A tribute to the pioneers of oil exploration in Indonesia (1850-1898). Using authentic reports, diaries, relevant texts, personal notes and pictures, Poley brings to life the heroic efforts of Reerink (Cheribon, W. Java), Zijlker and Kessler (Deli, NE Sumatra), Stoop (Surabaya and Rembang, E Java), Menten (Kutei, E Kalimantan), Kessler and IJzerman (Palembang, SE Sumatra), and their crews. They faced almost insurmountable odds in many locations: an impenetrable, cruel jungle, an inclement climate, tropical diseases, technical mishaps, financial restrictions, and, last but not least, government and legal constraints. There was no geological science to guide them, and drilling technology was still in its infancy. Yet it was their vision and perseverance which finally put Indonesia on the world map of oil-producing nations, and which contributed materially to the development of today's life of luxury. Much of the present text and several of the pictures are here presented for the first time to the general public.
Martin Davies examines Thomas Hardy's involvement with the past and the role it plays in his life and literary work. Hardy's life encompasses the transformation of archaeology out of mere antiquarianism into a fully scientific discipline. He observed this process at first hand, and its impact on his aesthetic and philosophical scheme was profound.
The Pleiku campaign of October–November 1965 was a major event in the Vietnam War, and it is usually regarded as the first substantial battle between the US Army and the People's Army of Vietnam. The brigade-sized actions involving elements of the US 1st Cavalry Division at Landing Zones X-Ray and Albany in the valley of the river Drang have become iconic episodes in the military history of the United States. In 1965, in an effort to stem the Communist tide, the Americans began to commit substantial conventional ground forces to the war in Vietnam. Amongst these was the 1st Cavalry Division (Airmobile), a new type of formation equipped with a large fleet of helicopters. On 19 October, North Vietnamese forces besieged a Special Forces camp at Plei Me, and after the base was relieved days later, the commander of the 1st Cavalry Division, General Harry Kinnard, advocated using his troops to pursue the retreating Communist forces. A substantial North Vietnamese concentration was discovered, but rather than the badly battered troops the US expected, these were relatively fresh troops that had recently arrived in the Central Highlands. On the morning of 14 November 1965, 1st Battalion, 7th Cavalry, commanded by Lt. Col. Hal Moore, landed at LZ X-Ray to start the first major set-piece battle of the Vietnam War. This title explores the events of the campaign that followed, using detailed maps, specially-commissioned bird's-eye views, and full-colour battlescenes to bring the narrative to life.
What was Shakespeare thinking while he was writing Hamlet? What did he and Ben Jonson talk about when they were having a drink together? Did he meet Queen Elizabeth? What might Shakespeare have said to the formidable monarch? In The Shakespeare Diaries, J. P. Wearing, Professor Emeritus of English at the University of Arizona, blends fact with fiction to create a unique fictional autobiography of the great playwright that takes the reader into The Bard’s life like never before. The Shakespeare Diaries provides a window into Shakespeare’s world—his day-to-day life, his work, his friends and associates, and his view of daily events—thus giving readers a vivid impression of the Elizabethan era and Shakespeare’s role within that society. Writing in diary form, in the delightfully whimsical style of Shakespeare himself, Wearing incorporates many fragments of lines and phrases from The Bard’s plays and poems. Fascinating endnotes provide further annotation and information for those readers who wish to know more. Readers new to Shakespeare will be drawn in by such an intimate portrait, while seasoned aficionados (students, teachers, scholars, actors, and theatre-goers) will relish this fresh, offbeat approach to the man and his work.
Details Loten's personal history and his professional career as a servant of the Dutch East Indies Company. It contains an inventory of his natural history drawings in the London Natural History Museum and Teylers Museum at Haarlem -- a valuable treasure of eighteenth-century natural history of Sri Lanka and Indonesia. Loten's writings, quoted extensively in this biography, cover early-eighteenth-century narrow-minded, provincial Utrecht in the Dutch Republic, the exotic Dutch East Indies, and cosmopolitan London in the latter part of the century.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1920 through December 1929. The volume chronicles more than 4,000 productions at 51 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Bulldog Drummond, The Emperor Jones, The Enchanted Cottage, Gentlemen Prefer Blondes, Hay Fever, Saint Joan, and Six Characters in Search of an Author, as well as numerous musical comedies (British and American), foreign works, operas, and ballets, revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1920-1929 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. Spanning 1890 through the 1950s, all seven volumes of The London Stage series have been revised, corrected, and expanded. In addition, approximately 20 percent of the material—in particular, information about adaptations and translations, plot sources, and comment information—is new. Although each volume contains indexes specific to that decade, The London Stage 1890–1959: Accumulated Indexes combines all of the indexes into one comprehensive resource for more efficient research. For example, those wishing to locate all the references to a particular actor, play, or theatre whose history spanned more than one decade will find all of the entries listed in this set. This set includes four key indexes: general, genre, theatre, and title. The general index consists of numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. With approximately 40,000 people listed, this is the largest single source of theatrical personnel on the London stage during this period. The genre index comprises all entries for production types, including comedies, dramas, farces, and tragedies, as well as ballets, operas, adaptations, foreign works, pantomimes, and translations. The theatre index features every building to stage a production, from the Adelphi to Wyndham’s. The title index cites 14,000 productions, identifying every work produced on stage from Domestic Economy in January 1890 to When in Rome in December 1959. As a supplement to the individual volumes, The London Stage 1890–1959: Accumulated Indexes will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
A tribute to the pioneers of oil exploration in Indonesia (1850-1898). Using authentic reports, diaries, relevant texts, personal notes and pictures, Poley brings to life the heroic efforts of Reerink (Cheribon, W. Java), Zijlker and Kessler (Deli, NE Sumatra), Stoop (Surabaya and Rembang, E Java), Menten (Kutei, E Kalimantan), Kessler and IJzerman (Palembang, SE Sumatra), and their crews. They faced almost insurmountable odds in many locations: an impenetrable, cruel jungle, an inclement climate, tropical diseases, technical mishaps, financial restrictions, and, last but not least, government and legal constraints. There was no geological science to guide them, and drilling technology was still in its infancy. Yet it was their vision and perseverance which finally put Indonesia on the world map of oil-producing nations, and which contributed materially to the development of today's life of luxury. Much of the present text and several of the pictures are here presented for the first time to the general public.
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