For many the postcard may seem trivial, little more than a mundane souvenir or a way to keep in touch with friends and relatives while on vacation. But if we look carefully, postcards offer valuable insights into the time periods in which they were created and the mentalities of those who bought or sent them. Frank Marhefka, while serving in the U.S. Army Motor Transportation Corps during the First World War, amassed a collection of more than 150 postcards and photographs while in France, and bound them into a souvenir album. Marhefka’s collection provides a diverse and vivid look into a period of history that – in many soldiers’ accounts – is not usually visualized with all its cruelties. Emphasizing the pictorial turn of the Great War, this album offers personal insight into a conflict that caused so much death and destruction. The book begins with an introduction providing a history of postcards and their extensive use by soldiers during the Great War. Then, after a biography of Marhefka, his postcard collection is presented in its entirety. Accompanying the images are brief texts that place them into historical context, as well as suggestions for further reading. As a visual artifact of the First World War and the perspective of one U.S. soldier, this book is aimed at students, scholars, postcard collectors, and general readers alike who have an interest in military history and popular culture.
Former Marines Doherty, James and Parks nestle soundly around a campfire deep in the wilds of Northern Idaho; set to reminisce on long forgotten memories spent together with their fellow Grunts, their brothers of 1st Squad, 2nd platoon. Brothers too busy or haunted to join the three for this secluded reunion. Each infantry Marine struggles with his own harassing demons, one more than the other two but when the three former infantrymen are thrown into chaos, their reunion becomes a battle for their lives. The outcome will test the very limits of 1st Squad’s brotherhood, loyalty, and an undeniable bond formed on the battlefields over twenty years earlier. While not shying away from the complexities of combat and the scars it can leave behind, The Last Letter provides vivid insight into the bond shared by combat Marines, a bond that says they’ll fight for each other, they’ll die for each other, a bond that may very well last beyond death. Although this book is a fictional narrative, the experiences, guilt and emotions shared by the characters throughout the novel are based on real world applications from the author’s turbulent pas. About the Author SSgt. Jacob Parkinson was born on an Air Force base in northern California, moved to Texas at age 4, joined the United States Marine Corps at age 21. While serving with India Co 3⁄5, a boat company; a then Sgt. Parkinson and fellow squad leader, each lost half their squads, during the April 8, 2000 MV-22 Osprey crash in Marana, Arizona, on a first use infantry deployment of the experimental aircraft. Sgt. Parkinson would go onto serve one combat tour to the Al Anbar Province, Iraq, dubbed The Red Triangle, from 2004-2005 as an infantry squad leader, Bravo Co 1/23. At the time, Sgt. Parkinson and his squad, would stand defiantly against the cowardice of their platoon commander, outside of Fallujah, zero-dark-thirty. That moment will seal the concrete bond formed by 1st squad that lonely, infamous, November night for an eternity. SSgt. Parkinson graduated company honorman from bootcamp (#1 out of 500), meritoriously promoted twice, recipient of several certificates of commendations and awarded the Navy Achievement Medal with V for decisive actions taken towards the enemy during combat operations in the Anbar Province. Upon leaving the Marines, SSgt. Parkinson used his military benefits to achieve a bachelor’s degree in psychology from the University of Rhode Island 2020.
The companion book you need to learn more about the then-and-now photographs in Colorado 1870-2000! This volume, a collaboration between Colorado's most acclaimed historian and photographer, tells you the stories surrounding the photographic pairs and gives you a behind-the-scenes look at the challenging craft of rephotography. Designed to be used in tandem with Colorado 1870-2000, this book profiles our state's unrivaled character and encourages you to consider its future as you contemplate its past and present.
Reprint of the original. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The first real exposé of how universities have trademarked, copyrighted, branded, and patented everything they do. Universities generate an enormous amount of intellectual property, including copyrights, trademarks, patents, Internet domain names, and even trade secrets. Until recently, universities often ceded ownership of this property to the faculty member or student who created or discovered it in the course of their research. Increasingly, though, universities have become protective of this property, claiming it for their own use and licensing it as a revenue source instead of allowing it to remain in the public sphere. Many universities now behave like private corporations, suing to protect trademarked sports logos, patents, and name brands. Yet how can private rights accumulation and enforcement further the public interest in higher education? What is to be gained and lost as institutions become more guarded and contentious in their orientation toward intellectual property? In this pioneering book, law professor Jacob H. Rooksby uses a mixture of qualitative, quantitative, and legal research methods to grapple with those central questions, exposing and critiquing the industry’s unquestioned and growing embrace of intellectual property from the perspective of research in law, higher education, and the social sciences. While knowledge creation and dissemination have a long history in higher education, using intellectual property as a vehicle for rights staking and enforcement is a relatively new and, as Rooksby argues, dangerous phenomenon for the sector. The Branding of the American Mind points to higher education’s love affair with intellectual property itself, in all its dimensions, including newer forms that are less tied to scholarly output. The result is an unwelcome assault on the public’s interest in higher education. Presuming no background knowledge of intellectual property, and ending with a call to action, The Branding of the American Mind explores applicable laws, legal regimes, and precedent in plain English, making the book appealing to anyone concerned for the future of higher education.
Safari Nation opens new lines of inquiry in the study of national parks in Africa and the rest of the world. The Kruger National Park is South Africa’s most iconic nature reserve, renowned for its rich flora and fauna. According to author Jacob Dlamini, there is another side to the park, a social history neglected by scholars and popular writers alike in which blacks (meaning Africans, Coloureds, and Indians) occupy center stage. Safari Nation details the ways in which black people devoted energies to conservation and to the park over the course of the twentieth century—engagement that transcends the stock (black) figure of the laborer and the poacher. By exploring the complex and dynamic ways in which blacks of varying class, racial, religious, and social backgrounds related to the Kruger National Park, and with the help of previously unseen archival photographs, Dlamini’s narrative also sheds new light on how and why Africa’s national parks—often derided by scholars as colonial impositions—survived the end of white rule on the continent. Relying on oral histories, photographs, and archival research, Safari Nation engages both with African historiography and with ongoing debates about the “land question,” democracy, and citizenship in South Africa.
Uganda's capital, Kampala, is undergoing dramatic urban transformations as its new technocratic government seeks to clean and green the city. Waste Worlds tracks the dynamics of development and disposability unfolding amid struggles over who and what belong in the new Kampala. Garbage materializes these struggles. In the densely inhabited social infrastructures in and around the city's waste streams, people, places, and things become disposable but conditions of disposability are also challenged and undone. Drawing on years of ethnographic research, Jacob Doherty illustrates how waste makes worlds, offering the key intervention that disposability is best understood not existentially, as a condition of social exclusion, but infrastructurally, as a form of injurious social inclusion.
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