“Tales of the North, as told by Uncle Einar” is the followup volume to “Norse Mythology...According to Uncle Einar”, which came out in 2000. Again, this is a “children’s book for grown-ups”, starting with “Fun And Games” and “Cats...It Had To Be Cats”, and ending with “Mischief Time”.
Today, we worry about Mad Cow Disease, AIDS, Alzheimers, and other prolonged-onset ailments. But back in the “good old days”, folks worried about infected cuts and slashes, internal diseases, parasites, and a whole variety of ailments which are perfectly treatable or preventable by means of modern medicine. Folks rarely lived long enough to suffer from a long, slow disease; heck, just staying alive to see one’s fortieth birthday was considered a feat. Even as late as the 19th century, medicine was pretty medieval to our way of looking at it. There were no wonder drugs, no X-ray or CAT scans, no hospitals as we know them today, and spotty training of medical professionals. The dentist was feared, and quack nostrums were sold by the case by traveling snake-oil salesmen. Many of those nostrums contained relatively innocuous ingredients, but some were downright dangerous, especially those incorporating psychoactive alkaloids, heavy metals or raw isotopes. Mercury or radium were primary ingredients in some quack medicinal “cures” even into the early 20th century. And in rural areas, the old “magic medicine” was still practiced by generations of folks who passed on these traditions and lore to their students and/or children. Much of the material presented in this volume has already been documented and published in the Norwegian language by scholars and folklorists, such as Ingjald Reichborn-Kjennerud, Nils Lid, Hjalmar Falk, Olav Bø, O.A. Høeg, Per Holck, Odd Nordland, Chr. Bang, and A. Steen, among others. There has been a growing interest in folklore, folk medicine, and the “old ways” in recent years, and this volume is an attempt to present a part of this lore to the English-speaking audience.
The divine thunderbolt is one of the most ancient and pervasive religio-folkloric symbols of the human race. The divine thunderbolta sudden, never-missing missile of supernatural firehas been a universal worldwide phenomenon since prehistoric times. Some thunderbolt motifs were indigenous to a given locale; others can be traced to far-distant lands. This volume will examine the development and dispersion of symbols, folklore, and religious aspects of such a divinely generated thunderbolt, focusing on the Near East and Europe. Emphasis will be placed on the thunderbolt-wielding sky gods, their thunder weapons and the graphic symbols for them, and the role of the supernatural thunderbolt in magic, religion, myth, superstition, and folklore.
Set in a pre-Viking Norway and Denmark, this action filled novel follows the training and challenges faced by Diccon, a village smith’s apprentice. There’s a murdered stranger, romance, magic, traditional folklore, a sidekick whose magic only works when he’s drunk, battles, a power hungry warlord, and a tuxedo kitten who saves the day.
The divine thunderbolt is one of the most ancient and pervasive religio-folkloric symbols of the human race. The divine thunderbolta sudden, never-missing missile of supernatural firehas been a universal worldwide phenomenon since prehistoric times. Some thunderbolt motifs were indigenous to a given locale; others can be traced to far-distant lands. This volume will examine the development and dispersion of symbols, folklore, and religious aspects of such a divinely generated thunderbolt, focusing on the Near East and Europe. Emphasis will be placed on the thunderbolt-wielding sky gods, their thunder weapons and the graphic symbols for them, and the role of the supernatural thunderbolt in magic, religion, myth, superstition, and folklore.
Set in a pre-Viking Norway and Denmark, this action filled novel follows the training and challenges faced by Diccon, a village smith’s apprentice. There’s a murdered stranger, romance, magic, traditional folklore, a sidekick whose magic only works when he’s drunk, battles, a power hungry warlord, and a tuxedo kitten who saves the day.
“Tales of the North, as told by Uncle Einar” is the followup volume to “Norse Mythology...According to Uncle Einar”, which came out in 2000. Again, this is a “children’s book for grown-ups”, starting with “Fun And Games” and “Cats...It Had To Be Cats”, and ending with “Mischief Time”.
Today, we worry about Mad Cow Disease, AIDS, Alzheimers, and other prolonged-onset ailments. But back in the “good old days”, folks worried about infected cuts and slashes, internal diseases, parasites, and a whole variety of ailments which are perfectly treatable or preventable by means of modern medicine. Folks rarely lived long enough to suffer from a long, slow disease; heck, just staying alive to see one’s fortieth birthday was considered a feat. Even as late as the 19th century, medicine was pretty medieval to our way of looking at it. There were no wonder drugs, no X-ray or CAT scans, no hospitals as we know them today, and spotty training of medical professionals. The dentist was feared, and quack nostrums were sold by the case by traveling snake-oil salesmen. Many of those nostrums contained relatively innocuous ingredients, but some were downright dangerous, especially those incorporating psychoactive alkaloids, heavy metals or raw isotopes. Mercury or radium were primary ingredients in some quack medicinal “cures” even into the early 20th century. And in rural areas, the old “magic medicine” was still practiced by generations of folks who passed on these traditions and lore to their students and/or children. Much of the material presented in this volume has already been documented and published in the Norwegian language by scholars and folklorists, such as Ingjald Reichborn-Kjennerud, Nils Lid, Hjalmar Falk, Olav Bø, O.A. Høeg, Per Holck, Odd Nordland, Chr. Bang, and A. Steen, among others. There has been a growing interest in folklore, folk medicine, and the “old ways” in recent years, and this volume is an attempt to present a part of this lore to the English-speaking audience.
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