This book is an anthology of Jack Hatfield's most successful teaching arrangements, jam session favorites, show tunes and original compositions. Although it is not a teaching method per se, there are many arranging concepts and general tips included in the performance notes. There are also a few drills. Sections One and Two are intended to be a supplement for beginner and intermediate students, especially those who have used Mel Bay's First Lessons Banjo. Additional solos are presented for many of the songs in that book. Section Three is basically a lick and repertoire building resource for more advanced players. This entire section with the exception of two arrangements is previously unpublished material. Hallmarks of Jack's teaching style include melody-oriented arrangements, the use of well-known songs for the beginner, teaching tunes essential to the bluegrass banjo player's repertoire, the use of bold-faced melody notes, and an extremely graduated approach which builds on previously learned techniques and licks. the arrangements in this book adhere to these principles. 112 pages, complete with two audio CDs.
First Lessons on Banjo is an ultra-easy instruction manual for beginning five-string banjo played in the three finger style in G tuning. It can be used by those with no previous experience with the banjo or music of any sort. It is so basic it can be used even by small children. the book features very detailed descriptions of even the most basic aspects such as wearing the picks properly, the correct picking motion, and noting the strings properly. These are aspects that are so basic most manuals skip over them. There are many detailed photos, several from the player's point of view, not from in front of the banjo. First Lessons on Banjo covers the most basic rolls, the Alternating Thumb Roll and two Forward Rolls, plus the three basic chords plus the relative minor chord. All musical examples are presented in tablature, with the melody notes in boldface type so the student knows which notes to emphasize. All arrangements include lyrics, which is very important to the novice who is trying to train the ear to hear the melody among the fill notes. Several tips and suggestions about the proper mental approach are included that will lead to playing by ear and arranging at an earlier stage in the student's development. There are also suggestions about developing the proper mental approach and about speed reading of tablature. These suggestions are not found in any other banjo instruction book. the 'finale' arrangement is Cripple Creek, a popular banjo standard that when mastered, should give the novice a great sense of accomplishment. the accompanying recording includes all tabbed examples, with the rhythm instruments and lead banjo in separate channels. the songs are played at three tempos, the first tempo VERY slow, then a medium tempo version, and finally at performing speed with guitar, mandolin and bass accompaniment. the up- tempo accompanied versions are all together at the end of the recording so it the final tracks be used as a listening recording. This also allows the student to play along with all the more interesting arrangements in sequence without skipping around the recording.
This book teaches the conceptual tools needed to become adept at playing the mandolin by ear. Provides keys to learning chord progressions and playing melody by ear as well as using licks and playing in different keys. Includes many tunes in tablature.
This book presents 31 of the most-loved old-time gospel songs arranged in the three-finger style, complete with musical notation, banjo tablature, chords and lyrics. Each song is presented first as a beginner-intermediate arrangement, played in the first position in Scruggs style. Most songs are then presented in an up-the-neck arrangement. the CD features five-string banjo solos played in three-finger style and accompanied by guitar, mandolin and bass. This is a split-track recording, the lead banjo is on one channel and the accompaniment instruments on the other. the CD can be used as a solo recording, a teaching recording or a play-along recording.
Many musicians, including some that are technically quite advanced, never break away from the printed page to learn by simply listening and re-creating. the common name for this process is playing by ear. with some basic guidelines, any musician with rudimentary skills can teach himself or herself to play by ear, adding a new dimension to their playing skills. This book teaches the 5-string banjoist to listen and play solos and chord progressions by ear, providing essential ear training and techniques needed to participate in jam sessions of all types! Chapters include: Learning Chord Progressions by Ear; Faking a Solo; Playing the Melody by Ear; and Using Licks. Written in tablature only. the companion recording is in split-track format with the melody track on the left and the rhythm on the right.
This is a unique collection of drills for all three popular three-finger banjo styles: Scruggs, Single String and Melodic. There are over two hundred sixty exercises ranging from beginner to advanced levels. The physical exercises include finger strengthening, increasing position changing speed, agility and hand-eye coordination. There are detailed aspects of technique not addressed in any otherbook such as pick depth control, controlling the pick angle for the best tone, stabilizing the right hand and improving economy of motion in both hands. Musical exercises include roll exercises, roll combinations, modern (post-Scruggs) rolls, scales and scale patterns in both single-string and melodic styles, chord scales, fretboard positions for the G scale over the entire fretboard and triad and seventh chord formations. Location of root, seventh and minor tonal centers are shown inchord formations and in the fretboard patterns. Melodic quasi-chord formations are revealed which have never been codified in any other book. Mental tips which enhance focus and dozens of theory tidbits are featured
The seeds of success are planted within you—just waiting to break through and grow . . . This is a self-help book with a difference. It contains no promises of financial success in twenty-four hours, no mystical secret buried within its pages. In this book, the emphasis is on “self”—because it’s within yourself that the answers lie. They’ve been there all along. Jack Hatfield, whose memoir Blessed with Tragedy recounted the transformational experience of caring for a premature daughter, shares the simple truths he’s discovered in Natural Success Principles. They are truths so often overlooked that they seem to be revelations of a new and exciting horizon—even though they’ve been a part of you from before you were born. Understanding these truths unlocks methods of reaching your goals, and reveals the complexities and difficulties we struggle with are not as challenging as they seem—once we are able to rediscover what lies within us.
“My Brother Was an Only Child” was Jack Douglas’ very first humour book, having written for famous radio and television celebrities such as Jack Paar, Bob Hope, Bing Crosby and Jimmy Durante, as well as TV shows such as “Adventures of Harriet and Ozzie”, “The George Gobel Show”, and “Laugh-In”. It perfectly captures the sense of humour prevalent in this era and is as refreshing and side-splittingly funny now as it was then.
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