These two volumes present a new and comprehensive theory concerning the manner in which landscapes in Western pictorial art may be interpreted in relation to the cultures that created them. Its point of departure is a hitherto unexplored developmental pattern that characterises landscape representation from Palaeolithic cave paintings through to 19th-century modernity. A structuralist comparison between this pattern and three additional fields of analysis - self-consciousness, socially-determined perception of nature, and world picture - reveals a fascinating insight into culture's macrohistorical organisation. Controversially, this book argues that culture at a certain level of observation is marked by directional evolution. In Volume I the author traces the pictorial depth of field from its Palaeolithic beginnings, in which only separate bodies are portrayed, and on to antiquity and the Middle Ages with their quasi-perspectival vistas. This gradual accentuation of a viewpoint is interpreted as a sign of how self-consciousness - the notion of an T detached from nature - develops. Similarly, the raw rocky terrain and vividly coloured skies that are introduced in ancient and medieval landscape images are taken as a testimony of how cosmos splits into a chaotic Mother Earth and an indestructible masculine heaven. Finally, Volume I demonstrates that the ancient landscape images' exclusion of traces of cultivation (e.g. fields, roads, hedges, fences) is the result of work-shyness, a longing for the Golden Age, among the powers-that-be. The topic of Volume II is the breakthrough of the modern landscape image and its new perspectival vistas, transient time and cultivated - or completely deserted - terrains.
As our ideas of the human have come under increasing challenges - from technological change, from medical advances, from the existential threat of climate crisis, from an ideological decentering of the human, amongst many other things - the 'posthuman' has become an increasingly central topic in the Humanities. Bringing together leading scholars from across the world and a wide range of disciplines, this is the most comprehensive available survey of cutting edge contemporary scholarship on posthumanism in literature, culture and theory. The Bloomsbury Handbook of Posthumanism explores: - Central critical concepts and approaches, including transhumanism, new materialism and the Anthropocene - Ethical perspectives on ecology, race, gender and disability - Technology, from data and artificial intelligence to medicine and genetics - A wide range of genres and forms, from literary and science fiction, through film, television and music, to comics, video games and social media."--Publisher's description
This edition of Mar Jacob of Sarug's (d. 521) homily on the sinful woman who anoints Jesus at the banquet - widely identified in the west as Mary Magdalene - focuses on the theme of weeping which Jacob describes as the dominant characteristic of repentence. For him, the sinful woman is the example of true Christian contrition. The volume constitutes a fascicle of The Metrical Homilies of Mar Jacob of Sarug, which, when complete, will contain the original Syriac text of Jacob's surviving sermons, fully vocalized, alongside an annotated English translation.
Jacob of Sarug's (d. 521) homily on Simon Peter, when our Lord said, "Get behind me Satan!" (Matt 16:23) touches the themes of Jesus' divinity and death, warfare with Satan, the harrowing of hell, and his relationship with Peter. Peter's rebuke of Jesus' willingness to die gives Jesus (through Jacob) the occasion to explain what his death will accomplish. The volume constitutes a fascicle of The Metrical Homilies of Mar Jacob of Sarug, which, when complete, will contain the original Syriac text of Jacob's surviving sermons, fully vocalized, alongside an annotated English translation.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.