The much anticipated 5th French Suite by J.S. Bach has finally been published inits entirety for classical guitar by internationally acclaimed Argentinian virtuoso Nestor Ausqui. This sui generis collection has been widely sought after by guitarists, whom for many years only could attain fragmented pieces of the suite. Now the entire suite is available for the first time! The transcriber must understand the essence and intent of the original, and then in the transcription, create the impression that the music was indeed originallywritten for the guitar. In this transcription of the 5th French Suite, Nestor Ausqui has accomplished this brilliantly. Dr. William Toutant Professor Emeritus and former Dean of Music at California State University Northridge
A masterful collection of 15 Bach Inventions transcribed for classic guitar solo performance. Each invention is preceded by an optional prelude. the original score is also shown for each invention. A companion recording is available online. A wonderful addition to the performance library of any guitarist!
Although Johann Sebastian Bach did not write any music for the guitar, transcriptions of his unaccompanied string music and music for lute have long been a part of the guitar repertoire. Despite the respect that this music commands among musicians and audiences debate still exists as to what constitutes an appropriate means of transcribing, interpreting and performing this music on the guitar. It is this debate that prompted this long-awaited edition of Bach's unaccompanied cello suites by scholar and concert guitarists Stanley Yates. This definitive work includes performance scores, comparison scores an an invaluable 40-page guide entitled Arranging, Interpreting, and Performing the Music of J.S. Bach. Furthermore, the author offers comments on his arranging process and suggestions on using this edition including: ornamentation, slurs, fingerings, notation, and implementation of the comparison scores. Written in standard notation in guitar-friendly keys.
J. S. Bach's two-part keyboard pieces form a significant body of musical literature, but only occasionally have they been arranged for strings. This carefully transcribed collection of viola duets and its two companion volumes – Duets for Two Violins (MB # 21437) and Duets for Two Cellos (MB # 21439) - bring many additions, taken from Bach's suites, preludes, and inventions, to the string player's repertoire. Intermediate and advanced instrumentalists will delight in the musical complexity, contrapuntal dialogue, and variety of moods in these pieces.Since bowing and fingering preferences vary greatly among string players, editorial marks have been kept to a minimum. These arrangements are an attractive, valuable addition to string ensemble work.
J. S. Bach's two-part keyboard pieces form a significant body of musical literature, but only occasionally have they been arranged for strings. This carefully transcribed collection of violin duets and its two companion volumes – Duets for Two Violas (MB # 21438) and Duets for Two Cellos (MB #21439) – bring many additions, taken from Bach's suites, preludes, and inventions, to the string player's repertoire. Intermediate and advanced instrumentalists will delight in the musical complexity, contrapuntal dialogue, and variety of moods in these pieces.Since bowing and fingering preferences vary greatly among string players, editorial marks have been kept to a minimum. These arrangements are an attractive, valuable addition to string ensemble work.
Absolute, universal, and harmonious - Bach's music is as profoundly satisfying and uplifting today as it was in his era. One of the most eloquent and expressive guitarists of our time, Javier Calderon, presents these timeless pieces, expertly arranged and transcribed for the classic guitar. Selections include: Sonata BWV 1001 (Adagio, Fugue, Siciliano, and Presto); Chaconne in D Minor BWV 1004; Prelude in D Minor, Prelude, Fugue, and Allegro BWV 998; Suite for Lute BWV 996 (Prelude, Allemande, Courante, Sarabande, Bourree, and Gigue); Prelude for Lute BWV 999; and Jesu, Joy of Man's Desiring. Written in standard notation only with minimal, unobtrusive left-hand fingering. the attached performance CD presents the author's exquisite rendition of every selection in the book.
J. S. Bach is the most sought after composers of all time. He is everybody's favorite! Best selling author Ben Bolt has inked 12 solos for guitar in this book. Included are moderate to advanced solos in notation and tablature. All 12 solos are recorded in order like the book. the recording can easily stand on it's own for your listening pleasure, or can be used as an instructional tool. Professor Bolt also includes a copy of Bach's original manuscript of Partita No. 1 for cross-reference purposes. Includes the following pieces: Sleepers Awake! (from Cantata No. 140), Gavotte, Prelude (from 3rd Cello Suite), Courante (from 3rd Cello Suite), Corrente (from 1st Violin Partita), Bourrée (from 1st Violin Parita), Prelude in D (from 1st Cello Suite), Gigue (from 1st Cello Suite), Sarabande (from 2nd Lute Suite), Gigue (from 2nd Lute Suite), Courante (from 1st Lute Suite) and Fugue.
J. S. Bach's two-part keyboard pieces form a significant body of musical literature, but only occasionally have they been arranged for strings. This carefully transcribed collection of cello duets and its two companion volumes – Duets for Two Violins (MB # 21437) and Duets for Two Violas (MB # 21438) – bring many additions, taken from Bach's suites, preludes, and inventions, to the string player's repertoire. Intermediate and advanced instrumentalists will delight in the musical complexity, contrapuntal dialogue, and variety of moods in these pieces.Since bowing and fingering preferences vary greatly among string players, editorial marks have been kept to a minimum. These arrangements are an attractive, valuable addition to string ensemble work.
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era. Néstor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the work's sonority, and the 6th string of the guitar had to be lowered to D to expand the guitar’s range and adhere to the original key. The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece. Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bach's intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates. Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era. Néstor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the work's sonority, and the 6th string of the guitar had to be lowered to D to expand the guitar’s range and adhere to the original key. The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece. Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bach's intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates. Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
The much anticipated 5th French Suite by J.S. Bach has finally been published inits entirety for classical guitar by internationally acclaimed Argentinian virtuoso Nestor Ausqui. This sui generis collection has been widely sought after by guitarists, whom for many years only could attain fragmented pieces of the suite. Now the entire suite is available for the first time! The transcriber must understand the essence and intent of the original, and then in the transcription, create the impression that the music was indeed originallywritten for the guitar. In this transcription of the 5th French Suite, Nestor Ausqui has accomplished this brilliantly. Dr. William Toutant Professor Emeritus and former Dean of Music at California State University Northridge
The music collection of The Colonial Williamsburg Foundation contains items from the Jefferson catalogue of 1783, sometimes the identical printing. This selection includes a variety of pieces, most of which are not available in modern editions. By playing them again from facsimiles, one recaptures the spirit of the musical life at Monticello that Jefferson loved so well.
The Ekelöf Research Dictionary for English is a reference tool for Swedish literature researchers and translators interested in the collected works of the eminent Swedish poet and essayist Gunnar Ekelöf. Inspired by James Strong’s concordance of the Bible, this book exhaustively describes every word appearing in the fourteen books of poetry the author published during his lifetime, as well as a few other crucial selections. It provides English translations of every word, whether from Swedish, Latin, French, or Greek, among other languages, and it indexes every occurrence of every word in each of the poetic works. With just under 10,000 entries, this research dictionary is an essential tool for Ekelöf scholars and laypeople looking to investigate and understand the author’s work in greater detail.
Those who learn history can doom others to repeat it. A new generation of humans has entered adulthood. Raised by robots, these freshly minted citizens of Earth struggle to fit into a society that has gotten by without them for a thousand years. Until Alex Truman shows them a new path. Raised by Charlie7 and cloned from the original Charles Truman, Alex feels that it's his right to rule mankind. With the entirety of human history as his guide, he learns from the successes and failures of the Human Era and puts them to use against a society that's completely unprepared to oppose him. Who can stand up to this budding tyranny? Abby Fourteen asks that very same question and comes up with just one answer: her.
Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era. Néstor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the work's sonority, and the 6th string of the guitar had to be lowered to D to expand the guitar’s range and adhere to the original key. The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece. Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bach's intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates. Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.Johann Sebastian Bach most likely composed the Chromatic Fantasia and Fugue during his stay in Kothen between 1717 and 1723. Originally written for the harpsichord, the work was duly recognized as a masterpiece within its own era. Néstor Ausqui has taken extraordinary measures in creating a guitar transcription of this monumental piece. The fundamental tonality of D minor was retained to preserve the work's sonority, and the 6th string of the guitar had to be lowered to D to expand the guitar’s range and adhere to the original key. The articulation of the piece often requires the use of the slur technique to maintain and enhance the legato effect in the melodic line. As the guitar has a more percussive character than the harpsichord, various inconveniences occur in the management or execution of the legato, but the transcriber has done his best to preserve the character of the original piece. Ausqui admits that the most arduous task was the fingering of the piece. He had to familiarize himself with Bach's intentions and avoid shortcuts and aberrations which would have depleted the original harmonies and melodies. In the process, he discovered that utilization of the open strings can subtly enhance the balance of right and left-hand duties to achieve the timbre the original score mandates. Written in standard notation only, with each line of music forming only one measure, this piece is meant for the classical guitarist willing to accept an interpretive challenge to reap enormous musical benefits.
In two classic mysteries, an English teacher by profession discovers that sleuthing—of the strictly amateur variety—may be where her truest passions lie. J. S. Borthwick’s debut novel, The Case of the Hook-Billed Kites, takes Sarah Deane, still a grad student at this point, out of her natural New England habitat and into the wilds of Texas, where her maybe-boyfriend is keen on a spot of birdwatching. But birds are not all that she spies through her binoculars, and so the adventures begin. In The Down East Murders, Sarah is glad to be back on home ground, but somebody, it appears, is not happy in any way at all, and Sarah is forced (and secretly thrilled) to put her newfound detecting skills to use again. Praise for the first two mysteries featuring Sarah Deane “Miss Borthwick has a keen eye and a sharp pen.” —The New York Times “Borthwick . . . has the right stuff.” —The Washington Post Book World “A top-notch mystery that also gives the smell of the sea fresh in your face.” —The Houston Post “Very much in the Christie tradition . . . will challenge the wits of the most veteran of armchair detectives!” —Library Journal “Witty, appealing, and thoroughly delightful . . . an ingenious, richly satisfying mixture of the classic elements of a murder mystery.” —Mystery News
Working on the Godding Museum's annual local artist show is the perfect way for English teacher Sarah Deane to earn a few dollars, relax in the sun and sea air of coastal Maine, and spend the summer with her boyfriend, Dr. Alex McKenzie. But when Sarah and Alex discover the body of Nate Harwood, a cranky local artist, caught in an offshore fish trap, they know they'll have no vacation from amateur detecting until they catch his killer. Could his death be related to the "accidental" drowning of two elderly tourists shortly after they had brought a painting from Prior's Gallery? Is one of the contestants in the museum show willing to go to any lengths to win? Or does someone have strong feelings against seascapes? Sarah and Alax canvass Weymouth Island trying to draw a clearer picture of the killer lurking among them--before they find the next victim.
Rheumatism in Populations provides information pertinent to rheumatic diseases. This book covers certain systemic orders such as the systemic lupus erythematosus that frequently affect the joints. Organized into 16 chapters, this book begins with an overview of the history of the epidemiology of rheumatism. This text then examines the prevalence of rheumatoid arthritis in screened sample and in total population samples. Other chapters consider the relative significance of rheumatic disorders as a cause of loss of work as revealed by the National Health Insurance statistics. This book discusses as well the pathology of disc disorders, osteoarthritis, rheumatoid arthritis, benign polyarthritis, metabolic joint disease, general connective tissue diseases, and immune deficiency diseases. The final chapter deals with diagnostic criteria for population investigations of rheumatoid arthritis. This book is a valuable resource for rheumatologists, physicians, and medico-social workers. Readers who are interested in the study of rheumatic diseases will also find this book useful.
J. S. Dewes continues her fast paced, science fiction action adventure series, the Divide, with The Exiled Fleet, where The Expanse meets The Black Company—the survivors of The Last Watch refuse to die. The Sentinels narrowly escaped the collapsing edge of the Divide. They have mustered a few other surviving Sentinels, but with no engines they have no way to leave the edge of the universe before they starve. Adequin Rake has gathered a team to find the materials they'll need to get everyone out. To do that they're going to need new allies and evade a ruthless enemy. Some of them will not survive. The Divide series The Last Watch The Exiled Fleet At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
There is no hidden meaning. Surface is what they are. Sometimes they may seem straightforward, and sometimes they may surprise you like children who have taken unexpected paths, drowned in fog, and pulled down the stars at night. Sometimes they hang in the air or disappear without a shadow, like sand or gravel or the startled red fluorescence exploding into spring. But they are always there, erasing their tracks on the verge of disappearing or becoming something else, always changing horses in the middle of the stream.
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