Collects M.O.D.O.K.: Head Games (2020) #1-4, M.O.D.O.K: Reign Delay One-Shot (2009), Fall of the Hulks: MODOK (2010). A journey into the mind of one of the biggest heads in the Marvel Universe! M.O.D.O.K. is the ruthless and brilliant leader of the terrorist organization A.I.M., outsmarting heroes and outmaneuvering cutthroat colleagues gunning for his position. But haunting memories of a family he never had leave him unsure whether he’s losing his freakishly large mind or if there’s something more sinister behind these visions. M.O.D.O.K.’s quest to uncover the truth will find him teaming up with the most unlikely of allies: Iron Man! But can M.O.D.O.K. untangle the mystery before his many foes take advantage of his weakness — for good? From Patton Oswalt and Jordan Blum, showrunners of the upcoming animated series Marvel’s M.O.D.O.K.
Spinning out of the world of the hit Minor Threats superhero series created by Patton Oswalt, Jordan Blum, and Scott Hepburn comes a new tale of costumed underdogs—featuring a support group for superheroes, struggling to reclaim their mediocre lives after tasting their true potential. Mary the Multi-Monster! The Tripper! Crab Louie! Kid Curious! Persona! These offbeat b-list superheroes, formerly known as The Alternates, seemingly sacrificed themselves to stop an invasion from another dimension. Instead they were transported to a mirror reality where they lived complex lives in a more four-dimensional existence—expanding both their powers and consciousness. Five years later they've returned to Twilight City, struggling to reacclimate to their old lives in a traditional two-dimensional superhero world—in withdrawal from the vivid ones they left behind. When elements from this alternate reality turn up as a dangerous new street drug, some of the heroes band together to destroy it, while others succumb to its temptation. Illustrated by Tess Fowler (Rat Queens) and Christopher Mitten (Hellboy, 30 Days of Night) and featuring pinups by Fabio Moon, Tony Fleecs, Ryan Browne, Martin Simmonds, and more! Collects The Alternates #1–#4.
A new original comic series from Patton Oswalt and Jordan Blum - showrunners of Marvel’s M.O.D.O.K on Hulu - and superstar artist Scott Hepburn! In the vein of Sin City, Watchmen, and The Boys, this noir-ish superhero caper, focuses on a lower-class kind of criminal, similar to the Coen Bros' most pulpy films, but set in a high concept world of heroes and villains. “I was hooked from the first page!" — Taika Waititi It’s hard out there for a supervillain. Not the world conquerors, chaos engines, or arch-nemeses, but the little guys, the career criminals. The ones who put on uniforms, knock over jewelry stores, and get tied to telephone poles before the hero swings off to face the actual big bad. Times are tough for costumed crooks…and they’re about to get much worse. The psychotic Stickman has done the unthinkable and murdered Kid Dusk, sidekick to Twilight City’s premier crime-fighter, The Insomniac. The Insomniac’s teammates, The Continuum, are tearing Twilight apart, turning it into a terrifying police state—desperate to capture the Stickman and stop the Insomniac from “crossing that final line” in which he may never come back from. Caught in the middle are the small-time C-list villains, finding it impossible to pull jobs or even walk down the street without being harassed by these heroes. With a bounty on the Stickman’s head, former villain Playtime decides to put together a ragtag team of equally disgruntled supervillains to take down the Stickman and kill him themselves, leading her on a dark journey into the criminal underbelly she’s tried so hard to escape. This graphic crime drama is about superheroes and villains and the last gasp of the colorful, innocent days of the silver and bronze age...before they’re dragged into the grit-soaked modern era. Features a bonus pinups section with art by Mike Mignola (Hellboy), Kevin Maguire (Justice League), Francesco Francavilla (The Black Beetle), and David Aja (Hawkeye).
It’s almost impossible to discuss the history of rock music without praising the monumental quality, impact, variety, and boldness of Britain’s Jethro Tull. Named after an eighteenth-century agriculturalist – and not after their striking front-man Ian Anderson – the group almost immediately became one of the most ambitious, and significant acts in two subsections of the genre: progressive and folk rock. Officially formed in 1967, mastermind Anderson, guitarist Martin Barre and company initially forged a blues course before veering in a more diverse, and expansive direction. Their 1970s period – which is often considered their peak—took them close to progressive rock via iconic albums like Aqualung and Songs From The Wood plus lengthy narrative suites Thick as a Brick and A Passion Play, all hit albums on both sides of the Atlantic. Like numerous peers at the time (including ELP, Rush, Yes, and King Crimson), Tull then embraced the more commercially accessible demands of the 1980s – complete with a fair share of both synthesizers and hard rock. Album by album, this book examines the behind-the-scenes circumstances and motivations for each release via a track-by-track analysis to acutely observe why Jethro Tull were – and always will be – of invaluable 'benefit' to rock music. Jordan Blum holds an MFA in Creative Writing, and is the founder/Editor-in-Chief of The Bookends Review, an independent creative arts journal. He focuses mostly on progressive rock/metal and currently writes for – or has written for – many other publications, including Sonic Perspectives, Paste, Progression, Metal Injection, Rebel Noise, PROG, Sea of Tranquility, and Rock Society. Finally, he records his own crazy ideas under the pseudonym Neglected Spoon. When he's not focused on any of that, he teaches English courses at various colleges. He lives in Philadelphia, PA, USA.
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