This collection presents the genius of Jimmy Wyble's solo guitar compositions. Presented in standard notation and tab, each written piece with an accompanying CD track represents the guitar mastery of Jimmy Wyble. Lyrically written, eloquently harmonized and thoughtfully played, these pieces are sure to add depth and originality to any solo guitarist's repertoire.
Presents twenty, four-bar exercises written by Jimmy Wyble followed by exhaustive harmonic, rhythmic, and scale permutation of the four-bar exercises by Ron Berman. Accompanying CD contains recordings of exercise permutations. This text gives insight to the vast melodic and harmonic possibilities available to composers and arrangers of guitar music. Examples should be used as ideas for improvisations, compositions, or springboards for new original material. Any musical idea, as shown in this book, may be permutated to create almost limitless original ideas. Exercises are presented in standard notation only.
This continuation of Jimmy Wyble's book "The Art of Two-Line Improvisation" includes five duets in which each part is a two-line contrapuntal piece! Also includes three new solo compositions, all in standard notation and tab. Includes access to online audio.
This collection of etudes, written during the 1970's, was composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. the right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses very standard jazz guitar chord shapes in these etudes; however, these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating new sounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Written in notation and tablature. 92 pages.
This collection presents the genius of Jimmy Wyble's solo guitar compositions. Presented in standard notation and tab, each written piece with an accompanying CD track represents the guitar mastery of Jimmy Wyble. Lyrically written, eloquently harmonized and thoughtfully played, these pieces are sure to add depth and originality to any solo guitarist's repertoire.
This continuation of Jimmy Wyble's book "The Art of Two-Line Improvisation" includes five duets in which each part is a two-line contrapuntal piece! Also includes three new solo compositions, all in standard notation and tab. Includes access to online audio.
This collection of etudes, written during the 1970's, was composed as a result of Jimmy Wyble's explorations into the musical worlds of counterpoint, harmony and chord melody improvisation for the jazz guitar. the right and left hand fingerings presented in this book were also developed as techniques needed to improvise jazz in two lines. Jimmy uses very standard jazz guitar chord shapes in these etudes; however, these shapes move through the harmony in lines rather than block chord structures. This broken chord technique creates a unique contrapuntal sound that separates Jimmy from the rest of the fingerstyle jazz guitar world. It is hoped that jazz and classical guitarists playing and working through these etudes will see many familiar chord shapes moving in new ways and creating new sounds. These new harmonic sounds combined with beautiful melodies will inspire any quitarist to new levels of musical creativity. Written in notation and tablature. 92 pages.
Presents twenty, four-bar exercises written by Jimmy Wyble followed by exhaustive harmonic, rhythmic, and scale permutation of the four-bar exercises by Ron Berman. Accompanying CD contains recordings of exercise permutations. This text gives insight to the vast melodic and harmonic possibilities available to composers and arrangers of guitar music. Examples should be used as ideas for improvisations, compositions, or springboards for new original material. Any musical idea, as shown in this book, may be permutated to create almost limitless original ideas. Exercises are presented in standard notation only.
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