Stories of Jack London first published in the early twentieth century. Read now one of the most important names in American literature. Jack London was born John Griffith Chaney on January 12, 1876, in San Francisco, California. After working in the Klondike, London returned home and began publishing stories. His novels, including The Call of the Wild, White Fang and Martin Eden, placed London among the most popular American authors of his time. London, who was also a journalist and an outspoken socialist, died in 1916.
Alfred Kazin has aptly remarked that "the greatest story Jack London ever wrote was the story he lived." Newsboy, factory "work beast," gang member, hobo, sailor, Klondike argonaut, socialist crusader, war correspondent, utopian farmer, and world-famous adventurer: London is the closest thing America has had to a literary folk hero. His writing itself is concerned with nothing less than the largest questions and the grandest themes: What does it mean to be a human being in the natural world? What debts do human beings owe each other - and to all their fellow creatures? This collection places London, at last, securely within the American literary pantheon. It includes the complete novel The Call of the Wild; such famous stories as "Love of Life," "To Build a Fire," and "All Gold Canyon"; journalism, political writings, literary criticism, and selected letters.
By turns an impoverished laborer, a renegade adventurer, a war correspondent in Mexico, a declared socialist, and a writer of enormous popularity the world over, Jack London was the author of brilliant works that reflect his ideas about twentieth-century capitalist societies while dramatizing them through incidents of adventure, romance, and brutal violence. His prose, always brisk and vigorous, rises in The People of the Abyss to italicized horror over the human degradations he saw in the slums of East London. It also accommodates the dazzling oratory of the hero of The Iron Heel, an American revolutionary named Ernest Everhard, whose speeches have the accents of some of London’s own political essays, like the piece (reprinted in this volume) entitled “Revolution.” London’s prophetic political vision was recalled by Leon Trotsky, who observed that when The Iron Heel first appeared, in 1907, not one of the revolutionary Marxists had yet fully imagined “the ominous perspective of the alliance between finance capitalism and labor aristocracy.” Whether he is recollecting, in The Road, the exhilarating camaraderie of hobo gangs, or dramatizing, in Martin Eden, a life like his own, even to the foreshadowing of his own death at age forty, or confessing his struggles with alcoholism in the memoir John Barleycorn, London displays a genius for giving marginal life the aura of romance. Violence and brutality flash into life everywhere in his work, both as a condition of modern urban existence and as the inevitable reaction to it. Though he is outraged in The People of the Abyss by the condition of the poor in capitalist societies, London is even more appalled by their submission, and in the novel he wrote immediately afterward, The Call of the Wild (in the companion volume, Novels and Stories), he constructed an animal fable about the necessary reversion to savagery. The Iron Heel, with its panoramic scenes of urban warfare in Chicago, envisions the United States taken over by fascists who perpetuate their regime for three hundred years. It constitutes London’s warning to his fellow socialists that mere persuasion is insufficient to combat a system that ultimately relies on force. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
This splendid volume does more than reinstate Jack London as a leading voice of the American cultural left. Jonah Raskin documents how London struggled to reconcile his political and his personal desires, creating memorable art but failing to save himself. One of the world's most popular writers comes alive, in all his passion and agony."—Michael Kazin, author of A Godly Hero: The Life of William Jennings Bryan "Interest in Jack London never flags. This first-rate anthology places London at the epicenter of the American radical tradition."—Kevin Starr, University of Southern California "In this well conceptualized anthology, Jonah Raskin has resurrected works that have been unavailable for decades, making The Radical Jack London a very timely presence for the twenty-first century. Raskin's own writing is forceful and engaging, and he is unblinkingly honest about London as person and as writer, never succumbing to romanticizing or whitewashing the picture of either."—H. Bruce Franklin, John Cotton Dana Professor of English and American Studies, Rutgers University "Jack London always knew how to bang a righteous drum of social indignation, and in The Radical Jack London he can make your heart pound even today."—Paul Berman, author of Power and the Idealists and editor of Carl Sandburg: Selected Poems
First published in 1903, The Call of the Wild is regarded as Jack London's masterpiece. Based on London's experiences as a gold prospector in the Canadian wilderness and his ideas about nature and the struggle for existence, The Call of the Wild is a tale about unbreakable spirit and the fight for survival in the frozen Alaskan Klondike.
Jack London's Tales of Cannibals and Headhunters" is set in the romantic and dangerous South Seas and illustrated with the original artwork and several maps.
Dark spruce forest frowned on either side the frozen waterway. The trees had been stripped by a recent wind of their white covering of frost, and they seemed to lean towards each other, black and ominous, in the fading light. A vast silence reigned over the land. The land itself was a desolation, lifeless, without movement, so lone and cold that the spirit of it was not even that of sadness. There was a hint in it of laughter, but of a laughter more terrible than any sadness—a laughter that was mirthless as the smile of the sphinx, a laughter cold as the frost and partaking of the grimness of infallibility." White Fang is a story about the fight for life and the nature of being. It's about good and evil, the redemption and salvation of the soul and finding happiness. Probably Jack London's best work.
One of the greatest storytellers of our time, Jack London wrote prolifically. His tales of adventure vividly capture the struggle to survive against the forces of nature by both men and animals, and often their retreat to a primitive state in the face of death. While these tales brought him the most fame, London also wrote stories that showed his insight into the lives of people who worked at sea, and they areas wonderful as any of his work. The stories in this collection show the wide range of Jack London's storytelling talents, and they continue to thrill readers today just as they have for generations.
Jack London has been a bestselling author for over one hundred years. In his short life (1876–1916), he wrote twenty-five novels, and dozens of short stories, plays, and essays. Today he is recognized as a forerunner of such literary giants as Ernest Hemingway, John Steinbeck, and Jack Kerouac. Author of a number of well-known, to say nothing of well-loved, stories in our literary canon (White Fang, The Call of the Wild, and The Sea Wolf, to name just three), London also worked as a day laborer, Alaskan gold rush prospector, and seaman. He was also an adventurer, journalist, celebrity, polemicist, and drunk. Illustrated throughout with drawings, facsimile pages from his works, and contemporary photographs, many taken by London himself, An Autobiography of Jack London is a revealing portrait of this complicated and fascinating man in his own words, and is largely composed of excerpts from his memoirs: The Road, John Barleycorn, and The Cruise of the Snark. More than a mere biographical summary of a man's life, An Autobiography of Jack London aims to give the reader real insight into the character and personality of this uniquely American literary icon.
They limped painfully down the bank, and once the foremost of the two men staggered among the rough-strewn rocks. They were tired and weak, and their faces had the drawn expression of patience which comes of hardship long endured. They were heavily burdened with blanket packs which were strapped to their shoulders. Head-straps, passing across the forehead, helped support these packs. Each man carried a rifle. They walked in a stooped posture, the shoulders well forward, the head still farther forward, the eyes bent upon the ground.
On the Road" is Jack London's collection of stories from his life as a hobo. In this entertaining collection of tales and autobiographical essays, London relates every aspect of the hobo's life -- from catching a train to cadging a meal. The wealth of experiences and the necessity of having to lie for a living brought depth London's subsequent stories. In "On the Road," Jack London relates the tricks that hoboes used to evade train crews, and reminisces about his travels with Kelly's Army. Jack London later credited his story-telling skill to the hobo's necessity of concocting tales to coax meals from sympathetic strangers. As London confessed in this book, there was "a woman in the state of Nevada to whom I once lied continuously, consistently, and shamelessly, for the matter of a couple of hours. I don't want to apologize to her. Far be it from me. But I do want to explain. Unfortunately, I do not know her name, much less her present address. If her eyes should chance upon these lines, I hope she will write to me." Though different than "Call of the Wild" or "White Fang," Jack London continues to deliver in this book. London's "On the Road" is quite likely the inspiration for Jack Kerouac's more famous rendition, written more than 50 years later.
A Daughter of the Snows is Jack London's first novel. Set in the Yukon, it tells the story of Frona Welse, "a Stanford graduate and physical Valkyrie" who takes to the trail after upsetting her wealthy father's community by her forthright manner and befriending the town's prostitute.
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