Fin février 2020. Le coronavirus commence à gagner les maisons de retraite. Pour se protéger, les pensionnaires du Soleil ardent décident de s'auto-confiner avant l'heure. Coachés par l'une des leurs, riche d'un long passé professionnel dans le monde du spectacle, quatre complices en pleine forme vont se révéler à eux-mêmes, à leurs proches... et même à la France entière. Étonnant parcours musical que celui de ces « vieilles personnes à risques » en confinement.
Tout paraît simple. Pour en arriver là, rien ne l'a été. " 1985. Jean-Jacques Beineix, échaudé par l'échec de son film La Lune dans le caniveau, peine à retrouver un projet qui le remettrait en selle. Un jour, il reçoit par la poste 37°2 le matin, le livre de Philippe Djian qu'une amie éditrice lui a envoyé. Il tombe sous le charme de cette histoire d'amour moderne où un homme s'éprend d'une femme mythique qui est tout ce qu'il n'est pas : audacieuse, culottée et violente. Cela ne fait aucun doute : il l'adaptera au cinéma. Il trouve un producteur, commence à écrire, et est persuadé de pouvoir tourner très vite. Les difficultés pourtant se multiplient : contrat vicié, producteurs sans parole, casting houleux, projet suspendu, Jean-Jacques Beineix se demande si le couple Betty et Zorg pourra prendre vie devant la caméra. Et, cependant, 37°2 le matin voit enfin le jour : un chef d'œuvre. De l'écriture du scénario au casting, de la préparation au tournage, Jean-Jacques Beineix nous raconte la genèse d'un film devenu culte. Ce livre est le récit d'une formidable aventure. Mais il nous dévoile aussi les détails qui subliment une œuvre cinématographique, la quête minutieuse des couleurs, la maîtrise du son qui ne doit pas souligner les effets, le génie de certains acteurs qui entrent d'emblée dans un rôle improbable, la recherche obstinée du paysage révélateur : autant d'exigences qu'on a souvent reprochées à Beinex mais qui font que le cinéma est un art.
In addition to making his mark as a prominent philosopher, educational theorist, and musician, renaissance man Jean-Jacques Rousseau was also a pioneer in the genre of autobiographical writing. When his multi-book series Confessions was first published, it marked one of the most original entries in the literary category of autobiographies in centuries.
Musaicum Press presents to you a collection of the most influential works written by the Jean-Jacques Rousseau. Contents: Emile, or On Education The Social Contract Discourse on the Origin of Inequality Among Men Discourse on the Arts and Sciences A Discourse on Political Economy Confessions New Heloise (An Excerpt)
When it was first published in 1781, The Confessions scandalised Europe with its emotional honesty and frank treatment of the author's sexual and intellectual development. Since then, it has had a more profound impact on European thought. Rousseau left posterity a model of the reflective life - the solitary, uncompromising individual, the enemy of servitude and habit and the selfish egoist who dedicates his life to a particular ideal. The Confessions recreates the world in which he progressed from incompetent engraver to grand success; his enthusiasm for experience, his love of nature, and his uncompromising character make him an ideal guide to eighteenth-century Europe, and he was the author of some of the most profound work ever written on the relation between the individual and the state.
In "The Social Contract" Rousseau theorized about the best way to establish a political community in the face of the problems of commercial society, which he had already identified in his Discourse on Inequality (1754). The Social Contract helped inspire political reforms or revolutions in Europe, especially in France. The Social Contract argued against the idea that monarchs were divinely empowered to legislate. Rousseau asserts that only the people, who are sovereign, have that all-powerful right. "Confessions" is an autobiographical book which covers the first fifty-three years of Rousseau's life, up to 1765. It was completed in 1769, but not published until 1782, four years after Rousseau's death, even though Rousseau did read excerpts of his manuscript publicly at various salons and other meeting places. He wrote of his own life mainly in terms of his worldly experiences and personal feelings.
This meticulously edited Rousseau collection is formatted for your eReader with a functional and detailed table of contents: "Emile, or On Education" or "Émile, or Treatise on Education" is a treatise on the nature of education and on the nature of man. Jean-Jacques Rousseau considered it to be the "best and most important" of all his writings. Emile is scarcely a detailed parenting guide but it does contain some specific advice on raising children. It is regarded by some as the first philosophy of education in Western culture to have a serious claim to completeness, as well as being one of the first Bildungsroman novels. "The Social Contract," originally published as On the Social Contract; or, Principles of Political Rights by Rousseau, is a 1762 book in which Rousseau theorized about the best way to establish a political community in the face of the problems of commercial society, which he had already identified in his Discourse on Inequality (1754). The Social Contract helped inspire political reforms or revolutions in Europe, especially in France "Confessions" is an autobiographical book which covers the first fifty-three years of Rousseau's life, up to 1765. It was completed in 1769, but not published until 1782, four years after Rousseau's death, even though Rousseau did read excerpts of his manuscript publicly at various salons and other meeting places. He wrote of his own life mainly in terms of his worldly experiences and personal feelings.
La vidéosurveillance fait désormais partie des outils utilisés dans les politiques sécuritaires. Les récentes évolutions techniques rendent son usage de plus en plus intrusif dans la vie privée mais aussi dans l'espace public. Cet ouvrage explore une dimension encore inédite de la vidéosurveillance. Elle réside dans le caractère automatique de la détection des « comportements anormaux » dans l'espace public. L'anormalité est un enjeu fondamental dans la définition de la citoyenneté, en établissant une frontière entre ce qui est jugé acceptable et ce qui doit être réprimé. Or, des projets de recherches appliqués récents tentent de coupler l'usage de la vidéosurveillance avec une évaluation automatique de l'anormalité. Désormais, les algorithmes contribuent à définir ces comportements anormaux et donc, dessinent les figures de l’anormal. L’automaticité modifie considérablement les capacités d’appréciation de la normalité, jusqu’ici de la compétence du juge et des pouvoirs publics. La convergence des techniques (vidéo, base de données informatiques...) contribue à modifier profondément les frontières de l’espace public et, par conséquent, de l’espace démocratique. L’ouvrage présente les débats interdisciplinaires qui ont eu lieu à l’occasion d’une application technique actuellement en cours. S’interroger sur ce qu’est un comportement anormal permet de rappeler les modalités d’élaboration de la normalité dans une démocratie.
That Wagner conceived of himself creatively as both man and woman is central to an understanding of his life and art. So argues Jean-Jacques Nattiez in this richly insightful work, where he draws from semiology, music criticism, and psychoanalysis to explore such topics as Wagner's theories of music drama, his anti-Semitism, and his psyche. Wagner, who wrote the libretti for the operas he composed, maintained that art is the union of the feminine principle, music, and the masculine principle, poetry. In light of this androgynous model, Nattiez reinterprets the Wagnerian canon, especially the Ring of the Nibelung, which is shown to contain a metaphorical transposition of Wagner's conception of the history of music: Siegfried appears as the poet, Brunnhilde, as music, and their union is an androgynous one in which individual identity fades and the lovers revert to a preconflictual, presexual state. Nattiez traces the androgynous symbol in Wagner's theoretical writings throughout his career. Looking to explain how this idea, so closely bound up with sexuality, took root in Wagner's mind, the author considers the possibility of Freudian and Jungian interpretations. In particular he explores the composer's relationship with his mother, a distant woman who discouraged his interest in the theater, and his stepfather, a loving man whom Wagner suspected was not only his real father but also a Jew. Along with psychoanalysis, Nattiez critically applies various structuralist and feminist theories to Wagner's creative enterprise to demonstrate how the nature of twentieth-century hermeneutics is itself androgynous. Originally published in 1993. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
PARIS, mon quartier rouge...un parcours poétique où les textes associés aux images, prises sur le vif, entraînent le visiteur sur le chemin de la nostalgie d'une époque déjà oubliée...
This eBook edition of "Confessions" has been formatted to the highest digital standards and adjusted for readability on all devices. "Confessions" is an autobiographical book which covers the first fifty-three years of Rousseau's life, up to 1765. It was completed in 1769, but not published until 1782, four years after Rousseau's death, even though Rousseau did read excerpts of his manuscript publicly at various salons and other meeting places. He wrote of his own life mainly in terms of his worldly experiences and personal feelings.
The "European Yearbook" promotes the scientific study of nineteen European supranational organisations and the Organisation for Economic Co-operation and Development (OECD). Each volume contains a detailed survey of the history, structure and yearly activities of each organisation and an up-to-date chart providing a clear overview of the member states of each organisation. Each volume contains a comprehensive bibliography covering the year's relevant publications. This is an indispensable work of reference for anyone dealing with the European institutions.
This we can be sure of: when a restaurant in the western world is famous for its cooking, it is the tricolor flag that hangs above the stove, opined one French magazine, and this is by no means an isolated example of such crowing. Indeed, both linguistically and conceptually, the restaurant itself is a French creation. Why are the French recognized by themselves and others the world over as the most enlightened of eaters, as the great gourmets? Why did the passion for food—gastronomy—originate in France? In French Gastronomy, geographer and food lover Jean-Robert Pitte uncovers a novel answer. The key, it turns out, is France herself. In her climate, diversity of soils, abundant resources, and varied topography lie the roots of France's food fame. Pitte masterfully reveals the ways in which cultural phenomena surrounding food and eating in France relate to space and place. He points out that France has some six hundred regions, or microclimates, that allow different agricultures, to flourish, and fully navigable river systems leading from peripheral farmlands directly to markets in the great gastronomic centers of Paris and Lyon. With an eye to this landscape, Pitte wonders: Would the great French burgundies enjoy such prestige if the coast they came from were not situated close to the ancient capital for the dukes and a major travel route for medieval Europe? Yet for all the shaping influence of earth and climate, Pitte demonstrates that haute cuisine, like so much that is great about France, can be traced back to the court of Louis XIV. It was the Sun King's regal gourmandise—he enacted a nightly theater of eating, dining alone but in full view of the court—that made food and fine dining a central affair of state. The Catholic Church figures prominently as well: gluttony was regarded as a "benign sin" in France, and eating well was associated with praising God, fraternal conviviality, and a respect for the body. These cultural ingredients, in combination with the bounties of the land, contributed to the full flowering of French foodways. This is a time of paradox for French gourmandism. Never has there been so much literature published on the subject of culinary creativity, never has there been so much talk about good food, and never has so little cooking been done at home. Each day new fast-food places open. Will French cuisine lose its charm and its soul? Will discourse become a substitute for reality? French Gastronomy is a delightful celebration of what makes France unique, and a call to everyone who loves French food to rediscover its full flavor.
Une porte fermée peut en dissimuler d'autres, mais un ciel sans nuages laisse apercevoir l'infini qui nous submerge...Au-delà des mots, il reste la vie...
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