Twenty-something guitarist Aksel stutters when he sings, and the latest reviews say he has the voice of a crow with throat plague. That’s not a compliment, even for the avant-garde music his band Perkeros plays. Aksel is having a hard time keeping the band together, stopping his girlfriend from kicking him out, and not getting eaten by his drummer (who happens to be a cranky brown bear). There are also the rival bands that Perkeros find themselves in battle with to save the city from supernatural forces set loose by ancient music. The key to it all could be in the music Aksel hears in his dreams—if it doesn’t drive him mad first. With a visual soundtrack that blasts off the page, Sing No Evil is a wild ride through otherworldly dangers and the power of pure rock’n’roll.
Akseli, ein Musik-Junkie und Perfektionist mit einem ausbaufähigen Selbstwertgefühl, versucht seine Metal-Band Perkeros durch die Untiefen des Musik-Business zum Durchbruch zu führen. Der Rest der Band besteht aus dem wunderlichen, alten Hippie-Bassisten Kervinen, der Keyboarderin Lilja, die Kunst studiert und als Kellnerin arbeitet, und dem Schlagzeuger, einem nun ja Bären! Leidenschaftlich arbeiten sie zusammen an ihrem gemeinsamen Ziel, doch zwischen Uni und Arbeit ist es nicht einfach, Akselis hohem Anspruch gerecht zu werden, zumal er beginnt, sich Gedanken über die Macht der Musik zu machen. Als schließlich ein neuer Sänger, Aydin, zu ihnen stößt, ergibt sich für die Band die unglaubliche Chance für einen Gig auf dem Rocktoberfest...
Belzebubs is a “trve kvlt mockumentary” focusing on the everyday challenges of family life: raising kids, running a small business, and making time for worship. Except the kids are named Lilith and Leviathan, the business is a black-metal band, and the worship… isn’t exactly aimed upstairs. In a few short years, what started out as improvised social-media doodles has now become a wildly successful webcomic with hundreds of thousands of fans. The irresistible cartooning of JP Ahonen (Sing No Evil) combines relatable slice-of-life humor with over-the-top occult antics and references from metal music to Lovecraftian horror, making Belzebubs a devil of a good time.
Twenty-something guitarist Aksel stutters when he sings, and the latest reviews say he has the voice of a crow with throat plague. That’s not a compliment, even for the avant-garde music his band Perkeros plays. Aksel is having a hard time keeping the band together, stopping his girlfriend from kicking him out, and not getting eaten by his drummer (who happens to be a cranky brown bear). There are also the rival bands that Perkeros find themselves in battle with to save the city from supernatural forces set loose by ancient music. The key to it all could be in the music Aksel hears in his dreams—if it doesn’t drive him mad first. With a visual soundtrack that blasts off the page, Sing No Evil is a wild ride through otherworldly dangers and the power of pure rock’n’roll.
Belzebubs is a “trve kvlt mockumentary” focusing on the everyday challenges of family life: raising kids, running a small business, and making time for worship. Except the kids are named Lilith and Leviathan, the business is a black-metal band, and the worship… isn’t exactly aimed upstairs. In a few short years, what started out as improvised social-media doodles has now become a wildly successful webcomic with hundreds of thousands of fans. The irresistible cartooning of JP Ahonen (Sing No Evil) combines relatable slice-of-life humor with over-the-top occult antics and references from metal music to Lovecraftian horror, making Belzebubs a devil of a good time.
For twenty years this book, now in its 5th edition, has provided information on adverse drug interactions that is unrivalled in coverage and scholarship. Adverse drug reactions, many of them ascribable to interactions with other drugs or with chemical substances in food or the environment, are thought to cause or complicate one in twenty of hospital admissions. The book is conveniently divided into two parts: Part 1 comments on drug interactions and their mechanisms, on a pharmacokinetic and pharmacodynamic level, while Part 2 consists of drug interaction tables, divided and subdivided into categories of disorders, and the drugs used in the treatment of these disorders. If safety in drugs is to improve, education of prescribers is vitally important. This book, with its up-to-date and coordinated approach, serves that purpose well. The real threat, as the authors remind us, is the ignorance of practitioners, not the drug itself. The volume is therefore an essential addition to the shelves of those responsible for the prescription of drugs, in order to prevent a potential backlash when used in combination with other drugs or chemical substances.
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