.
Volume Two of this retrospective bibliography is both a continuation and an expansion of Volume One (1984). It contains references to Canadian medical-historical literature published between 1984 and 1998, and also includes much additional material published prior to 1984. Finally, it substantially enlarges the content of French-language material. Every effort has been made to be as inclusive as possible of articles, theses, book chapters and books, both in English and in French, relating to the history of medicine. No single electronic source can replace this bibliography. The contents are divided into three sections. The first is a listing of material expressly biographical. Section two lists material under a wide variety of subject headings related to medicine, and the third is a complete listing of the authors who have contributed these articles. Simply organized and easy to use, this bibliography will be of value to historians, archivists, librarians, and anyone interested in the history of medicine.
Rousseau may be said to have founded the romantic movement. The great ideals of liberty, equality, and fraternity, which inspired the French Revolution, were first formulated by him. He was one of the first thinkers to emphasize the importance of emotion and feeling in human affairs." - Bertrand Russell A new translation into English from the original manuscripts of Rousseau's classic and influential Les Confessions (The Confessions). This is an autobiographical work published in 1790, after his death. Here Rousseau writes about his life, his thoughts, and his experiences, revealing his innermost thoughts and feelings. The book is notable for its frankness and honesty, and for its exploration of the nature of selfhood and identity. His confessions is a romantic masterpiece of self-analysis, and a profound exploration of the nature of subjective experience. He argues that the Cartesian self is not a fixed and immutable entity, but dynamic and evolving.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Between the French defeat in 1940 and liberation in 1944, the Nazis killed almost 80,000 of France's Jews, both French and foreign. Since that time, this tragedy has been well-documented. But there are other stories hidden within it-ones neglected by historians. In fact, 75% of France's Jews escaped the extermination, while 45% of the Jews of Belgium perished, and in the Netherlands only 20% survived. The Nazis were determined to destroy the Jews across Europe, and the Vichy regime collaborated in their deportation from France. So what is the meaning of this French exception? Jacques Semelin sheds light on this 'French enigma', painting a radically unfamiliar view of occupied France. His is a rich, even-handed portrait of a complex and changing society, one where helping and informing on one's neighbours went hand in hand; and where small gestures of solidarity sat comfortably with anti-Semitism. Without shying away from the horror of the Holocaust's crimes, this seminal work adds a fresh perspective to our history of the Second World War.
Among the notable books of later times-we may say, without exaggeration, of all time--must be reckoned The Confessions of Jean Jacques Rousseau. It deals with leading personages and transactions of a momentous epoch, when absolutism and feudalism were rallying for their last struggle against the modern spirit, chiefly represented by Voltaire, the Encyclopedists, and Rousseau himself--a struggle to which, after many fierce intestine quarrels and sanguinary wars throughout Europe and America, has succeeded the prevalence of those more tolerant and rational principles by which the statesmen of our own day are actuated.On these matters, however, it is not our province to enlarge; nor is it necessary to furnish any detailed account of our author's political, religious, and philosophic axioms and systems, his paradoxes and his errors in logic: these have been so long and so exhaustively disputed over by contending factions that little is left for even the most assiduous gleaner in the field. The inquirer will find, in Mr. John Money's excellent work, the opinions of Rousseau reviewed succinctly and impartially. The 'Contrat Social', the 'Lattres Ecrites de la Montagne', and other treatises that once aroused fierce controversy, may therefore be left in the repose to which they have long been consigned, so far as the mass of mankind is concerned, though they must always form part of the library of the politician and the historian. One prefers to turn to the man Rousseau as he paints himself in the remarkable work before us.That the task which he undertook in offering to show himself--as Persius puts it--'Intus et in cute', to posterity, exceeded his powers, is a trite criticism; like all human enterprises, his purpose was only imperfectly fulfilled; but this circumstance in no way lessens the attractive qualities of his book, not only for the student of history or psychology, but for the intelligent man of the world. Its startling frankness gives it a peculiar interest wanting in most other autobiographies.Many censors have elected to sit in judgment on the failings of this strangely constituted being, and some have pronounced upon him very severe sentences. Let it be said once for all that his faults and mistakes were generally due to causes over which he had but little control, such as a defective education, a too acute sensitiveness, which engendered suspicion of his fellows, irresolution, an overstrained sense of honour and independence, and an obstinate refusal to take advice from those who really wished to befriend him; nor should it be forgotten that he was afflicted during the greater part of his life with an incurable disease.Lord Byron had a soul near akin to Rousseau's, whose writings naturally made a deep impression on the poet's mind, and probably had an influence on his conduct and modes of thought: In some stanzas of 'Childe Harold' this sympathy is expressed with truth and power; especially is the weakness of the Swiss philosopher's character summed up in the following admirable lines:"Here the self-torturing sophist, wild Rousseau, The apostle of affliction, he who threw Enchantment over passion, and from woe Wrung overwhelming eloquence, first drew The breath which made him wretched; yet he knew How to make madness beautiful, and cast O'er erring deeds and thoughts a heavenly hue Of words, like sunbeams, dazzling as they passed The eyes, which o'er them shed tears feelingly and fast."His life was one long war with self-sought foes, Or friends by him self-banished; for his mind Had grown Suspicion's sanctuary, and chose, For its own cruel sacrifice, the kind, 'Gainst whom he raged with fury strange and blind. But he was frenzied,-wherefore, who may know? Since cause might be which skill could never find; But he was frenzied by disease or woe To that worst pitch of all, which wears a reasoning show.
This carefully crafted ebook: "Confessions & The Social Contract" is formatted for your eReader with a functional and detailed table of contents. "Confessions" is an autobiographical book which covers the first fifty-three years of Rousseau's life, up to 1765. It was completed in 1769, but not published until 1782, four years after Rousseau's death, even though Rousseau did read excerpts of his manuscript publicly at various salons and other meeting places. He wrote of his own life mainly in terms of his worldly experiences and personal feelings. In "The Social Contract" Rousseau theorized about the best way to establish a political community in the face of the problems of commercial society, which he had already identified in his Discourse on Inequality (1754). The Social Contract helped inspire political reforms or revolutions in Europe, especially in France. The Social Contract argued against the idea that monarchs were divinely empowered to legislate. Rousseau asserts that only the people, who are sovereign, have that all-powerful right.
This meticulously edited Rousseau collection is formatted for your eReader with a functional and detailed table of contents: "Emile, or On Education" or "Émile, or Treatise on Education" is a treatise on the nature of education and on the nature of man. Jean-Jacques Rousseau considered it to be the "best and most important" of all his writings. Emile is scarcely a detailed parenting guide but it does contain some specific advice on raising children. It is regarded by some as the first philosophy of education in Western culture to have a serious claim to completeness, as well as being one of the first Bildungsroman novels. "The Social Contract," originally published as On the Social Contract; or, Principles of Political Rights by Rousseau, is a 1762 book in which Rousseau theorized about the best way to establish a political community in the face of the problems of commercial society, which he had already identified in his Discourse on Inequality (1754). The Social Contract helped inspire political reforms or revolutions in Europe, especially in France "Confessions" is an autobiographical book which covers the first fifty-three years of Rousseau's life, up to 1765. It was completed in 1769, but not published until 1782, four years after Rousseau's death, even though Rousseau did read excerpts of his manuscript publicly at various salons and other meeting places. He wrote of his own life mainly in terms of his worldly experiences and personal feelings.
Based on his doctrine of natural goodness, Rousseau intended the Confessions as a testing ground to explore his belief that, as Christopher Kelly writes, "people are to be measured by the depth and nature of their feelings." Re-created here in a meticulously documented new translation based on the definitive Pléiade edition, the work represents Rousseau's attempt to forge connections among his beliefs, his feelings, and his life. More than a "behind-the-scenes look at the private life of a public man," Kelly writes, "the Confessions is at the center of Rousseau's philosophical enterprise.
The emergence of a true systemic science - the systemic one - capable of rigorously addressing the many problems posed by the design and management of the evolution of modern complex systems is therefore urgently needed if wants to be able to provide satisfactory answers to the many profoundly systemic challenges that humanity will have to face at the dawn of the third millennium. This emergence is of course not easy because one can easily understand that the development of the systemic is mechanically confronted with all the classical disciplines which can all pretend to bring part of the explanations necessary to the understanding of a system and which do not naturally see a good eye a new discipline claim to encompass them in a holistic approach ... The book of Jacques Printz is therefore an extremely important contribution to this new emerging scientific and technical discipline: it is indeed first of all one of the very few "serious" works published in French and offering a good introduction to the systemic. It gives an extremely broad vision of this field, taking a thread given by the architecture of systems, in other words by the part of the systemic that is interested in the structure of systems and their design processes, which allows everyone to fully understand the issues and issues of the systemic. We can only encourage the reader to draw all the quintessence of the masterful work of Jacques Printz which mixes historical reminders explaining how the systemic emerged, introduction to key concepts of the systemic and practical examples to understand the nature and the scope of the ideas introduced.
Widely regarded as the first modern autobiography, The Confessions is an astonishing work of acute psychological insight. Jean-Jacques Rousseau (1712-78) argued passionately against the inequality he believed to be intrinsic to civilized society. In his Confessions he relives the first fifty-three years of his radical life with vivid immediacy - from his earliest years, where we can see the source of his belief in the innocence of childhood, through the development of his philosophical and political ideas, his struggle against the French authorities and exile from France following the publication of Émile. Depicting a life of adventure, persecution, paranoia, and brilliant achievement, The Confessions is a landmark work by one of the greatest thinkers of the Enlightenment, which was a direct influence upon the work of Proust, Goethe and Tolstoy among others.
This book represents a unique collaborative effort to bring together the multiple aspects of the semiotics of images into a coherent approach based on Greimasian and post-Greimasian theory. Starting with a critical discussion of epistemological and theoretical issues and continuing with methodology and numerous examples of applied analysis, it aims to provide the educated reader with a consistent and unified theoretical framework for the semiotic study of visual cultural texts. It offers a comprehensive overview of the semiotics of static images such as painting, drawing, sculpture and photography, but also dynamic images such as cinema, animation and digital games. Readers will benefit from the special emphasis placed on the analysis of the pictorial signifier, visual syntax and the structuring of the semantic universe.
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