When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters
This book represents the first multi-disciplinary introduction to the study of war crimes trials and investigations. It introduces readers to the numerous disciplines engaged with this complex subject, including: Forensic Anthropology, Economics and Anthropometrics, Legal History, Violence Studies, International Criminal Justice, International Relations, and Moral Philosophy. The contributors are experts in their respective fields and the chapters highlight each discipline’s major trends, debates, methods and approaches to mass atrocity, genocide, and crimes against humanity, as well as their interactions with adjacent disciplines. Case studies illustrate how the respective disciplines work in practice, including examples from the Allied Hunger Blockade, WWII, the Guatemalan and Spanish Civil Wars, the Former Yugoslavia, and Uganda. Including bibliographical essays to offer readers crucial orientation when approaching the specialist literature in each case, this edited collection equips readers with what they need to know in order to navigate a complex, and until now, deeply fragmented field. A diverse and interdisciplinary body of research, this book will be indispensable reading for scholars of war crimes.
This book represents the first multi-disciplinary introduction to the study of war crimes trials and investigations. It introduces readers to the numerous disciplines engaged with this complex subject, including: Forensic Anthropology, Economics and Anthropometrics, Legal History, Violence Studies, International Criminal Justice, International Relations, and Moral Philosophy. The contributors are experts in their respective fields and the chapters highlight each discipline’s major trends, debates, methods and approaches to mass atrocity, genocide, and crimes against humanity, as well as their interactions with adjacent disciplines. Case studies illustrate how the respective disciplines work in practice, including examples from the Allied Hunger Blockade, WWII, the Guatemalan and Spanish Civil Wars, the Former Yugoslavia, and Uganda. Including bibliographical essays to offer readers crucial orientation when approaching the specialist literature in each case, this edited collection equips readers with what they need to know in order to navigate a complex, and until now, deeply fragmented field. A diverse and interdisciplinary body of research, this book will be indispensable reading for scholars of war crimes.
When we look at the artworks on display in museums, there is always a real possibility that some of these objects once belonged to victims of the Nazis – a possibility that has remained unacknowledged for far too long. Countless artworks were seized or forcibly sold, with many ending up in museum collections around the world, even in countries which actively fought to defeat Nazi Germany. Nazi-Era Provenance of Museum Collections equips readers with the knowledge and strategies essential for confronting the shadow of the Nazi past in museum collections. Jacques Schuhmacher provides the vital historical orientation required to understand the Nazis’ complex campaign of systematic dispossession and extermination, and highlights the current environment in which museum-based Nazi-era provenance research takes place. This book introduces readers to the research methods and resources that can be used to reveal the moving stories behind the objects, highlighting the absorbing work of provenance researchers as it plays out in practice. Provenance research not only seeks to recover erased names and experiences and to reinsert them into a historical record, but also to ensure that the Nazis’ actions and worldview do not remain unchallenged in the galleries and storerooms of our museums today. Praise for Nazi-Era Provenance of Museum Collections ‘Jacques Schuhmacher has written a hugely powerful, instructive and important book, tracing the historic responsibility of the museum world in addressing the legacy of Nazi-era loot. Fluently combining extensive historical scholarship with his expert understanding of investigative tools, this study uses compelling examples of restitution cases to show how provenance research should be done and, crucially, why it must be done.’ Dr Tristram Hunt, Director of the V&A ‘A timely work drawing upon first-hand experience in Nazi-era provenance research, providing a unique insight into the difficulties thrown up by the period. This book is sure to become a point of reference for those working in the field.’ His Honour Judge Baumgartner, Deputy Chair, UK Spoliation Advisory Panel ‘It is crucially important that we continue researching the history of ownership of our museum collections. Only then can historic wrongs begin to be rectified. By providing both a broad overview and individual case studies, Schuhmacher offers invaluable guidance on the complexities of Nazi-era provenance research’. Gabriele Finaldi, Director of the National Gallery ‘A timely and user-friendly addition to the Provenance literature. Schuhmacher provides a how-to manual (complete with website addresses) and a much-needed clarification of immediate post-war restitution efforts. A must-have for all museum and art-world professionals.’ Lynn H. Nicholas, author of The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War ‘Allowing readers to understand the complex world of Nazi-era provenance research, this book is both a guide and a moving work of research in its own right. Jacques Schuhmacher is uniquely placed to write this book and to further the goal of material restitution.’ Professor Dan Stone, Director of the Holocaust Research Institute, Royal Holloway University of London ‘This is the place to start for anyone wanting to know about provenance research into looted Nazi-era works of art, or wanting to do the research themselves.’ Lord Inglewood, Chairman of the UK Advisory Group on Spoliation Matters
The culmination of forty years of research, The Language of the Inuit maps the geographical distribution and linguistic differences between the Eskaleut and Inuit languages and dialects. Providing details about aspects of comparative phonology, grammar, and lexicon as well as Inuit prehistory and historical evolution, Louis-Jacques Dorais shows the effects of bilingualism, literacy, and formal education on Inuit language and considers its present status and future. An enormous task, masterfully accomplished, The Language of the Inuit is not only an anthropological and linguistic study of a language and the broad social and cultural contexts where it is spoken but a history of the language's speakers.
Designing a new national map of urban topography for Switzerland. The classic volume Switzerland. An Urban Portrait was published in three languages by Birkhäuser Verlag in 2005 and has lost none of its relevance to this day. The result of several years of research by ETH Studio Basel, this three-volume work contains explorations of the multiple layers and facets of Swiss towns and cities by renowned architects Roger Diener, Jacques Herzog, Marcel Meili, Pierre de Meuron, and Christian Schmid, as well as possible and/or desirable scenarios for the future development of country’s main cities and its Alpine region. It also includes maps of urban topography. Leading Swiss architects examine Switzerland’s built environment An important contribution to the discussion of how Switzerland might look in the future Visionary urban topographies in a globalized world
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