In readings that link works of Cervantes, Shakespeare, and Descartes with current debates in philosophy, psychoanalysis, and literary and cultural criticism, the author reassesses the grounds of literary and philosophical history as a materialist practice of eventful reading.
Expert compilation of original sheet music features 38 popular songs from 14 operettas. Complete French texts to selections from Orpheé aux enfers, La belle Hélène, and other operettas, plus English translations.
The deconstruction bombshell that rocked the Anglophone world. Jacques Derrida’s revolutionary approach to phenomenology, psychoanalysis, structuralism, linguistics, and indeed the entire European tradition of philosophy—called deconstruction—changed the face of criticism. It provoked a questioning of philosophy, literature, and the human sciences that these disciplines would have previously considered improper. Forty years after Of Grammatology first appeared in English, Derrida still ignites controversy, thanks in part to Gayatri Chakravorty Spivak’s careful translation, which attempted to capture the richness and complexity of the original. This fortieth anniversary edition, where a mature Spivak retranslates with greater awareness of Derrida’s legacy, also includes a new afterword by her which supplements her influential original preface. Judith Butler has added an introduction. All references in the work have been updated. One of contemporary criticism’s most indispensable works, Of Grammatology is made even more accessible and usable by this new release.
This volume of Critical Studies on Corporate Responsibility, Governance and Sustainability titled Negative Interest Rates: The Black Hole of Financial Capitalism is the English translation of and already published french book about Financial Capitalism. It explores the themes and the consequences of Negative interest and capitalism.
Volume Two of this retrospective bibliography is both a continuation and an expansion of Volume One (1984). It contains references to Canadian medical-historical literature published between 1984 and 1998, and also includes much additional material published prior to 1984. Finally, it substantially enlarges the content of French-language material. Every effort has been made to be as inclusive as possible of articles, theses, book chapters and books, both in English and in French, relating to the history of medicine. No single electronic source can replace this bibliography. The contents are divided into three sections. The first is a listing of material expressly biographical. Section two lists material under a wide variety of subject headings related to medicine, and the third is a complete listing of the authors who have contributed these articles. Simply organized and easy to use, this bibliography will be of value to historians, archivists, librarians, and anyone interested in the history of medicine.
Mattia Battistini (1856-1928) is considered by many to be among the finest examples of the bel canto singing style. His unique vocal abilities and strong stage personality made him the most famous singer of his time, with a career spanning nearly 50 years in the most revered opera venues in Europe. Mattia Battistini: King of Baritones and Baritone of Kings covers the singer's entire career, from his first performance in Rome in 1878 to his final concert 50 years later. Jacques Chuilon analyzes Battistini's principle roles, recordings, and vocal technique, accessing a rich collection of reviews from the time to show Battistini's relationship with and influence on the day's top composers, such as Wagner, Verdi, and Massenet, even going into detail on how Massenet rewrote his music especially for Battistini's voice. Through this important research, Chuilon offers a fresh portrayal of this unique and inspiring, yet often misrepresented, individual. Mattia Battistini: King of Baritones and Baritone of Kings also contains an informative postscript by Battistini's granddaughter, as well as the most complete list ever compiled of Battistini's performances around the world, an impressive selection of photographs, a discography, and a 90-minute CD, re-mastered to reveal the full splendor of Battistini's magnificent voice as nearly as possible. It is an unmatched reference for teachers, students, professional musicians, and singers, as well as the casual opera lover.
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