Jack Hibberd is an Australian playwright and doctor. His career spans twenty years, beginning with the revival of indigenous Australian theatre in the late 1960's. His work is characterised by great comic invention and an on-going interest in exploring the form of theatre. This is evident in early plays like White With Wire Wheels (1967) and Dimboola (1969), his wedding play which is the most-produced Australian play ever and which has also received a number of overseas productions. A Stretch of the Imagination (1972) and A Toast to MeIba (1974) are also highly original, as is his adaptation of Gogol's The Overcoat(1978). For Hibberd, the theatre itself is a metaphor for life - best expressed in his monodramas, Mothballs (1981) and Lavender Bags (1983). Paul McGillick is theatre critic for The Australian Financial Review and a contributor to New Theatre Australia. He is also a playwright who has written plays and features for radio in particular. He has written extensively on the work of Jack Hibberd.
Jack Hibberd is an Australian playwright and doctor. His career spans twenty years, beginning with the revival of indigenous Australian theatre in the late 1960's. His work is characterised by great comic invention and an on-going interest in exploring the form of theatre. This is evident in early plays like White With Wire Wheels (1967) and Dimboola (1969), his wedding play which is the most-produced Australian play ever and which has also received a number of overseas productions. A Stretch of the Imagination (1972) and A Toast to MeIba (1974) are also highly original, as is his adaptation of Gogol's The Overcoat(1978). For Hibberd, the theatre itself is a metaphor for life - best expressed in his monodramas, Mothballs (1981) and Lavender Bags (1983). Paul McGillick is theatre critic for The Australian Financial Review and a contributor to New Theatre Australia. He is also a playwright who has written plays and features for radio in particular. He has written extensively on the work of Jack Hibberd.
Insouciance is a family saga about the love that binds a maniacal mother, her anxiety-ridden husband and their long-suffering son. This is a play, both comedic and compassionate, written in Dickins' distinctive style. The Prodigal Son is about the homecoming of an adult son, and the affections that survive the more difficult family histories.
One of the most popular characters ever created by Beverly Cleary is the small brown mouse named Ralph, whose modest appearance disguises the soul of a daredevil. Now he returns in a book that tells how he runs away from home on his mouse-sized motorcycle in search of freedom and adventure. Ralph's destination is a summer camp, where he hopes crumbs from peanut-butter-and-jelly sandwiches will be plentiful. But instead of finding freedom, he lands in a cage, doing endless loop the loops on an exercise wheel. The story of how Ralph and a lonely boy named Garf discover they speak the same language involves a villainous cat, a grouchy hamster, and many campers. Each episode is funnier than the last. On one level, Mrs. Cleary's story is a delightful tour de force. On another, it delivers a message about running away that is all the more effective because it is unobtrusive.
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