This volume brings together a collection of texts translated by Langston Hughes. It contains his translations of work by the Spanish poet/playwright Federico Garcia Lorca, Afro-Cuban poet Nicolas Guillen and Haitian writer Jacques Roumain.
This four-volume collection of over 140 original chapters covers virtually everything of interest to demographers, sociologists, and others. Over 100 authors present population subjects in ways that provoke thinking and lead to the creation of new perspectives, not just facts and equations to be memorized. The articles follow a theory-methods-applications approach and so offer a kind of "one-stop shop" that is well suited for students and professors who need non-technical summaries, such as political scientists, public affairs specialists, and others. Unlike shorter handbooks, Demography: Analysis and Synthesis offers a long overdue, thorough treatment of the field. Choosing the analytical method that fits the data and the situation requires insights that the authors and editors of Demography: Analysis and Synthesis have explored and developed. This extended examination of demographic tools not only seeks to explain the analytical tools themselves, but also the relationships between general population dynamics and their natural, economic, social, political, and cultural environments. Limiting themselves to human populations only, the authors and editors cover subjects that range from the core building blocks of population change--fertility, mortality, and migration--to the consequences of demographic changes in the biological and health fields, population theories and doctrines, observation systems, and the teaching of demography. The international perspectives brought to these subjects is vital for those who want an unbiased, rounded overview of these complex, multifaceted subjects. Topics to be covered: * Population Dynamics and the Relationship Between Population Growth and Structure * The Determinants of Fertility * The Determinants of Mortality * The Determinants of Migration * Historical and Geographical Determinants of Population * The Effects of Population on Health, Economics, Culture, and the Environment * Population Policies * Data Collection Methods and Teaching about Population Studies * All chapters share a common format * Each chapter features several cross-references to other chapters * Tables, charts, and other non-text features are widespread * Each chapter contains at least 30 bibliographic citations
Well-known specialists in art history, gender studies, French literature, and aesthetics address a wide range of issues and problems pertaining to the intersection of art and culture that have profound implications for artistic and historical developments in late-eighteenth and early-nineteenth century France and Europe. The essays present new historical, archival, and interpretative material from diverse methodological vantage points in clear and lucid prose that makes the volume particularly accessible to a broader public interested in learning more about the artist and his time. The text is complemented by seventeen black-and-white plates and fifty-five figures."--Jacket.
Published between 1762 and 1765, these writings are the last works Rousseau wrote for publication during his lifetime. Responding in each to the censorship and burning of Emile and Social Contract, Rousseau airs his views on censorship, religion, and the relation between theory and practice in politics. The Letter to Beaumont is a response to a Pastoral Letter by Christophe de Beaumont, Archbishop of Paris (also included in this volume), which attacks the religious teaching in Emile. Rousseau's response concerns the general theme of the relation between reason and revelation and contains his most explicit and boldest discussions of the Christian doctrines of creation, miracles, and original sin. In Letters Written from the Mountain, a response to the political crisis in Rousseau's homeland of Geneva caused by a dispute over the burning of his works, Rousseau extends his discussion of Christianity and shows how the political principles of the Social Contract can be applied to a concrete constitutional crisis. One of his most important statements on the relation between political philosophy and political practice, it is accompanied by a fragmentary "History of the Government of Geneva." Finally, "Vision of Peter of the Mountain, Called the Seer" is a humorous response to a resident of Motiers who had been inciting attacks on Rousseau during his exile there. Taking the form of a scriptural account of a vision, it is one of the rare examples of satire from Rousseau's pen and the only work he published anonymously after his decision in the early 1750s to put his name on all his published works. Within its satirical form, the "Vision" contains Rousseau's last public reflections on religious issues. Neither the Letter to Beaumont nor the Letters Written from the Mountain has been translated into English since defective translations that appeared shortly after their appearance in French. These are the first translations of both the "History" and the "Vision.
Monsieur Arthur Valois Dourville de Montrissart was a short cynical man who distrusted everything and demeaned almost everybody. The lack of refinement in his personality, his devious attitude betrayed his self proclaimed aristocratic name of Valois Dourville de Montrissart. Arthur was far to be a chivalrous knight. As the owner of a classy French restaurant Le Cerisier, he displayed these characteristics to the disgust of his dedicated employees. For many ordinary working men, Arthurs hostile management was enough reason to quit, just as Leansing, Camille and chef Picharon did. But not Pierre Choucart, for he was no ordinary man. His inspiration was drawn from Mahatma Gandhi who preached peaceful means to British rule. Pierre was ready to accept the beatings. Moreover, Choucarts great sense of humor was the very quality that kept him working in such an offensive environment. What mattered to him most was that he earned the respect, the friendship of his customers with his good nature and honesty. This very trait infuriated Arthur, thus Pierre became his bte noire. Even that a great portion of his life was spent working for a tyrant, no better than le petit Napoleon, Pierre did not have the slightest regret. If this was a fairy tale, the humble Pierre Choucart lived happily ever after with a conscience that has forgiven and a mind that reminisce only the funny, the warm-hearted memories at Le Cerisier.
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