The Boone family: a genealogical history of the descendants of George and Mary Boone, who came to America in 1717. Containing many unpublished bits of early Kentucky history. Also a biografical sketch of Daniel Boone, the Pioneer by one of his descendant.
The Boone family: a genealogical history of the descendants of George and Mary Boone, who came to America in 1717. Containing many unpublished bits of early Kentucky history. Also a biografical sketch of Daniel Boone, the Pioneer by one of his descendant.
In post-WWII Laos, Vietnamese communists secretly commence to infiltrate the kingdom. They are countered by four dedicated Lao ‘moles’ who try to thwart these aims. Gurkha Colonel Jason Rance is unwittingly dragged into a confrontation between one of the Lao moles and a Thai spy and the mole gives him a ring as a reward for saving his life. During his appointment in Laos as military attaché, Rance becomes a target of the KGB and of the Vietnamese communists, and is sought by the remaining three Lao moles because of the ring in his possession. Rance’s two Lao language instructors are nieces of the Lao king and London hopes that, by stealth, Rance might, through them, persuade the king delay his coronation no further in an effort to prevent the spread of communism southwards. Can the new military attaché manage to do the seemingly impossible? Based on historical fact and the author’s personal experience, Operation Stealth is the fourth in a series of books involving Gurkha military units that may be read in any order and includes Operation Black Rose, Operation Janus, Operation Blind Spot and Operation Four Rings. The author, JP Cross, a much revered retired Gurkha colonel, draws on real characters and events he witnessed across various theatres of war.
Since the dawn of humanity, men have attempted to divine the nature of the heavens. The first astronomers mapped the movement of the seasons and used the positions of the constellations for augurs and astrology. Today, the search goes ever deeper into the nature of reality and life itself. In this accessible overview, astrophysicist J.P. McEvoy tells the story of how our knowledge of the cosmos has developed. He puts in context many of the greatest discoveries of all time and many of the dominant personalities: Aristotle, Copernicus, and Isaac Newton, and as we approach the modern era, Einstein, Eddington, and Hawking.
Patriotism or devotion to one's country is a sentiment. It is not due to self-interest nor other sordid motive, but is born of the story of her origin and of the achievements of the brave and enterprising ancestral stock, which, out of small beginnings, established and organized and wrought a nation. Every great city is in semblance a small nation, both in government and the loyal co-operation of its people for the common good. And the same patriotic devotion, born of the same sentiment does, or should prevail in every city as in every nation. As our civilization grows older our larger cities are taking more interest in the story of their own origin and development, and concerning some of them many historical volumes have been written, dealing with almost every incident of fact and legend that could be traced. And in many notable instances of cities the greater the knowledge of her history, the greater the pride and love and devotion of her people. The city of Memphis, though rated young among her Eastern sisters in America, is yet one of the most ancient, considering the discovery of her site, and the building of the first habitations of the white man here, on the whole American continent. When it is recalled that the adventurous Hernando De Soto built a cantonment for his troops here and established a little ship-yard, in which he constructed four pirogues or barges, large enough to transport across the Mississippi River in time of high water, five hundred Spanish soldiers, as many more Indian vessels and one hundred and fifty horses, with baggage and other military equipment, in a few hours, and that all this occurred seventy-nine years before the landing of the Mayflower at Plymouth Rock and twenty-four years before the building of the first hut and stockade at St. Augustine, Fla., it will be realized that our story dates far back in ancient American history. Following up this fact much space has been given to the wonderful march of De Soto from Tampa Bay, Fla., to the Chickasaw Bluffs, literally hewing his way as he came with sword and halberd through swarming nations of brave Indians; and to showing that he marched directly from the Chickasaw towns in northeast Mississippi to the Chickasaw Bluffs; and to presenting in fullest detail from the Spanish Chroniclers what De Soto and his people did while on the Bluffs where Memphis now stands. And it was deemed proper also to tell with equal detail of the voyages of Marquette and Joliet and La Salle, past the lonely Chickasaw Bluffs, and of the coming of Le Moyne Bienville with a large army and the construction of a great fortress here, heavily mounted with artillery, in the endeavor to overcome the heroic Chickasaws who resented the French invasions in the effort to conquer their country and to found a great French Empire in Western America, And the story also is told of the effort of Governor Don Manuel Gayoso to establish in like manner a Spanish Empire west of the Mississippi River before the Americans could take hold. Indeed few American cities possess so romantic a story and the archives, not only of the United States, but of France and Spain also are yet rich in historical material awaiting the historian with time and opportunity for investigation.
Tommy McGee at War is set in the Port of Fremantle during WWII and shows how teenagers and adults interact during such times of stress. The characters in the story are Tommy McGee and his gang, the Holy Smokes, who are in constant war with the opposition gang, the Stinking Head Shea Gang, led by Stinking Head Shea himself. There is also Sergeant Major John Daly, who is known to Tommy as Uncle Jack and is the founder and leader of Z Force, which is based on the mysterious and forbidding Garden Island. Finally, there is Poacher Kenworthy, who, with his reputation of being a very bad man, strikes terror in the hearts of the boys. There are also general characters filling in the story to help create the atmosphere of wartime. The story starts out by establishing the area of operations, how the Holy Smokes got their name, and the details about their meeting place, the Place, which is a large flat rock on the edge of the Swan River and is overlooked by the lookout tree, which is strategically placed on the corner of Poacher Kenworthy's five-acre orchard; this enables the boys to keep tabs on the Stinking Heads and also on any ripening fruits in the orchard. There are skirmishes as the defences of the Place are tested and how, after retaliating by the Stinking Heads, a girl named Ingrid is inducted into the Holy Smokes. It is during one of their meetings at the Place that they discover that Poacher has found a way into the heavily defended Port of Fremantle. Uncle Jack, with Z Force, is having troubles when his navigator goes ack-willy (an army term for AWL) and puts in jeopardy an operation in Java to attack the Japanese-held Port of Padang. The navigator is caught by the civilian police and put into Fremantle Gaol. This sets in motion a series of events which leads to the discovery of a tunnel built by the original convicts, which leads directly to Fremantle Gaol, and with the help of the Holy Smokes, the navigator is retrieved. During this operation, they are seen, and because of a lack of communications, a battle between the home guard and the civil defence unit takes place almost on top of where they are all hiding. It would appear that it would be almost impossible to get the navigator back to Garden Island using existing transport. They decided to take him out through Fremantle Harbour, and much to the boys' horror, Poacher is co-opted to lead. The rescue is successful after a great deal of effort but with the loss of Tommy's dinghy, which was blown to bits by the defence guns. Some time later, Uncle Jack gathers all the Holy Smokes together and gives a very detailed description of the successful attack on Padang Harbour and how they had escaped back to Australia, hotly pursued by the Japanese all the way down the coast of Sumatra, through the Sunda Strait, and back to Broome, which had just been bombed by the Japanese. Finally, Tommy is presented with a dinghy which had been captured from a Japanese destroyer.
Readers Beware of those appliances! You are traveling into a dark and humorous place. We start you off with light, soft stories, but be warned. With each passing page, you will find yourself falling into the ever darker, gorier, and more demonic. We're not responsible for any out of warranty or straight-from-hell defective items. By the end of this collection, you will never look at your couch, your washer, and even television the same way. It will leave you to wonder if you should be laughing anymore. Will your household turn on you? Keep your Owner’s Manuals close by!
In 1938 Malaya, Japanese intelligence officers and pro-Independence Indians conspire to test their suspicions about British intelligence officer Philip Rance by attempting to burgle his office. The plot is foiled by Rance’s teenage son, Jason, who must move to England to escape revenge. Singapore and Malaya fall to the Japanese and captured Indian POWs are enlisted in the anti-British ‘Indian National Army’ under Subhas Chandra Bose. All four unsuccessful burglars are involved: one re-enters India by submarine, two by parachute and the fourth is sent to fight against British forces in Burma. Having been commissioned in India, the young Jason Rance now serves in a Gurkha battalion. Detailed to teach the Chinese army in India about Bren guns before being attached to a Nepalese unit for sniper work, he finds himself unwittingly involved against all four renegades who try to kill him. Based on historical fact and the author’s personal knowledge, Operation Black Rose is the first in a series of books involving Gurkha military units that may be read in any order and includes Operation Janus, Operation Blind Spot, Operation Stealth and Operation Four Rings. The author, a retired Gurkha colonel, draws on real characters and events he witnessed across various theatres of war.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
The Peninsular war was not only one of the great periods in British military history, it was also a war in which guerillas exerted a major influence, and as such, has continued relevance today. Salamanca established Wellington as one of the great military commanders of any age and it is one of the battles which produced significant results. As well as the battle the campaign contains two of the most memorable sieges ever under-taken by British arms, those of Ciudad Rodrigo and Badajoz. This book, originally published in 1972, uses eye-witness accounts with the result that the reader can hear the principal characters explain their actions and see the battlefield through the eyes of the men who were there.
The much-loved UNCLE series of children's books by JP Martin, illustrated by Quentin Blake, were fantastical, surreal, funny and heart-warming. Originally told by Martin to his children, they were finally published when he was over eighty years old
This is the astonishing tale of two episodes in the life of Colonel J P Cross, jungle fighter and linguist extraordinaire.As a young officer at the end of the war against Japan in 1945, he took part in counterinsurgency operations against the Vietminh at a time of chaos and confusion. Sent to the area to help disarm the defeated Japanese, Cross found himself commanding a battalion of the very same troops against the Vietminh.That period provides the backdrop to Crosss experiences as British Defence Attache to Laos between 1972 and 1976. His mastery of the languages of the region allowed him rarely accorded access to high Laotian political circles.Allowed to wander at will even by the Communists, he was in the unique position to survey the subterfuge and rivalry surrounding an overlooked yet fascinating sideshow to the Vietnam War. A remarkable man, J P Cross provides an absorbing account of his life amidst the cut and thrust of Laotion politics.
Sarcocystis is one of the most prevalent parasites of livestock and also infects many wild mammals, birds, and humans. Written by the authors who pioneered studies of Sarcocystosis of domestic animals, Sarcocystosis of Animals and Humans, Second Edition provides a current and comprehensive review of Sarcocystis and the infections it causes in anima
The pharmaceutical industry exists to serve the community, but over the years it has engaged massively in corporate crime, with the public footing the bill. This readable study by experts in medicine, law, criminology and public health documents the pr
First published in 1997. Natural toxicants are the subject of research throughout the world, and they are used for many purposes. The Handbook of Plant and Fungal Toxicants presents a wide range of compounds and considers how they relate to food safety, therapeutic purposes in medicine, and uses in breeding plants for enhanced resistance to insects and disease. Alkaloids, both from plant and fungal sources, are emphasized. Also covered are a variety of toxicants and phytochemicals including: bracken fern poisons polyphenolics gossypol flavones isoflavones pyrimidine glycosides fruit and vegetable allergens linear furanocoumarins photosensitizing agents nitrates oxalates Pinus ponderosa toxicants The text stresses the positive aspects of plant secondary compounds and presents examples of beneficial attributes in the context of environmental protection and human health. An international authorship addresses the global diversity and ecological distribution of plant and fungal toxicants. This handbook is ideal for senior-level college students and post-graduate students studying animal science, toxicology, and pharmaceutical sciences.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1920 through December 1929. The volume chronicles more than 4,000 productions at 51 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Bulldog Drummond, The Emperor Jones, The Enchanted Cottage, Gentlemen Prefer Blondes, Hay Fever, Saint Joan, and Six Characters in Search of an Author, as well as numerous musical comedies (British and American), foreign works, operas, and ballets, revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1920-1929 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1890–1899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Alice in Wonderland, Arms and the Man, Cyrano de Bergerac, An Ideal Husband, The Prisoner of Zenda, and The Second Mrs. Tanqueray, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1890–1899 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Look Back in Anger, One Way Pendulum, The Birthday Party, A Taste of Honey, Chicken Soup with Barley, Five Finger Exercise, The Hostage, and Waiting for Godot, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1950-1959 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.
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