This first novel in a new series introduces former runaway slave Nate Gordon. Three years after leaving Louisiana, Nate returns as Sergeant Major of the Tenth United States Cavalry. His task is to form the second U.S. colored cavalry, the Ninth Negro. Poverty, corruption, and crime now thrive in the postwar South. Nate struggles keep outside forces at bay as the Ninth Cavalry moves from the docks of Louisiana to the wide open West.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new. Although each volume contains indexes specific to that decade, The London Stage 1890–1959: Accumulated Indexes combines all of the indexes into one comprehensive resource for more efficient research. For example, those wishing to locate all the references to a particular actor, play, or theatre whose history spanned more than one decade will find all of the entries listed in this set. This set includes four key indexes: general, genre, theatre, and title. The general index consists of numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. With approximately 40,000 people listed, this is the largest single source of theatrical personnel on the London stage during this period. The genre index comprises all entries for production types, including comedies, dramas, farces, and tragedies, as well as ballets, operas, adaptations, foreign works, pantomimes, and translations. The theatre index features every building to stage a production, from the Adelphi to Wyndham’s. The title index cites 14,000 productions, identifying every work produced on stage from Domestic Economy in January 1890 to When in Rome in December 1959. As a supplement to the individual volumes, The London Stage 1890–1959: Accumulated Indexes will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
What impact did the new art of film have on the development of another new art, the emerging science fiction genre, during the pre- and early post-World War II era? Focusing on such popular pulp magazines as Amazing Stories, Astounding Stories, and Wonder Stories, this book traces this early relationship between film and literature through four common features: stories that involve film or the film industry; film-related advertising; editorial matters and readers' letters commenting on film; and the magazines' heralded cover and story illustrations. By surveying these haunting traces of another medium in early science fiction discourse, we can begin to see the key role that a cinematic mindedness played in this formative era and to expand the early history of science fiction as a cultural idea beyond the usual boundaries that have been staked out by its literary manifestations and the genre's historians.
Redistributive Effects of Government Programmes: The Chilean Case examines the government redistributive policy in Chile over the period 1964 until 1973. The book looks into the incidence of taxation, government expenditure, and social security operations on different income groups. The text also notes the critical factors which limited vertical redistribution effects of fiscal policy. The role of asset redistribution in poverty-focused development strategies is also explained. This monograph will be useful to those interested in Chile and concerned with economic development in general.
Patriotism or devotion to one's country is a sentiment. It is not due to self-interest nor other sordid motive, but is born of the story of her origin and of the achievements of the brave and enterprising ancestral stock, which, out of small beginnings, established and organized and wrought a nation. Every great city is in semblance a small nation, both in government and the loyal co-operation of its people for the common good. And the same patriotic devotion, born of the same sentiment does, or should prevail in every city as in every nation. As our civilization grows older our larger cities are taking more interest in the story of their own origin and development, and concerning some of them many historical volumes have been written, dealing with almost every incident of fact and legend that could be traced. And in many notable instances of cities the greater the knowledge of her history, the greater the pride and love and devotion of her people. The city of Memphis, though rated young among her Eastern sisters in America, is yet one of the most ancient, considering the discovery of her site, and the building of the first habitations of the white man here, on the whole American continent. When it is recalled that the adventurous Hernando De Soto built a cantonment for his troops here and established a little ship-yard, in which he constructed four pirogues or barges, large enough to transport across the Mississippi River in time of high water, five hundred Spanish soldiers, as many more Indian vessels and one hundred and fifty horses, with baggage and other military equipment, in a few hours, and that all this occurred seventy-nine years before the landing of the Mayflower at Plymouth Rock and twenty-four years before the building of the first hut and stockade at St. Augustine, Fla., it will be realized that our story dates far back in ancient American history. Following up this fact much space has been given to the wonderful march of De Soto from Tampa Bay, Fla., to the Chickasaw Bluffs, literally hewing his way as he came with sword and halberd through swarming nations of brave Indians; and to showing that he marched directly from the Chickasaw towns in northeast Mississippi to the Chickasaw Bluffs; and to presenting in fullest detail from the Spanish Chroniclers what De Soto and his people did while on the Bluffs where Memphis now stands. And it was deemed proper also to tell with equal detail of the voyages of Marquette and Joliet and La Salle, past the lonely Chickasaw Bluffs, and of the coming of Le Moyne Bienville with a large army and the construction of a great fortress here, heavily mounted with artillery, in the endeavor to overcome the heroic Chickasaws who resented the French invasions in the effort to conquer their country and to found a great French Empire in Western America, And the story also is told of the effort of Governor Don Manuel Gayoso to establish in like manner a Spanish Empire west of the Mississippi River before the Americans could take hold. Indeed few American cities possess so romantic a story and the archives, not only of the United States, but of France and Spain also are yet rich in historical material awaiting the historian with time and opportunity for investigation.
Natural toxicants are the subject of research throughout the world, and they are used for many purposes. The Handbook of Plant and Fungal Toxicants presents a wide range of compounds and considers how they relate to food safety, therapeutic purposes in medicine, and uses in breeding plants for enhanced resistance to insects and disease. Alkaloids, both from plant and fungal sources, are emphasized. Also covered are a variety of toxicants and phytochemicals including: bracken fern poisons polyphenolics gossypol flavones isoflavones pyrimidine glycosides fruit and vegetable allergens linear furanocoumarins photosensitizing agents nitrates oxalates Pinus ponderosa toxicants The text stresses the positive aspects of plant secondary compounds and presents examples of beneficial attributes in the context of environmental protection and human health. An international authorship addresses the global diversity and ecological distribution of plant and fungal toxicants. This handbook is ideal for senior-level college students and post-graduate students studying animal science, toxicology, and pharmaceutical sciences.
For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Martin Davies examines Thomas Hardy's involvement with the past and the role it plays in his life and literary work. Hardy's life encompasses the transformation of archaeology out of mere antiquarianism into a fully scientific discipline. He observed this process at first hand, and its impact on his aesthetic and philosophical scheme was profound.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1920 through December 1929. The volume chronicles more than 4,000 productions at 51 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Bulldog Drummond, The Emperor Jones, The Enchanted Cottage, Gentlemen Prefer Blondes, Hay Fever, Saint Joan, and Six Characters in Search of an Author, as well as numerous musical comedies (British and American), foreign works, operas, and ballets, revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1920-1929 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
In December 2010, J.P. Ripple made a handshake agreement with an eighty-seven-year-old man named Red to hunt for treasure on Stigley Ridge in northern Oklahoma. Red didnt balk when Ripple, who bought his first metal detector as a senior in high school, told him it would take about six winters to cover the 200-acre ridge. While Red never gave one reason why he wanted the ridge searched, he claimed his friends had lost coins, tax tokens, toys, and jewelry under a red cedar on the ridge. The Stigley kids were classmates during parts of the Great Depression, and they had a great time playing under the tree with Red once a month. In sharing his story about searching for treasure on the ridge, Ripple reveals the methods he used, what worked, what didnt, and how he dealt with an elderly man who wanted to tag along and help dig. He also shares the best places to search for valuable items, how to sell coins and bottles, and federal regulations that every treasure hunter must keep top of mindas well as what he found on Stigley Ridge.
When J.P. Ripples mother began forgetting things, she assured her son nothing was wrong. Memory loss was normal for people her age, she told him. But there was nothing normal about finding her walking to a neighbors yard in below-freezing temperatures. He wasnt surprised when she was diagnosed with Alzheimers. What did surprise him, however, was how often caregivers asked him for proof of guardianship. They even challenged him when he tried to do what was best for his mother. In this memoir, he explores: Alzheimers first four stages and how to cope with their symptoms; day-to-day problems associated with early-stage Alzheimers; and meddling by caregivers who are ill informed. Ripple ultimately had to file almost sixty complaints against ambulance drivers, emergency room doctors, emergency medical technicians, neighbors, social workers, abuse advocates, and others who seemed to be doing their best to make bad decisions on behalf of his mother. If you have a loved one with Alzheimers or if you provide care to someone with the disease, youll want to read the cautionary tale of Strangers Doing Alzheimers.
The Boone family: a genealogical history of the descendants of George and Mary Boone, who came to America in 1717. Containing many unpublished bits of early Kentucky history. Also a biografical sketch of Daniel Boone, the Pioneer by one of his descendant.
Men in the Land is a compilation of stories that deal with real men. Men and their immovable foundations, their women, facing difficult and deadly circumstances, who understand the foundational basis of morality and decency, love of family, friends, and country. These men must deal with immorality, greed, and danger decisively, and sometimes violently, while maintaining their own integrity. Each man, in real life, must face similar decisions for himself. There are those who would destroy us. Men in the Land are the bulwark against destruction. Kender, Stepp, Openshaw, and Trapper White, their neighbors and friends, each, in their own way, are men who inspire us to fight, against all odds, for that which is rightfully ours. They irreversibly influence the world around them. Men in the Land are monuments to positive values, hard won, and honest achievement. They stand for something. They are granite, bigger than life, strong, and immovable. Our nation is today because there were Men in the Land.
A historical account of the context, impact, and legacy of one of the most successful series in American television history. This year marks the 50th anniversary of the Walt Disney Company's network television series Disneyland/The Wonderful World of Color. The series, part of Walt Disney's quest to re-create American entertainment, premiered October 27, 1954 on ABC and was the longest-lived program in television history. Over the years, Walt Disney's visions have evolved into family-oriented cinema, television, theme parks. From the lovable Mickey Mouse and Donald Duck to magical places like Frontierland, Disneyland/The Wonderful World of Color generated some of the most popular fads of the era. In Disney TV, J. P. Telotte examines the history of the Disney television series while placing it in context—the film industry's reaction to television in the post-World War II era, the Disney Studios' place in the American entertainment industry, and Walt Disney's dream to create the modern theme park. Telotte's guiding principle in this examination is to illustrate how Disney changed the relationship between cinema and television and, perhaps more importantly, how it affected American culture. The conciseness of Telotte's book is a major advantage over other leading Disney scholarship. Detailed, without including minutia, Telotte provides the reader with the key issues that surrounded the development of the Disney phenomenon. This book will attract a wide array of readers—scholars of television, media, and film studies, popular culture students, and all those touched by the magic of Disney.
Inside Torts: What Matters and Why is a concise, clearly-written, and student-friendly guide to the principal topics covered in most first-year torts courses. It is designed to provide the fundamentals while, at the same time, identifying some of complexities of modern tort law. The goal of the book is to demystify the doctrine without oversimplifying it. Overviews briefly introduce the topics of each chapter. The detailed tables of contents provide a starting point for the student to begin his or her own course outline. FAQs identify common misconceptions and sort them out, and numerous Sidebars offer additional insights, study tips, and practice pointers. Chapter summaries and bolded key terms facilitate study and review by reminding students of the key concepts that are needed to perform well on examinations. Connections at the end of each chapter illustrate the interconnections between the topics, encouraging students to integrate their knowledge of torts. Key Features: Basic coverage of the main topics of torts. Overviews provide a brief introduction to each chapter. Detailed table of contents to each chapter. FAQs with complete answers to address common mistakes and misconceptions. Bold-faced legal terms and definitions to build legal vocabulary. Sidebars that offer additional insights into the complexities of tort law. Chapter summaries provide a quick review of the essential doctrine. Connections section at the end of each chapter relates concepts to other chapters.
Explore the history of the Fortuna Rodeo from its origins in 1921 up to the present day with this intriguing history packed with photographs and lore of Humboldt County, California. The rodeo continues as a mainstay of Fortuna, with the 2020 event being the first to be canceled since the end of World War II. In addition to the rodeo itself, this book paints a portrait of the history and growth of a small California town over the past century. Hundreds of photographs from the collections of community members, local museums, universities, and the National Cowboy and Western Heritage Museum illustrate the text. Among the many never-before-published images is a photograph from the collection of the Rodoni family showing the 1961 Fortuna Rodeo’s salute to “old cowboys” who had ridden in the rodeos of the 1920s. The book also features images created by Fortuna photographer Rudy Gillard, a rodeo board member and official photographer of the Fortuna Rodeo, between 1955 and 1981. Dedicated to the Fortuna Rodeo board and to all who have participated in the Fortuna Rodeo, you’ll find In and Around the Arena a fascinating read.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Look Back in Anger, One Way Pendulum, The Birthday Party, A Taste of Honey, Chicken Soup with Barley, Five Finger Exercise, The Hostage, and Waiting for Godot, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1950-1959 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1890–1899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Alice in Wonderland, Arms and the Man, Cyrano de Bergerac, An Ideal Husband, The Prisoner of Zenda, and The Second Mrs. Tanqueray, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1890–1899 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
First published in 1986 under the editorial direction of Dr. Henry J.M. Barnett, Stroke: Pathophysiology, Diagnosis, and Management continues to provide the dependable, current answers you need to effectively combat the increasing incidence of this disease. Dr. J.P. Mohr, together with new associate editors Philip A. Wolf, James C. Grotta, Michael A. Moskowitz, Marc Mayberg, and Rüdiger von Kummer as well as a multitude of expert contributors from around the world, offer you updated and expanded coverage of mechanisms of action of commonly used drugs, neuronal angiogenesis and stem cells, basic mechanisms of spasm and hemorrhage, prevention of stroke, genetics/predisposing risk factors, and much more, equipping you to understand the latest scientific discoveries and make effective use of the newest approaches to diagnosis and treatment. Gain fresh perspectives and up-to-date insights from the world’s leading authorities on the pathophysiology, diagnosis, and management of stroke. Access the comprehensive, expert clinical guidance you need to recognize the clinical manifestations of stroke, use the latest laboratory and imaging studies to arrive at a diagnosis, and generate an effective medical and surgical treatment plan. Make efficient and accurate diagnoses with the aid of abundant full-color CT images and pathology slides. Stay up to date on hot topics such as mechanisms of action of commonly used drugs, neuronal angiogenesis and stem cells, basic mechanisms of spasm and hemorrhage, prevention of stroke, genetics/predisposing risk factors, and much more.
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