JP Bosman's Books

Evolving as a Digital Scholar

Teaching and Researching in a Digital World

By: Wim Van Petegem,JP Bosman,Miné De Klerk,Sonja Strydom

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Evolving as a Digital Scholar

Teaching and Researching in a Digital World

By: Wim Van Petegem,JP Bosman,Miné De Klerk,Sonja Strydom

What does it take to become a digitally agile scholar? This manual explains how academics can comfortably navigate the digital world of today and tomorrow. It foregrounds three key domains of digital agility: getting involved in research, education and (community) service, mobilising (digital) skills on various levels, and acting in multiple roles, both individually and interlinked with others. After an introduction that outlines the foundations of the three-dimensional framework, the chapters focus on different roles and skills associated with evolving as a digital scholar. There is the author, who writes highly specialised texts for expert peers; the storyteller, who crafts accessible narratives to a broader audience in the form of blogs or podcasts; the creator, who uses graphics, audio, and video to motivate audiences to delve deeper into the material; the integrator, who develops and curates multimedia artefacts, disseminating them through channels such as websites, webinars, and open source repositories; and finally the networker, who actively triggers interaction via social media applications and online learning communities. Additionally, the final chapters offer a blueprint for the future digital scholar as a professional learner and as a “change agent” who is open to and actively pursues innovation. Informed by the authors’ broad and diverse personal experience, Evolving as a Digital Scholar offers insight, inspiration, and practical advice. It equips a broad readership with the skills and the mindset to harness new digital developments and navigate the ever-evolving digital age. It will inspire academic teachers and researchers with different backgrounds and levels of knowledge that wish to enhance their digital academic profile.

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184

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Leuven University Press

Published Date

ISBN 10

9462702780

ISBN 13

9789462702783

The Reclamation of Former Coal Mines and Steelworks

By: I.G. Richards,J.P. Palmer,P.A. Barratt

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The Reclamation of Former Coal Mines and Steelworks

By: I.G. Richards,J.P. Palmer,P.A. Barratt

This book, the result of studies undertaken on behalf of the European Commission, examines the current 'state of the art' techniques for the restoration of despoiled lands arising from the coal and steel industries. It provides technical guidance to aid the process of the regeneration of the coal and steel communities of Europe. The chapters are fully cross referenced in the text, and where more technical or specific detail is provided, this has been placed into boxes rather than in the main text.The book will be of great interest to environmental scientists and engineers, and to all those who are involved in mining, mineral waste, soil pollution and waste management and disposal.

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751

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Elsevier

Published Date

ISBN 10

0080875157

ISBN 13

9780080875156

The London Stage 1890-1959

Accumulated Indexes

By: J. P. Wearing

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The London Stage 1890-1959

Accumulated Indexes

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new. Although each volume contains indexes specific to that decade, The London Stage 1890–1959: Accumulated Indexes combines all of the indexes into one comprehensive resource for more efficient research. For example, those wishing to locate all the references to a particular actor, play, or theatre whose history spanned more than one decade will find all of the entries listed in this set. This set includes four key indexes: general, genre, theatre, and title. The general index consists of numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. With approximately 40,000 people listed, this is the largest single source of theatrical personnel on the London stage during this period. The genre index comprises all entries for production types, including comedies, dramas, farces, and tragedies, as well as ballets, operas, adaptations, foreign works, pantomimes, and translations. The theatre index features every building to stage a production, from the Adelphi to Wyndham’s. The title index cites 14,000 productions, identifying every work produced on stage from Domestic Economy in January 1890 to When in Rome in December 1959. As a supplement to the individual volumes, The London Stage 1890–1959: Accumulated Indexes will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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1404

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Rowman & Littlefield

Published Date

ISBN 10

0810893215

ISBN 13

9780810893214

The London Stage 1900-1909

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1900-1909

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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731

Publisher

Scarecrow Press

Published Date

ISBN 10

0810892944

ISBN 13

9780810892941

A Manual of Morphometry in Diagnostic Pathology

By: J.P. Baak,J. A. Oort

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A Manual of Morphometry in Diagnostic Pathology

By: J.P. Baak,J. A. Oort

J. Oort and J.P.A. Baak This manual is written by pathologists and is meant for pathologists. It deals with a subject that became especially popular in pathology at the end of the last decade: morphometry. Morphometry is defined as the quantitative description of a structure (Weibel, 1969). This structure may be both of macroscopic and micro scopic size. Strictly, the size of an organ is a morphometric feature. This type of morphometry has long been in use in pathology. Examples ofthis type in diagnostic pathology have been given by Roesle and Roulet (1932). In this manual, however, the term morphometry is used in its re stricted microscopic meaning, i.e., the quantitative description of micro scopic images and features. The quantitative analysis of microscopic pic tures has for a long time been subordinated to the qualitative description. This may partly have been caused by the preference of the human mirld for pattern recognition rather than quantitative appraisal, which leads to judgements based on impressions subconsciously tested against the ob server's (mental) image of the normal pattern. Another cause may have been the time-consuming difficulties of collecting and computing quanti tative information. During the past decades the usefulness of quantitative methods in histo- and cytopathology has been stressed for many different subjects. In addition, minicomputers have become widely available and are becoming increasingly inexpensive; the more so since the introduction of micro com puters.

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308

Publisher

Springer Science & Business Media

Published Date

ISBN 10

3642748236

ISBN 13

9783642748233

Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era

By: Courtney J. P. Friesen

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Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era

By: Courtney J. P. Friesen

While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.

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180

Publisher

Taylor & Francis

Published Date

ISBN 10

1000910288

ISBN 13

9781000910285

The London Stage 1950-1959

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1950-1959

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Look Back in Anger, One Way Pendulum, The Birthday Party, A Taste of Honey, Chicken Soup with Barley, Five Finger Exercise, The Hostage, and Waiting for Godot, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1950-1959 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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1003

Publisher

Rowman & Littlefield

Published Date

ISBN 10

0810893088

ISBN 13

9780810893085

The London Stage 1910-1919

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1910-1919

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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797

Publisher

Scarecrow Press

Published Date

ISBN 10

0810893002

ISBN 13

9780810893009

The London Stage 1930-1939

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1930-1939

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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1133

Publisher

Rowman & Littlefield

Published Date

ISBN 10

0810893045

ISBN 13

9780810893047

Operational Oceanography

The Challenge for European Co-operation

By: H.W.A. Behrens,J.C. Borst,J.P. van der Meulen,L.J. Droppert,J.H. Stel

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Operational Oceanography

The Challenge for European Co-operation

By: H.W.A. Behrens,J.C. Borst,J.P. van der Meulen,L.J. Droppert,J.H. Stel

GOOS is an international programme for a permanent global framework of observations, modelling and analysis of ocean variables which are needed to support operational services around the world. The EuroGOOS strategy has two streams: the first is to improve the quality of marine information in European home waters, and the second is to collaborate with similar organisations in other continents to create a new global ocean observing and modelling system that will provide the open ocean forecasts needed to achieve the best possible performance by local marine information services everywhere. The EuroGOOS strategy envisages our national agencies making a major contribution to that challenging task of globalizing ocean forecasting. The conference also provided an opportunity to take stock of the state of marine science and technology in Europe relevant to the EuroGOOS strategy, and the state of information services and customer needs.

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779

Publisher

Elsevier

Published Date

ISBN 10

0080538045

ISBN 13

9780080538044

Reading Dionysus

Euripides' Bacchae and the Cultural Contestations of Greeks, Jews, Romans, and Christians

By: Courtney J.P. Friesen

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Reading Dionysus

Euripides' Bacchae and the Cultural Contestations of Greeks, Jews, Romans, and Christians

By: Courtney J.P. Friesen

Courtney J. P. Friesen explores shifting boundaries of ancient religions by way of the reception of a popular tragedy, Euripides' Bacchae. As a play staging political crises provoked by the arrival of the "foreign" god Dionysus and his ecstatic cult, audiences and readers found resonances with their own cultural moments. This dramatic deity became emblematic of exuberant and liberating spirituality and, at the same time, a symbol of imperial conquest. Thus, readings of the Bacchae frequently foreground conflicts between religious autonomy and political authority, and between ethnic diversity and social cohesion. This cross-disciplinary study traces appropriations and evocations of this drama ranging from the fifth century BCE through Byzantium not only among "pagans" but also Jews and Christians. Writers variously articulated their religious visions over against Dionysus, often while paradoxically adopting the god's language and symbols. Consequently, imitation and emulati on are at times indistinguishable from polemics and subversion.

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Page Count

352

Publisher

Mohr Siebeck

Published Date

ISBN 10

3161538137

ISBN 13

9783161538131

J.P. Martin

Father of Uncle, including the Unpublished Uncle

By: J.P. Martin

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J.P. Martin

Father of Uncle, including the Unpublished Uncle

By: J.P. Martin

The much-loved UNCLE series of children's books by JP Martin, illustrated by Quentin Blake, were fantastical, surreal, funny and heart-warming. Originally told by Martin to his children, they were finally published when he was over eighty years old

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Page Count

416

Publisher

Troubador Publishing Ltd

Published Date

ISBN 10

1788031067

ISBN 13

9781788031066

Eroïca

The Quest for Oil in Indonesia (1850-1898)

By: J.P. Poley

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Eroïca

The Quest for Oil in Indonesia (1850-1898)

By: J.P. Poley

A tribute to the pioneers of oil exploration in Indonesia (1850-1898). Using authentic reports, diaries, relevant texts, personal notes and pictures, Poley brings to life the heroic efforts of Reerink (Cheribon, W. Java), Zijlker and Kessler (Deli, NE Sumatra), Stoop (Surabaya and Rembang, E Java), Menten (Kutei, E Kalimantan), Kessler and IJzerman (Palembang, SE Sumatra), and their crews. They faced almost insurmountable odds in many locations: an impenetrable, cruel jungle, an inclement climate, tropical diseases, technical mishaps, financial restrictions, and, last but not least, government and legal constraints. There was no geological science to guide them, and drilling technology was still in its infancy. Yet it was their vision and perseverance which finally put Indonesia on the world map of oil-producing nations, and which contributed materially to the development of today's life of luxury. Much of the present text and several of the pictures are here presented for the first time to the general public.

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Page Count

186

Publisher

Springer Science & Business Media

Published Date

ISBN 10

9401595682

ISBN 13

9789401595681

The London Stage 1940-1949

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1940-1949

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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721

Publisher

Rowman & Littlefield

Published Date

ISBN 10

0810893061

ISBN 13

9780810893061

The Transvaal From Within

By: J.P Fitzpatrick

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The Transvaal From Within

By: J.P Fitzpatrick

Reproduction of the original: The Transvaal From Within by J.P Fitzpatrick

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386

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BoD – Books on Demand

Published Date

ISBN 10

3752363894

ISBN 13

9783752363890

Evolving as a Digital Scholar

Teaching and Researching in a Digital World

By: Wim Van Petegem,JP Bosman,Miné De Klerk,Sonja Strydom

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Evolving as a Digital Scholar

Teaching and Researching in a Digital World

By: Wim Van Petegem,JP Bosman,Miné De Klerk,Sonja Strydom

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184

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Leuven University Press

Published Date

ISBN 10

9462702780

ISBN 13

9789462702783

Book's by JP Bosman

Evolving as a Digital Scholar

Evolving as a Digital Scholar

The Reclamation of Former Coal Mines and Steelworks

The Reclamation of Former Coal Mines and Steelworks

The London Stage 1890-1959

The London Stage 1890-1959

The London Stage 1900-1909

The London Stage 1900-1909

A Manual of Morphometry in Diagnostic Pathology

A Manual of Morphometry in Diagnostic Pathology

Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era

Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era

The London Stage 1950-1959

The London Stage 1950-1959

The London Stage 1910-1919

The London Stage 1910-1919

The London Stage 1930-1939

The London Stage 1930-1939

Operational Oceanography

Operational Oceanography

Reading Dionysus

Reading Dionysus

J.P. Martin

J.P. Martin

Eroïca

Eroïca

The London Stage 1940-1949

The London Stage 1940-1949

The Transvaal From Within

The Transvaal From Within

Evolving as a Digital Scholar

Evolving as a Digital Scholar

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