What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Sixty of American composer Stephen Collins Foster's (1826-1864) best-loved songs in the composer's original piano arrangements with added guitar chords. the texts have been revised to capture the spirit Foster intended, eliminating obsolete or objectionable lyrics. A detailed introduction by musicologist Steven Saunders describes both Foster's biography and the traditions surrounding nineteenth-century popular songs. Well-known Foster songs like Camptown Races, Oh Susanna, and Jeanie with the Light Brown Hair are included, along with a number of pieces that have been popularized by contemporary recordings such as Slumber My Darling and Hard Times Come Again No More. Songs never before included in published collections, like the Voice of By Gone Days, Turn Not Away, and Willie We Have Missed You, provide singers the opportunity to become familiar with new titles. the collection demonstrates Foster's range as a writer of parlor songs, comedic ballads, Civil War tunes, and religious hymns.
What is the soundtrack for a nuclear arms race? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of the world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians who were trying to cope with the effect of communism on American society and the consequences of a potential nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, offering insight into the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
What is the soundtrack for a nuclear war? During the Cold War, over 500 songs were written about nuclear weapons, fear of the Soviet Union, civil defense, bomb shelters, McCarthyism, uranium mining, the space race, espionage, the Berlin Wall, and glasnost. This music uncovers aspects of these world-changing events that documentaries and history books cannot. In Atomic Tunes, Tim and Joanna Smolko explore everything from the serious to the comical, the morbid to the crude, showing the widespread concern among musicians coping with the effect of communism on American society and the threat of a nuclear conflict of global proportions. Atomic Tunes presents a musical history of the Cold War, analyzing the songs that capture the fear of those who lived under the shadow of Stalin, Sputnik, mushroom clouds, and missiles.
Sixty of American composer Stephen Collins Foster's (1826-1864) best-loved songs in the composer's original piano arrangements with added guitar chords. the texts have been revised to capture the spirit Foster intended, eliminating obsolete or objectionable lyrics. A detailed introduction by musicologist Steven Saunders describes both Foster's biography and the traditions surrounding nineteenth-century popular songs. Well-known Foster songs like Camptown Races, Oh Susanna, and Jeanie with the Light Brown Hair are included, along with a number of pieces that have been popularized by contemporary recordings such as Slumber My Darling and Hard Times Come Again No More. Songs never before included in published collections, like the Voice of By Gone Days, Turn Not Away, and Willie We Have Missed You, provide singers the opportunity to become familiar with new titles. the collection demonstrates Foster's range as a writer of parlor songs, comedic ballads, Civil War tunes, and religious hymns.
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