With echoes of the halls of Hogwart’s, the Fitzgerald kids continue their adventures in Time Benders and the Two Promises. In this second book in the series, the full impact of what Joe has done sinks in, angering Deb and Ken, and causing Ken to pronounce the end of trips in the time machine. Later, when Deb learns about Mr. Brewster’s history, she and Joe defy Ken and take the machine to Las Vegas, 1958 to keep Mrs. Brewster from a certain accident. Bolstered by the success of this trip, Deb decides recklessly to try to undo what Joe had done in his solo trip in the machine, returning to Cambridge to stop Joe. The unknown forces of the universe and energy are working against their efforts to be in the same space and time and Deb barely makes it back alive! All of this creates a rift between Deb and her best friend Mary, because of the spiritual questions of whether one should try to change fate, until she finally understands. When Mary learns she may face a terrible future and major illness, she convinces the Fitzgerald siblings to use the machine to go forward in time to discover her fate. Through all of this, the siblings commit to two major promises about the machine, and their parents. Underpinning all of their adventures, they wrestling with their faith, the questions presented by the time travel and the fact that their trips continue to wreak havoc on their memories. This heartwarming story packs a punch of history, faith, and science sprinkled with kindness through these relatable teens.
The havoc wrought by the time travel of the Fitzgerald siblings continues in this third book in the Time Benders series. Mary has been dealt a terrible blow. She discovers her fate as a result of Mr. Brewster's and Thomas' trip forward in time. She makes a drastic and emotionally-charged decision to break with Ken. The protection of her secret comes close to breaking the bonds between Ken and his siblings, until he overhears a conversation and learns the truth. All the while, Kim is growing up, and impatiently waiting for her chance to make a mark on the world as her older siblings have done. She convinces Joe and Becky to join her on a humanitarian mission to Philadelphia in 1853. There to assist the abolitionists and the underground railroad, they find themselves trapped for many days in 1853 when Joe gets too close to a fugitive slave trial and winds up in jail! The trip explodes when Mr. Brewster alerts the others to the missing Joe, Becky and Kim. Deb makes a perilous choice to reveal their secrets to Uncle Darrick. All of this time travel is cause for multiple corrective trips in the machine, when Joe's cell mate turns out to be a co-conspirator in the Lincoln assassination and Uncle Darrick uses the machine to mend his relationship with his now dead father. Ken and Ryan travel back to keep Joe from conversations with his cellmate that dramatically change the course of history and Mr. Brewster must travel to stop Uncle Darrick from ruining his relationship with Alicia. When the dust settles, and the group gathers, they make several profound decisions about their fate, their memories, and their time travel and discover they have travelled a long way, and learned much on their long road home. These now familiar characters will warm your hearts and restore your faith!
“A breezy, straightforward approach to time travel featuring unforgettable characters.” – Kirkus Reviews Time Benders and the Machine For fans of Margaret Peterson Haddix’s The Missing and Ransom Riggs’ Miss Peregrine’s Peculiar Children, four orphaned siblings discover the ability to travel through time and change history in Time Benders and the Machine. On a sunny day in 1974, the Fitzgerald siblings learn that their parents have died in a tragic accident. Devastated, the children are sent to boarding school at Choate Rosemary Hall—the same boarding school that their father and John F. Kennedy went to when they were younger, their Aunt tells them. Athletic, popular, football star Ken is the eldest Fitzgerald, and suddenly burdened with the responsibility of caring for his three younger siblings. Deb, a year younger, prefers books and the library to socializing, drawn to history and archaeology and hoping to find her way in Choate’s structured order. Joe is racked with sorrow over his parent’s deaths and determined to find a way to either get them back or make them proud. Kim, the youngest, is only ten years old and just trying to make new friends and keep close to her sister and brothers. When Joe finds an elaborate math problem and solves it, with the help of the reclusive caretaker, Mr. Brewster, the Fitzgerald’s discover that they have unlocked the secrets of how to bend time and time travel. Together, they devise a plan to go back in time, change a pivotal moment in US history, and impact their parents’ lives in the hopes of stopping the terrible accident that brought them to boarding school. Along the way they face looming spiritual and moral questions, while finding their way toward closeness and a path through their grief. With shades of C.S. Lewis’s Pevensie siblings and the wonder of Philip Pullman’s His Dark Materials, JB Yanni’s Time Benders and the Machine is a time traveling adventure full of heart and soul.
“A breezy, straightforward approach to time travel featuring unforgettable characters.” – Kirkus Reviews Time Benders and the Machine For fans of Margaret Peterson Haddix’s The Missing and Ransom Riggs’ Miss Peregrine’s Peculiar Children, four orphaned siblings discover the ability to travel through time and change history in Time Benders and the Machine. On a sunny day in 1974, the Fitzgerald siblings learn that their parents have died in a tragic accident. Devastated, the children are sent to boarding school at Choate Rosemary Hall—the same boarding school that their father and John F. Kennedy went to when they were younger, their Aunt tells them. Athletic, popular, football star Ken is the eldest Fitzgerald, and suddenly burdened with the responsibility of caring for his three younger siblings. Deb, a year younger, prefers books and the library to socializing, drawn to history and archaeology and hoping to find her way in Choate’s structured order. Joe is racked with sorrow over his parent’s deaths and determined to find a way to either get them back or make them proud. Kim, the youngest, is only ten years old and just trying to make new friends and keep close to her sister and brothers. When Joe finds an elaborate math problem and solves it, with the help of the reclusive caretaker, Mr. Brewster, the Fitzgerald’s discover that they have unlocked the secrets of how to bend time and time travel. Together, they devise a plan to go back in time, change a pivotal moment in US history, and impact their parents’ lives in the hopes of stopping the terrible accident that brought them to boarding school. Along the way they face looming spiritual and moral questions, while finding their way toward closeness and a path through their grief. With shades of C.S. Lewis’s Pevensie siblings and the wonder of Philip Pullman’s His Dark Materials, JB Yanni’s Time Benders and the Machine is a time traveling adventure full of heart and soul.
Continental Crosscurrents is a series of case studies reflecting British attitudes to continental art during the nineteenth and the early twentieth centuries. It stresses the way in which the British went to the continent in their search for origins or their pursuit of sources of purity and originality. This cult of the primitive took many forms; it involved a reassessment of medieval German and Italian art and offered new ways of interpreting Venetian painting; it opened up new readings of architectural history and the 'discovery' of the Romanesque; it generated a debate about the value of returning to religious subjects in art and it raised the question of the relationship between modern art and Byzantine art in the early twentieth century. J. B. Bullen's original study presents some exciting findings. Few critics have noticed how much in advance of his time was Coleridge's passion for medieval art; Ruskin's debt in the Stones of Venice to Victor Hugo's Notre Dame de Paris has hardly been noted, and Browning's involvement with the debate on the morality of Christian art is explored more extensively than previously. Three chapters are devoted to the role of British criticism in identifying the Romanesque style in architecture and differentiating it from the Gothic. They trace the concept as it arose in criticism at the beginning of the nineteenth century; its employment in the remarkable buildings of Edmund Sharpe and Sara Losh and the way in which it reached a climax in Waterhouse's enigmatic choice of Romanesque for the Natural History Museum in London. The collection concludes with two continental episodes from the history of modernism. One is the explosive British reaction to the primitivism of Gauguin; the other involves the identifying of one of the characters in D. H. Lawrence's novel Women in Love. Curious evidence suggests that the malevolent figure of Loerke was based on a German sculptor whom Lawrence met in Italy before the First World War.
Homer Ashley Fields has only one living relative, an aging grandfather, who for thirty-two years has lived in self-imposed silence rather than to answer questions about his mysterious past. At age twelve, Homer stopped asking; the scar on his arm a reminder never to ask again. That day, his grandfather sat down with a notebook and a pencil and began to write, over the years filling notebook after notebook and locking them in an old trunk. Homer suspects the answers to all his questions are on the pages, but he will not betray his grandfathers trust. When a strangers appearance terrifies his grandfather into a near heart attack, Homer feels certain the man is linked to his grandfathers past, and contemplates breaking into the trunk. By chance, he finds two handwritten pages behind the trunk that reveal the horrible truth that took the lives of thousands and drove his grandfather from his home at age eleven to fend for himself. Now he must find his ailing grandfathers siblings, if they are still alive before it is too late.
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