He considers the timber salvage rider and its linkage to forest health, the Department of Justice and Counsel on Environmental Quality influence on Forest Service policies, and interagency management for the Columbia River Basin." "Woven throughout these excerpts from his diary is Thomas's conviction that the effective, ethical management of wildlife depends on how the management effort is situated within the broader human context, with all its intransigence and unpredictability."--Jacket.
He considers the timber salvage rider and its linkage to forest health, the Department of Justice and Counsel on Environmental Quality influence on Forest Service policies, and interagency management for the Columbia River Basin." "Woven throughout these excerpts from his diary is Thomas's conviction that the effective, ethical management of wildlife depends on how the management effort is situated within the broader human context, with all its intransigence and unpredictability."--Jacket.
Though more than four hundred years have elapsed since the Bishops' Bible was first published in 1568, its story has never been adequately told. No book-length evaluation has been published, and no adequate bibliography is available for guidance in studying this least known of the Tudor-period Bibles. This neglect is surprising in that Shakespeare's earlier plays reflect his use of the Bishops' Bible and that the Bishops' Bible was used by the translators of the King James Version as the basis for their revision. This study depicts the religious, literary, and intellectual atmosphere that produced the Bishops' Bible, describes its place in sixteenth-century translations, re-evaluates its contribution to the study of the English Bible, and investigates the history and qualifications of the men invited to participate in the translation project. Attention is given to the artwork, the most elaborate of any in first editions of early English Bibles, and to the notes designed to correct the objectionable Calvinistic notes of the Geneva Bible. A presumption that the bishops would not prepare a better Bible until "a day after domesday" gives the title to this study--The Day after Domesday.
This groundbreaking book shows for the first time the profound and transformative influence of American literature, music, and mythology on European music. Although the impact of the European tradition on American composers is widely acknowledged, Jack Sullivan demonstrates that an even more powerful musical current has flowed from the New World to the Old. The spread of rock and roll around the world, the author contends, is only the latest chapter in a cross-cultural story that began in the nineteenth century with Gottschalk in Paris and Dvorák in New York. Sullivan brings popular and canonical culture into his wide-ranging discussion. He explores the effects on European music of American authors as diverse as Twain, DuBois, Melville, and Langston Hughes, examining in particular Dvorák's fascination with Longfellow, the obsession of Debussy and Ravel with Poe, and the inspiration Whitman provided for Holst, Vaughan Williams, and dozens more. Sullivan uncovers the African American musical influence on Europe, beginning with spirituals and culminating in the impact of jazz on Stravinsky, Bartók, Walton, and others. He analyzes the lure of Hollywood and Broadway for such composers as Weill, Korngold, and Britten and considers the power of the American landscape--from the remoteness of the prairie to the brutal energy of the American city. In European music, Sullivan finds, American culture and mythology continue to resonate.
Recounts Nicklaus' career in golf with emphasis on the major championships which he has won. Also includes a special section of illustrated instructions.
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