Geographer Jack Ives moved to Canada in 1954, and soon after he played an instrumental role in the establishment of the McGill Sub-Arctic Research Laboratory in central Labrador-Ungava. This fascinating account of his fifty-plus years living and working in the arctic is simultaneously a light-hearted, winning memoir and a call to action on the issues of environmental awareness and conservation that are inextricably intertwined with life in the north. Mixing personal impressions of key figures of the postwar scientific boom with the intellectual drama of field research, The Land Beyond is a memorable depiction of a life in science.
The 48 stories collected here cover the full scope of war -- from the first three stories which analyze how children are introduced to war to the last three, which dwell on death. In between, there is everything else: the battlefield and the home front, bravery and cowardice, despair and elation, victory and defeat. There are stories that will make you laugh out loud and stories that will haunt your dreams and make you weep. Includes stories by Mark Twain, Saki, O. Henry, Joseph Conrad, Stephen Crane, Guy de Maupassant, Katherine Mansfield, Leonid Andreyev, Jonathan Swift, L. Frank Baum, Amy Lowell, Alfred Noyes, Jack London, Lord Dunsany, Arthur Machen, Henry Van Dyke, Luigi Pirandello, Ambrose Bierce, Stephen Leacock, Sherwood Anderson. and more great writers.
For twenty-five years, millions of Americans watched Jack Perkins on NBC News as a correspondent, commentator, and anchorman. People were familiar with his face, his bearing, and his rich, reassuring bass. Yet at the age of fifty-two and at the height of his career, Jack Perkins left the world of broadcasting and moved with his wife, Mary Jo, to a bare-necessities cabin on an uninhabited island off the coast of Maine. This isolated home they came to call Moosewood was the setting for and the catalyst to Jack and Mary Jo’s spiritual awakening. For thirteen years they endured (and learned to enjoy) snowbound winters, shuttling supplies from the mainland, testing themselves and the strength of their marriage, and discovering the rewards and glories of a close-to-nature life. Which is to say, the rewards and glories of a close-to-God life. As far as the public was aware, Jack Perkins had vanished. In fact, he was doing research; not, for a change, about the unknown private life of a movie star or celebrated artist, but about the unknown sides of himself. Jack’s personal account in Finding Moosewood, Finding God tells a relatable story of one man drawn to cast off a shallow and unsatisfying lifestyle in order to seek out a deeper, more meaningful and spiritual life. Within the course of explaining how their lives were blessedly transformed especially during the cycle of their first year of island living, Jack draws in stories from his long career in an impressionistic, associative way that invites the reader to connect the dots. One finds—as he finally did—that there’d been many hints along the way of a greater plan at work. This rich memoir also contains a photo insert.
This is the second book from Jack Goldstein's ‘brainteasers' series, aimed at everyone who enjoys solving a variety of puzzles. Contained within the book are over one hundred fun brainteasers for children and adults alike, covering subjects including numbers, words, logic problems, visual puzzles, lateral thinking and more. Each question is sure to have you scratching your head - until you reveal the answer… at which point you’ll say you knew it all along! The brainteasers are separated into sections for easy navigation and will test every area of your brain whether you are old or young. Full answers and solutions are provided.
A groundbreaking book that dissects a slanderous history dating from cinema’s earliest days to contemporary Hollywood blockbusters that feature machine-gun wielding and bomb-blowing "evil" Arabs Award-winning film authority Jack G. Shaheen, noting that only Native Americans have been more relentlessly smeared on the silver screen, painstakingly makes his case that "Arab" has remained Hollywood’s shameless shorthand for "bad guy," long after the movie industry has shifted its portrayal of other minority groups. In this comprehensive study of over one thousand films, arranged alphabetically in such chapters as "Villains," "Sheikhs," "Cameos," and "Cliffhangers," Shaheen documents the tendency to portray Muslim Arabs as Public Enemy #1—brutal, heartless, uncivilized Others bent on terrorizing civilized Westerners. Shaheen examines how and why such a stereotype has grown and spread in the film industry and what may be done to change Hollywood’s defamation of Arabs.
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