Imaginative Massachusetts seventeen-year-old Dani Solomon confesses she has been troubled by thoughts of harming Alex, the little boy she loves to babysit, triggering gossip and a media frenzy that makes "Dani Death" the target of an extremist vigilante group.
While dealing with the recovery of his mentally ill father, sophomore in highschool Billy volunteers at a suicide prevention line and falls for one of theincoming callers.
Do you spend hours creating word lists and weekly vocabulary tests only to find that your students have forgotten the words by the following week? Janet Allen and her students were frustrated with the same problem. Words, Words, Words: Teaching Vocabulary in Grades 4-12' describes the research that changed the way she and many other teachers teach vocabulary. It offers educators practical, research-based solutions for helping students fall into new language, learn new words, and begin to use those words in their speaking and writing lives. This book offers teachers detailed strategy lessons in the following areas: Activating and building background word knowledge Making word learning meaningful and lasting Building concept knowledge Using word and structural analysis to create meaning Using context as a text support Making reading the heart of vocabulary instructionWords, Words, Words provides educators with a strong research base, detailed classroom-based lessons, and graphic organizers to support the strategy lessons. At a time when teachers are struggling to meet content standards in reading across the curriculum, this book offers some practical solutions for meeting those standards in ways that are meaningful and lasting.
Everything you need to create exciting thematic science units can be found in these handy guides. Developed for educators who want to take an integrated approach, these teaching kits contain resource lists, reading selections, and activities that can be easily pulled together for units on virtually any science topic. Arranged by subject, each book lists key scientific concepts for primary, intermediate, and upper level learners and links them to specific chapters where resources for teaching those concepts appear. Chapters identify and describe comprehensive teaching resources (nonfiction) and related fiction reading selections, then detail hands-on science and extension activities that help students learn the scientific method and build learning across the curriculum. A final section helps you locate helpful experiment books and appropriate journals, Web sites, agencies, and related organizations.
Embroidering the Scarlet A traces the evolution of the “fallen woman” from the earliest novels to recent representations in fiction and film, including The Scarlet Letter, The Sound and the Fury, The Color Purple, and Love Medicine, and the films Juno and Mother and Child. Interweaving her own experience as a pregnant teen forced to surrender her daughter and pledge secrecy for decades, Ellerby interrogates “out-of-wedlock” motherhood, mapping the ways archetypal scarlet women and their children have been exiled as social pariahs, pardoned as blameless pawns, and transformed into empowered women. Drawing on narrative, feminist, and autobiographical theory, the book examines the ways that the texts have affirmed, subverted, or challenged dominant thinking and the prevailing moral standards as they have shifted over time. Using her own life experience and her uniquely informed perspective, Ellerby assesses the effect these stories have on the lives of real women and children. By inhabiting the space where ideology meets narrative, Ellerby questions the constricting historical, cultural, and social parameters of female sexuality and permissible maternity. As a feminist cultural critique, a moving autobiographical journey, and an historical investigation that addresses both fiction and film, Embroidering the Scarlet A will appeal to students and scholars of literature, history, sociology, psychology, women’s and gender studies, and film studies. The book will also interest general readers, as it relates the experience of surrendering a child to adoption at a time when birthmothers were still exiled, birth records were locked away, and secrecy was still mandatory. It will also appeal to those concerned with adoption or the cultural shifts that have changed our thinking about illegitimacy.
when i am well i will take you At first Billy's father just seemed distant, as if he had something on his mind. Then he stopped listening to music, saying it hurt his ears. After a while he stopped eating and sleeping. And after that he just stopped. Stopped being Billy's father and his friend and became someone else. Someone who was depressed and withdrawn and wouldn't respond to treatments. Determined to help their father, Billy and his family devise a series of unconventional therapies for him. But the strain of looking after Dad begins to wear on them all. Billy stops writing songs and starts avoiding his friends. His sister wants to suicide-proof the house. And his mother worries about losing her job because she takes so much time off. Taking care of Dad is starting to sap the strength they need to keep him alive. The Opposite of Musicis a powerful and realistic debut novel about the lengths a family will go to in order to save one of their own, and the strength it takes to learn how to ask for help.
When San Francisco P.I. Jeri Howard's new client, Rob Lawter, takes a header through his living room window soon after he's hired her, Jeri is in a quandary. Lawter, a paralegal at a food-processing firm, had received a threatening anonymous note, sent because he was about to blow the whistle on some serious corporate cover-up. Since Jeri has already cashed the check, she feels she owes her dead, probably murdered, client his money's worth. So she goes undercover in the firm's legal department, determined to expose Lawter's killer. What Jeri finds is that murder tops this corporation's agenda, as employees pay the ultimate price to keep a deadly health scare out of the media. . . .
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