“A remarkable novel” of a post-Communist Russia filled with gangsters and oligarchs, and one man’s shady business deal that could land him in a world of trouble (The Boston Globe). Part speculative fiction, part satire, Let’s Put the Future Behind Us is a romp through 1990s Russia, as the closed society of the Soviet Union morphs into a modern capitalist free-for-all and Max Borodin finds himself, his wife, and his mistress in mortal danger—in “a world of petty bureaucrats, shameless opportunists, and full-blown mafiosi” (Entertainment Weekly). “An absurdist thriller narrated by one Max Borodin, an ex-Communist Party hack who has re-invented himself as a commercial operator with a cynical understanding of how to manipulate the strings of power. Cops are paid off with dollar bills, bureaucrats with phoney documents and racketeers with the consumer opiates of their choice. Max is always up for the main chance, and before long finds himself logged into a drug deal involving psychotic Georgian gangsters, corrupt local entrepreneurs, the investors in a leaky crematorium and a messianic fascist demagogue who wants to build a plastic dome over Russia to secure it against ‘Western sneak attacks.’ At the same time, he has to balance the demands of his irascible wife and voracious mistress while rescuing his gullible brother from the folly of building a ‘Sovietland’ theme park.” —Wired “The grimmest, funniest, and one of the most cannily on-target accounts yet about the helter-skelter fast lane of life in the New Russia.” —The Boston Globe
A Publishers Weekly Best Book of the Year: In a dystopian future New York, a girl’s diary chronicles her life as society begins to crumble around her. Until recently, Lola Hart’s biggest problem was her annoying little sister. Now the twelve-year-old girl’s once comfortable life is slowly falling apart. Her mother is a teacher, but she’s lost her job. Her father is a writer, but no one is buying his scripts. It’s gotten so bad that they can no longer afford their Manhattan apartment or the tuition for Lola’s exclusive private school. They move to a small apartment near Harlem, and Lola enrolls in public school—but the Harts aren’t alone in their troubles. Riots, fires, TB outbreaks, roaming gangs, and civil unrest have become commonplace, threatening the very fabric of life in New York. In the pages of her diary, Lola documents her family’s attempts to adjust as the city and the country spin out of control. Jack Womack, a winner of the Philip K. Dick Award, has been compared to both William Gibson and Kurt Vonnegut for his vivid prose and unbridled imagination. In this novel, “Womack’s stark vision of the United States’s decline is an uncompromising satire that, perhaps even more than it did in the mid-1990s, forces us to confront a world instantly recognizable as our own” (Los Angeles Review of Books). “A heartrending coming-of-age story. Flecked with black humor, this is speculative fiction at its eerie best.” —Entertainment Weekly
“Futurist wunderkind Womack concludes his heralded Ambient series with this intriguing, clever novel set in an alternate, semi-historical 1968” (Publishers Weekly). It’s 1968, and Walter Bullitt, part-time US government freelancer and collector of “race records,” stays busy testing new psychotropics on himself and unsuspecting citizens. Walter’s conscience never interferes with his work—until he’s asked to help sabotage Bobby Kennedy’s presidential campaign. The ghosts who’ve moved into his apartment aren’t much comfort. Then two outré femmes fatales show up and frog-march Walter out of Max’s Kansas City before the Velvet Underground can finish their first song. The ladies have a mission. They need to save New York—both his and theirs. Bringing his acclaimed Ambient series to a close, “Womack has crafted a fast-moving, hipper-than-hip science fiction novel meshing the exuberant wordplay of Anthony Burgess with the high-concept what-if history Philip Dick made famous with The Man in the High Castle” (Publishers Weekly). “A bizarre mating of William S. Burroughs and Robert Heinlein, though the over-the-top, hipster, first-person narration might also make readers think of Jack Kerouac channeled through P. G. Wodehouse.” —The Oregonian “Like Damon Runyon and James M. Cain, Jack Womack has a gift for inventing oddball language. . . . Daringly, scaringly distinct in contemporary fiction.” —Philadelphia Weekly “The action moves with amphetamine quickness, and Womack’s surefooted control over his material completely sucks us in. . . . Has roots in the paranoid, conspiratorial bookends of Norman Mailer’s near-delirious An American Dream and Thomas Pynchon’s The Crying of Lot 49.” —Bookforum
Heathern, the sequel to Ambient and Terraplane, has been praised by William Gibson as a "savage urban baroque informed by a penetrating humanity ... his best so far!" Tautly written and appallingly funny, Heathern is a dystopian tale of corporate combat and media warfare in the fading years of our century. Thatcher Dryden, former drug kingpin and now leader of the megacorporation Dryco, intends to supply a waiting world with the Messiah it so desperately seeks. But Lester Macaffrey, a schoolteacher found performing miracles among the human flotsam of the Lower East Side, proves no more controllable than any Messiah. While Thatcher's minions scheme to sell the world salvation with a Dryco label on it, Thatcher's own mistress is strangely drawn to Macaffrey -- and begins to be transformed into something new and strange ... something that might change the world.
Jack Womack is known for writing unflinching, imaginative, utterly convincing novels set in the not-so-distant future. Compared to both William Gibson and Kurt Vonnegut, and deemed "wonderfully inventive" by the New York Times, Womack's past work has won him awards and garnered excellent reviews. Now, with the appropriately titled Let's Put the Future Behind Us, Womack turns his attention to our contemporary world, with characteristically hilarious, and frightening, results. A biting book filled with irony and black humor, Let's Put the Future Behind Us provides a seductive look at post-Soviet Russia and a cold-eyed examination of the darker side of the human soul.
One man struggles to survive in a dystopian near-future New York City in this acclaimed novel that “performs feats of brilliance on so many levels” (Entertainment Weekly). In a decaying and violent near-future New York, the remnants of civic order are maintained with brute force by the conglomerate Dryco. But even Dryco is falling apart from the inside. Seamus O’Malley is bodyguard and confidant to Mister Dryden, the CEO, and an admirer of Dryden’s personal femme fatale, Avalon. But what begins as a simple case of unrequited love quickly becomes a desperate chance for survival as corporate intrigue, murderous family rivalries, and perverse subcultures take over O’Malley’s life. Drawing comparisons to the nightmarish vision of J. G. Ballard and the linguistic brilliance of Anthony Burgess’s A Clockwork Orange, Ambient marked the “wonderfully inventive” debut of Philip K. Dick Award–winning author Jack Womack (The New York Times Book Review). “Bleakly comic . . . A cynical tour de force through the meanest of streets. Ambient is less prophecy than documentary, demonstrating how the best science fiction is about as future-oriented as today’s Daily News.” —The Village Voice “[Womack] succeeds in balancing blistering social commentary with shrewd literary experimentation . . . Flecked with black humor, this is speculative fiction at its eerie best.” —Entertainment Weekly
A young Elvis Presley is kidnapped into the future to be the new messiah in this “jarringly potent” novel from the author of Ambient (William Gibson). Winner of the Philip K. Dick Award At once a biting satire and a taut sci-fi thriller, Elvissey is the story of Isabel and John, a troubled couple who are sent through a “window” from the year 2033 to a strangely altered 1954. They are on a desperate mission to kidnap a young Elvis Presley and bring him back to the present day to serve the powerful conglomerate Dryco as a ready-made cult leader. But when Elvis proves to be a reluctant messiah, things do not work out quite as planned. With his distinctive prose, Womack has combined “serious sociological extrapolation, high and low comedy, pulp adventure, pop iconography” and more in this highly original novel (Omni). “Nazi flying saucers over an alternate 1950s Memphis, your basic cross-time godhead abduction of Elvis Presley, and what must surely be one of the flat-out weirdest Fisher King inversions yet perpetrated in American literature. Achingly sad, downright alarmingly funny, and just about as serious as any of us can presently afford to be.” —William Gibson, author of Neuromancer “Jack Womack is another of the heirs of cyberpunk, one of science fiction’s most interesting new writers” —Los Angeles Times “Womack’s book is different in tone and content from anything you may have read.” —Financial Times “Womack astounds and entertains. . . . Though the plot suggests the ridiculous, this is, in fact, a deep, often theological, reflection on love, betrayal and commercially inspired nihilism.” —Publishers Weekly
Heathern, the sequel to Ambient and Terraplane, has been praised by William Gibson as a "savage urban baroque informed by a penetrating humanity ... his best so far!" Tautly written and appallingly funny, Heathern is a dystopian tale of corporate combat and media warfare in the fading years of our century. Thatcher Dryden, former drug kingpin and now leader of the megacorporation Dryco, intends to supply a waiting world with the Messiah it so desperately seeks. But Lester Macaffrey, a schoolteacher found performing miracles among the human flotsam of the Lower East Side, proves no more controllable than any Messiah. While Thatcher's minions scheme to sell the world salvation with a Dryco label on it, Thatcher's own mistress is strangely drawn to Macaffrey -- and begins to be transformed into something new and strange ... something that might change the world.
Terraplane, the second novel in Jack Womack's acclaimed Ambient series, is a vision of an alternate realiy-New York, 1939, as experienced by travelers from the twenty-first century. Retired general Luther Biggerstaff and his hit man Jake are on a covert mission to kidnap Soviet superscientist Alekhine for the multinational Dryco. But Alekhine has disappeared, leaving behind a device that catapaults them headlong into the past. And this 1939 is different-F.D.R has been assassinated; the Great Depression has cut even deeper; Churchill died in a street accident; and the world is at Hitler's mercy. The only hope Luther and Jake have of getting home again depends on an unlikely conjunction of the New York World's Fair, the blues of Robert Johnson, and the avant-garde physics of Nikola Tesla. Terraplane is a surreal and darkly comic journey into the twilight zone of history gone mad.
One man struggles to survive in a dystopian near-future New York City in this acclaimed novel that “performs feats of brilliance on so many levels” (Entertainment Weekly). In a decaying and violent near-future New York, the remnants of civic order are maintained with brute force by the conglomerate Dryco. But even Dryco is falling apart from the inside. Seamus O’Malley is bodyguard and confidant to Mister Dryden, the CEO, and an admirer of Dryden’s personal femme fatale, Avalon. But what begins as a simple case of unrequited love quickly becomes a desperate chance for survival as corporate intrigue, murderous family rivalries, and perverse subcultures take over O’Malley’s life. Drawing comparisons to the nightmarish vision of J. G. Ballard and the linguistic brilliance of Anthony Burgess’s A Clockwork Orange, Ambient marked the “wonderfully inventive” debut of Philip K. Dick Award–winning author Jack Womack (The New York Times Book Review). “Bleakly comic . . . A cynical tour de force through the meanest of streets. Ambient is less prophecy than documentary, demonstrating how the best science fiction is about as future-oriented as today’s Daily News.” —The Village Voice “[Womack] succeeds in balancing blistering social commentary with shrewd literary experimentation . . . Flecked with black humor, this is speculative fiction at its eerie best.” —Entertainment Weekly
In The Lost History of 1914, Jack Beatty offers a highly original view of World War I, testing against fresh evidence the long-dominant assumption that it was inevitable. "Most books set in 1914 map the path leading to war," Beatty writes. "This one maps the multiple paths that led away from it." Chronicling largely forgotten events faced by each of the belligerent countries in the months before the war started in August, Beatty shows how any one of them-a possible military coup in Germany; an imminent civil war in Britain; the murder trial of the wife of the likely next premier of France, who sought détente with Germany-might have derailed the war or brought it to a different end. In Beatty's hands, these stories open into epiphanies of national character, and offer dramatic portraits of the year's major actors-Kaiser Wilhelm, Tsar Nicholas II , Woodrow Wilson, along with forgotten or overlooked characters such as Pancho Villa, Rasputin, and Herbert Hoover. Europe's ruling classes, Beatty shows, were so haunted by fear of those below that they mistook democratization for revolution, and were tempted to "escape forward" into war to head it off. Beatty's powerful rendering of the combat between August 1914 and January 1915 which killed more than one million men, restores lost history, revealing how trench warfare, long depicted as death's victory, was actually a life-saving strategy. Beatty's deeply insightful book-as elegantly written as it is thought-provoking and probing-lights a lost world about to blow itself up in what George Kennan called "the seminal catastrophe of the twentieth century." It also arms readers against narratives of historical inevitability in today's world.
Revolutions have shaped world politics for the last three hundred years. This volume shows why revolutions occur, how they unfold, and where they created democracies and dictatorships. Jack A. Goldstone presents the history of revolutions from America and France to the collapse of the Soviet Union, 'People Power' revolutions, and the Arab revolts.
Thousands of business books are published every year— Here are the best of the best After years of reading, evaluating, and selling business books, Jack Covert and Todd Sattersten are among the most respected experts on the category. Now they have chosen and reviewed the one hundred best business titles of all time—the ones that deliver the biggest payoff for today’s busy readers. The 100 Best Business Books of All Time puts each book in context so that readers can quickly find solutions to the problems they face, such as how best to spend The First 90 Days in a new job or how to take their company from Good to Great. Many of the choices are surprising—you’ll find reviews of Moneyball and Orbiting the Giant Hairball, but not Jack Welch’s memoir. At the end of each review, Jack and Todd direct readers to other books both inside and outside The 100 Best. And sprinkled throughout are sidebars taking the reader beyond business books, suggesting movies, novels, and even children’s books that offer equally relevant insights. This guide will appeal to anyone, from entry-level to CEO, who wants to cut through the clutter and discover the brilliant books that are truly worth their investment of time and money.
In the newly revised eighth edition of Operations and Supply Chain Management for MBAs, a team of renowned operations professionals delivers a concise and accessible exploration of supply chain management ideal for MBA students with backgrounds in marketing, finance, and other disciplines. Conceptual and qualitative content appears alongside more quantitative material to encourage a variety of readers to remain engaged. Supplementary cases and a flexible structure allow instructors to tailor the material to diverse student populations, while a renewed focus on sustainability, innovation, and design thinking permeate much of this latest edition. Operations and Supply Chain Management for MBAs also includes: Incorporation of sustainability throughout the book, especially in Chapter 5 Considerable material on innovation and design thinking, especially in Chapter 3 Thoroughly updated chapter opening examples and cases A renewed emphasis on supply chain strategy in every chapter New and contemporary examples integrated into each chapter Improved and enhanced figures and images Updated end-of-chapter questions, exercises, and mini cases aligned with the material in each chapter
The Encyclopedia of Political Revolutions is an important reference work that describes revolutionary events that have affected and often changed the course of history. Suitable for students and interested lay readers yet authoritative enough for scholars, its 200 articles by leading scholars from around the world provide quick answers to specific questions as well as in-depth treatment of events and trends accompanying revolutions. Includes descriptions of specific revolutions, important revolutionary figures, and major revolutionary themes such as communism and socialism, ideology, and nationalism. Illustrative material consists of photographs, detailed maps, and a timeline of revolutions.
Das Konzept des Quality Function Deployment (QFD) setzt mit Hilfe einer Reihe von Matrizen Kundenwünsche in Konstruktions- oder Designerfordernisse um. Die Konstruktions- und Designerfordernisse wiederum werden umgesetzt in Produkt- bzw. Teilprodukteigenschaften, die ihrerseits wieder auf Produktionsprozesse und anschließend auf spezielle Prozeß- und Steuerungsmechanismen übertragen werden. Dieses Buch wendet das QFD Konzept auf eine Reihe von unternehmerischen Schlüsselthemen an, die bislang unbehandelt geblieben sind, wie z. B. ISO9000, Service Design, Robust Design und Software Design. Das Buch wird mit Begleitdiskette geliefert, die mit der entsprechenden QFD Software ausgestattet ist. (11/97)
This clear and engaging guide introduces students to key areas of the field and shows how to apply an anthropological approach to the study of religion in the contemporary world. Written by an experienced teacher, it covers major traditional topics including definitions, theories, and beliefs, as well as symbols, myth, and ritual. The book also explores important but often overlooked issues such as morality, violence, fundamentalism, secularization, and new religious movements. The chapters all contain lively case studies of religions practiced around the world. The third edition of Introducing Anthropology of Religion is fully updated and contains additional content on material religion, visual religion, and affect theory, and a new chapter takes a closer look at medical and health topics. The author encourages the reader to engage throughout with the unifying themes of race, gender, and power, and how these themes are intertwined with anthropology of religion. Images, a glossary, and questions for discussion are included and additional resources are provided via a companion website.
The electronic age is bringing sweeping changes to entertainment and media of all kinds, including publishing, broadcasting and film. Multimedia, the Internet and other digital media outlets for entertainment and information are being refined at a rapid rate. Media giants are merging and making big acquisitions. This book covers these exciting developments and provides profiles on hundreds of leading firms in film, radio, television, cable, new media, and publishing of all types including books, magazines and newspapers. It contains thousands of contacts for business and industry leaders, industry associations, Internet sites and other resources. You'll get in-depth profiles of nearly 400 of the world's top Entertainment & Media firms: our own unique list of companies that are the leaders in this field. Here you'll find complete profiles of the hot companies that are making news today, the largest, most successful corporations in all facets of the Entertainment and Media Business, from broadcasters to film production companies, casino operators to theme park companies, publishers of books and magazines to video game designers, and much more. Our corporate profiles include executive contacts, growth plans, financial records, address, phone, fax and much more. This innovative book offers unique information, all indexed and cross-indexed more for each firm! Our industry analysis section provides an exceptional discussion of business and market trends. The book includes statistical tables covering revenues for several industry sectors.
From Nebula Award–winning author Jack McDevitt comes the eighth installment of the Alex Benedict series featuring Gabe triumphantly reuniting with Alex and Chase to retrieve a possible alien artifact—which may lead them to solve the greatest archaeological mystery of their careers. After being lost in space for eleven years, Gabe has returned, and is trying to find a new life for himself after being presumed dead—just as Alex and Chase are relearning how to live and work with him. But when a seemingly alien artifact goes missing from Gabe’s old collection, a mystery is uncovered concerning its origins and it grants everyone an opportunity to dive into solving it as a team, once again. When a lead on the artifact is tied to a dead pilot’s sole unrecorded trip, another clue leads to one of the greatest mysteries of the age: the infamous disappearance of a team of scientists aboard a space station orbiting a black hole—the Amelia Earhart of their time. With any luck, Alex, Chase, and Gabe may be on the trail of the greatest archaeological discovery of their careers. Nebula Award winner Jack McDevitt, who Stephen King has called “the logical heir to Isaac Asimov and Arthur C. Clarke,” has created another terrific science fiction mystery in his beloved Alex Benedict series.
By the time Jimi Hendrix died in 1970, the idea of a black man playing lead guitar in a rock band seemed exotic. Yet a mere ten years earlier, Chuck Berry and Bo Diddley had stood among the most influential rock and roll performers. Why did rock and roll become “white”? Just around Midnight reveals the interplay of popular music and racial thought that was responsible for this shift within the music industry and in the minds of fans. Rooted in rhythm-and-blues pioneered by black musicians, 1950s rock and roll was racially inclusive and attracted listeners and performers across the color line. In the 1960s, however, rock and roll gave way to rock: a new musical ideal regarded as more serious, more artistic—and the province of white musicians. Decoding the racial discourses that have distorted standard histories of rock music, Jack Hamilton underscores how ideas of “authenticity” have blinded us to rock’s inextricably interracial artistic enterprise. According to the standard storyline, the authentic white musician was guided by an individual creative vision, whereas black musicians were deemed authentic only when they stayed true to black tradition. Serious rock became white because only white musicians could be original without being accused of betraying their race. Juxtaposing Sam Cooke and Bob Dylan, Aretha Franklin and Janis Joplin, Jimi Hendrix and the Rolling Stones, and many others, Hamilton challenges the racial categories that oversimplified the sixties revolution and provides a deeper appreciation of the twists and turns that kept the music alive.
Christian women who make God and family a priority in their life will love Chicken Soup for the Christian Woman's Soul, an affirming collection of stories that share the miracles that are possible when their hearts are open to God.
There have been major advances in new therapies, diagnostic tools, and strategies for treatment and prevention of fungal infections. Despite these encouraging developments, large numbers of patients are at risk for infectious diseases, and the epidemiology of invasive mycoses continues to emerge. The diagnosis of these infections remains difficult, and treatment outcomes in highly immunosuppressed patients remain poor. Thus, this issue is devoted to state-of-the-art updates on fungal infections by internationally recognized authorities in this field. Some topics covered are Antifungal agents; State-of-the-art culture, identification, and resistance testing of fungal pathogens; Non-culture diagnostics in fungal disease; Contemporary strategies in the prevention and management of fungal infections; Invasive candidiasis; Invasive aspergillosis; Mucormycoses; and Cryptococcosis to name a few.
What kind of ethics in world politics is possible if there is no foundation for moral knowledge or global reality is at least complex and contingent? Furthermore, how can an ethics grapple with difference, a persistent and confounding feature for global politics? This book responds to the call for a bold and creative approach to ethics that avoids assuming or aspiring to universality, and instead prioritizes difference, complexity and uncertainty by turning to reflexivity, not as method or methodology, but as a practice of ethics for politics. This practice, ‘ethical reflexivity’, offers individuals, organizations and communities tools to recognize, interrogate and potentially change the stories they tell about politics—about constraints, notions of responsibility and visions of desirability. The benefits and limits of ethical reflexivity are investigated by the author, who engages writing on critique, rhetoric, affect and relationality, and carefully considers dominant and alternative framings of difficult issues in International Relations (IR)—the 1994 genocide in Rwanda, and the US policies of ‘enhanced interrogation’ and drone strikes. This path-breaking study provokes new possibilities for agency and action and contributes to a growing literature in IR on reflexivity by uniquely elaborating its promise as an ethics for politics, and by drawing on thinkers less utilized in discussions of reflexivity such as Hannah Arendt, Michel Foucault and Aristotle. This book will appeal to scholars and upper-level graduates in several sub-fields of IR, including international/global ethics, IR theory, global governance, international organizations, non-governmental organizations, foreign policy analysis and US foreign policy.
Jack Fredrickson is one hell of a writer. This is a book that satisfies on every level."--William Kent Krueger Sweetie Fairbairn, the doyenne of Chicago society, is known for big-hearted philanthropy and magnificent soirees in her penthouse high atop one of the city's premier boutique hotels. Dek Elstrom is hired by a mysterious man in a long limousine to investigate the death of a clown. Was it suicide—or murder? What is the connection between the dead clown and Sweetie?
In 1980, art house audience word of mouth about an unusual new movie, Return of the Secaucus Seven, launched the career of director John Sayles and with him the era of the independent filmmaker. Sayles has remained a maverick, writing, directing, editing and even acting in his own films. This fully updated revision of the author's 1998 first edition chronicles Sayles' entire career--including the story of his inauspicious beginning as a second-string actor and his work in fiction, theatre, music videos and television. A chapter is devoted to each of Sayles' feature films, offering background material on production funding, a plot sketch, an analysis of important characters, and a look at the language, setting, and politics. Each chapter also traces Sayles' technical development--his camera work, editing, musical arrangement and mise-en-scene. The book includes a complete filmography and a bibliography.
When George Jones recorded “He Stopped Loving Her Today” more than thirty years ago, he was a walking disaster. Twin addictions to drugs and alcohol had him drinking Jim Beam by the case and snorting cocaine as long as he was awake. Before it was over, Jones would be bankrupt, homeless, and an unwilling patient at an Alabama mental institution. In the midst of all this chaos, legendary producer Billy Sherrill—the man who discovered Tammy Wynette and cowrote “Stand by Your Man”—would somehow coax the performance of a lifetime out of the mercurial Jones. The result was a country masterpiece. He Stopped Loving Her Today, the story behind the making of the song often voted the best country song ever by both critics and fans, offers an overview of country music's origins and a search for the music's elusive Holy Grail: authenticity. The schizoid bottom line—even though country music is undeniably a branch of the make-believe world of showbiz, to fans and scholars alike, authenticity remains the ultimate measure of the music's power.
The energy industry is boiling over with changes. Deregulation, new opportunities in foreign fields and markets and environmental challenges are rushing together head-on to shape the energy and utilities business of the future. Extremely deep offshore wells in the Gulf of Mexico and offshore of West Africa are being drilled at immense cost. Meanwhile China has become a major energy importer and Russia has become a major exporter. In the U.S., Europe and Japan, renewable and alternative energy sources are developing quickly, including big breakthroughs in wind power and fuel cells. This exciting new reference book covers everything from major oil companies to electric and gas utilities, plus pipelines, refiners, retailers, oil field services and engineering. Petroleum topics include upstream and downstream. Additional topics include coal, natural gas and LNG. More than a dozen statistical tables cover everything from energy consumption, production and reserves to imports, exports and prices. Next, our unique profiles of the Energy 500 Firms are also included, with such vital details as executive contacts by title, revenues, profits, types of business, web sites, competitive advantage, growth plans and more. Purchasers of either the book or PDF version can receive a free copy of the company profiles database on CD-ROM, enabling key word search and export of key information, addresses, phone numbers and executive names with titles for every company profiled.
A comprehensive look at how to profit from the power of stock screening With thousands of stocks to choose from, how can you find the best ones to invest in? Simple: start with a handful of clues that tend to predict outstanding returns, and then search the entire market in seconds for stocks that are producing those clues. That's stock screening, and it's the best way—the only way, really—to consistently beat the market. Written by experienced investment journalist Jack Hough, Your Next Great Stock reveals the most powerful screen strategies ever produced. The strategies are easy to follow. If you have Internet access and can balance a checkbook, you can find winning stocks with this book as your guide. You'll learn how to find young companies poised for explosive growth, mature companies whose true profit potential is temporarily hidden, and more. Stop relying on overrated stock tips. Start using proven screening strategies to find your next great stock.
The Stand Up Poet is a thought provoking offering from Bob Hill writing under the nom de plume of Jack Hughes. Covering topics and themes as diverse as love, death, identity, childhood, popular culture and large men wearing dresses, the anthology is a welcome addition to those tracts and tomes which explore the human condition.
Composers, arrangers, conductors, session musicians, and executives worked in easy listening and scoring, complicating an academic focus that lionizes film music while ignoring or deriding easy listening. This book documents easy listening’s connections with film music, an aspect overlooked in academic and popular literature. Fueled by the rise of the LP and home entertainment, easy listening became the largest midcentury commercial music market, generating more actual income for the record business than 7- inch singles. Easy listening roped in subgenres including classical, baroque, jazz, Latin, Polynesian, "exotica," rock, Broadway, and R&B, appropriated and reinterpreted just as they were for cinema. Easy listening provided opportunities in orchestral music for conservatory- trained composers. Major film composers such as Henry Mancini and Michel Legrand had a prodigious output of easy listening albums. Critics fault easy listening for structural racisms, overlooking its evolution and practitioners. Easy listening helped destabilize a tripartite record business that categorized product as race records, old time records, or general popular music. Charlie Parker’s with Strings records altered the direction of jazz, profoundly influencing other performers, encouraging bold crosspollinations, and making money. The influence of technology and historical contexts of music for work and leisure are explored. Original interviews and primary sources will fascinate scholars, historians, and students of cinema, television, film scoring, and midcentury popular music.
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