J.P. (Pat) Lynch's Books

Think Good Thoughts

By: J.P. (Pat) Lynch

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A story of a couple living a good life and one of them is diagnosed with breast cancer. The book is a collection of reminiscences and pleasant memories mixed with the terror of a cancer diagnosis. It also tells of the good works that the health workers brought to the table, making the problem more tolerable. It could make you laugh or it could make you cry.

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113

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iUniverse

Published Date

ISBN 10

1450270565

ISBN 13

9781450270564

Stories I Like to Tell

By: J.P. (Pat) Lynch

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Stories I Like to Tell

By: J.P. (Pat) Lynch

A collection of stories and anecdotes about family, friends and personal experiences. I left school at age sixteen. Life has been very good to me and, at the urging of some friends, I decided it might be fun to write down some of the things that caught my attention along the way. The collection may be fun, someday, for the grandkids. It may be fun now for people who want a chuckle from reading about a very ordinary character doing very ordinary things in ways that sometimes are outside the nine dots.

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229

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iUniverse

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ISBN 10

1450256236

ISBN 13

9781450256230

The London Stage 1940-1949

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1940-1949

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1940–1949: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1940 through December 1949. The volume chronicles more than 2,400 productions at 53 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Light of Heart, Mr. Bolfry, Perchance to Dream, Pacific 1860, Bless the Bride, The Lady’s Not for Burning, The Late Edwina Black, Outrageous Fortune, Seagulls over Sorrento, and Buoyant Billions, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1940-1949 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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721

Publisher

Rowman & Littlefield

Published Date

ISBN 10

0810893061

ISBN 13

9780810893061

The London Stage 1930-1939

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1930-1939

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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1133

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Rowman & Littlefield

Published Date

ISBN 10

0810893045

ISBN 13

9780810893047

The London Stage 1950-1959

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1950-1959

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1950–1959: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1950, through the 31st of December, 1959. The volume chronicles more than 3,100 productions at 52 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Look Back in Anger, One Way Pendulum, The Birthday Party, A Taste of Honey, Chicken Soup with Barley, Five Finger Exercise, The Hostage, and Waiting for Godot, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1950-1959 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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1003

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Rowman & Littlefield

Published Date

ISBN 10

0810893088

ISBN 13

9780810893085

The London Stage 1910-1919

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1910-1919

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of relevant newspapers and periodicals. This second edition of The London Stage 1910–1919: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1910 through December 1919. The volume chronicles more than 3,000 productions at 35 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and closing dates Number of performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as a plot description, first-night audience reception, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Chu Chin Chow, The Gaol Gate, Hindle Wakes, Justice, Kismet, Pygmalion, and Rebecca of Sunnybrook Farm, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information on adaptations and translations, plot sources, and comments—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1910–1919 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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797

Publisher

Scarecrow Press

Published Date

ISBN 10

0810893002

ISBN 13

9780810893009

The Essential Science Fiction Television Reader

By: J.P. Telotte

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The Essential Science Fiction Television Reader

By: J.P. Telotte

“A richly detailed and critically penetrating overview . . . from the plucky adventures of Captain Video to the postmodern paradoxes of The X-Files and Lost.” —Rob Latham, coeditor of Science Fiction Studies Exploring such hits as The Twilight Zone, Star Trek, Battlestar Galactica, and Lost, among others, The Essential Science Fiction Television Reader illuminates the history, narrative approaches, and themes of the genre. The book discusses science fiction television from its early years, when shows attempted to recreate the allure of science fiction cinema, to its current status as a sophisticated genre with a popularity all its own. J. P. Telotte has assembled a wide-ranging volume rich in theoretical scholarship yet fully accessible to science fiction fans. The book supplies readers with valuable historical context, analyses of essential science fiction series, and an understanding of the key issues in science fiction television.

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303

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University Press of Kentucky

Published Date

ISBN 10

0813138736

ISBN 13

9780813138732

Replications

A Robotic History of the Science Fiction Film

By: J. P. Telotte

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Replications

A Robotic History of the Science Fiction Film

By: J. P. Telotte

A haunting fascination fuels our interest in the robot, the android, the cyborg, the replicant. Born in science fiction literature, the artificial human has come into its own in films, lurching to life, holding a mirror to humanity's soul. Beginning with a pre-history of the filmic robot, J. P. Telotte traces its development through early sci-fi landmarks such as Metropolis (1926), the alien films of the 1950s (including Forbidden Planet), and recent explorations of the artificial human in Blade Runner, Robocop, and the Terminator films. Replications also considers the tension between the technological wonders that science fiction depicts and the human values it champions. Film-makers employ the latest developments in technology to fashion ever more realistic human doubles, and then use them to explore what it means to be human. Telotte shows us how the sci-fi genre has always addressed changing cultural attitudes toward technology, the body, gender roles, human intelligence, reality, and even film itself.

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236

Publisher

University of Illinois Press

Published Date

ISBN 10

0252064666

ISBN 13

9780252064661

The London Stage 1920-1929

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1920-1929

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1920–1929: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1920 through December 1929. The volume chronicles more than 4,000 productions at 51 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Bulldog Drummond, The Emperor Jones, The Enchanted Cottage, Gentlemen Prefer Blondes, Hay Fever, Saint Joan, and Six Characters in Search of an Author, as well as numerous musical comedies (British and American), foreign works, operas, and ballets, revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1920-1929 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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1033

Publisher

Rowman & Littlefield

Published Date

ISBN 10

0810893029

ISBN 13

9780810893023

Global Bargain Hunting

The Investor's Guide to Profits in Emerging Markets

By: Burton G. Malkiel,J.P. Mei

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Global Bargain Hunting

The Investor's Guide to Profits in Emerging Markets

By: Burton G. Malkiel,J.P. Mei

Completely updated to include late-breaking information on changing global markets, this book introduces readers to the most exciting money-making opportunity of the 21st century. 36 illustrations.

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Page Count

250

Publisher

Simon and Schuster

Published Date

ISBN 10

0684848082

ISBN 13

9780684848082

Globalized Arts

The Entertainment Economy and Cultural Identity

By: J. P. Singh

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Globalized Arts

The Entertainment Economy and Cultural Identity

By: J. P. Singh

The spread of Islam around the globe has blurred the connection between a religion, a specific society, and a territory. One-third of the world’s Muslims now live as members of a minority. At the heart of this development is, on the one hand, the voluntary settlement of Muslims in Western societies and, on the other, the pervasiveness and influence of Western cultural models and social norms. The revival of Islam among Muslim populations in the last twenty years is often wrongly perceived as a backlash against westernization rather than as one of its consequences. Neofundamentalism has been gaining ground among a rootless Muslim youth—particularly among the second- and third-generation migrants in the West—and this phenomenon is feeding new forms of radicalism, ranging from support for Al Qaeda to the outright rejection of integration into Western society. In this brilliant exegesis of the movement of Islam beyond traditional borders and its unwitting westernization, Olivier Roy argues that Islamic revival, or "re-Islamization," results from the efforts of westernized Muslims to assert their identity in a non-Muslim context. A schism has emerged between mainstream Islamist movements in the Muslim world—including Hamas of Palestine and Hezbollah of Lebanon—and the uprooted militants who strive to establish an imaginary ummah, or Muslim community, not embedded in any particular society or territory. Roy provides a detailed comparison of these transnational movements, whether peaceful, like Tablighi Jama'at and the Islamic brotherhoods, or violent, like Al Qaeda. He shows how neofundamentalism acknowledges without nostalgia the loss of pristine cultures, constructing instead a universal religious identity that transcends the very notion of culture. Thus contemporary Islamic fundamentalism is not a single-note reaction against westernization but a product and an agent of the complex forces of globalization.

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238

Publisher

Columbia University Press

Published Date

ISBN 10

0231147198

ISBN 13

9780231147194

The London Stage 1890-1899

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

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The London Stage 1890-1899

A Calendar of Productions, Performers, and Personnel

By: J. P. Wearing

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1890–1899: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from the first of January, 1890, through the 31st of December, 1899. The volume chronicles more than 3,000 productions at 31 major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Alice in Wonderland, Arms and the Man, Cyrano de Bergerac, An Ideal Husband, The Prisoner of Zenda, and The Second Mrs. Tanqueray, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1890–1899 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

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Page Count

630

Publisher

Scarecrow Press

Published Date

ISBN 10

0810892820

ISBN 13

9780810892828

Giant Resonances in Atoms, Molecules, and Solids

By: J.P. Connerade,J.M. Esteva,R.C. Karnatak

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Giant Resonances in Atoms, Molecules, and Solids

By: J.P. Connerade,J.M. Esteva,R.C. Karnatak

Often, a new area of science grows at the confines between recognised subject divisions, drawing upon techniques and intellectual perspectives from a diversity of fields. Such growth can remain unnoticed at first, until a characteristic fami ly of effects, described by appropriate key words, has developed, at which point a distinct subject is born. Such is very much the case with atomic 'giant resonances'. For a start, their name itself was borrowed from the field of nuclear collective resonances. The energy range in which they occur, at the juncture of the extreme UV and the soft X-rays, remains to this day a meeting point of two different experimental techniques: the grating and the crystal spectrometer. The impetus of synchrotron spectroscopy also played a large part in developing novel methods, described by many acronyms, which are used to study 'giant resonances' today. Finally, although we have described them as 'atomic' to differentiate them from their counterparts in Nuclear Physics, their occurrence on atomic sites does not inhibit their existence in molecules and solids. In fact, 'giant resonances' provide a new unifying theme, cutting accross some of the traditional scientific boundaries. After much separate development, the spectroscopies of the atom in various environments can meet afresh around this theme of common interest. Centrifugal barrier effects and 'giant resonances' proper emerged almost simultaneously in the late 1960's from two widely separated areas of physics, namely the study of free atoms and of condensed matter.

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557

Publisher

Springer

Published Date

ISBN 10

1489920048

ISBN 13

9781489920041

Stroke E-Book

Pathophysiology, Diagnosis, and Management

By: J. P. Mohr,Philip A. Wolf,Michael A. Moskowitz,Marc R Mayberg,Rudiger Von Kummer

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Stroke E-Book

Pathophysiology, Diagnosis, and Management

By: J. P. Mohr,Philip A. Wolf,Michael A. Moskowitz,Marc R Mayberg,Rudiger Von Kummer

First published in 1986 under the editorial direction of Dr. Henry J.M. Barnett, Stroke: Pathophysiology, Diagnosis, and Management continues to provide the dependable, current answers you need to effectively combat the increasing incidence of this disease. Dr. J.P. Mohr, together with new associate editors Philip A. Wolf, James C. Grotta, Michael A. Moskowitz, Marc Mayberg, and Rüdiger von Kummer as well as a multitude of expert contributors from around the world, offer you updated and expanded coverage of mechanisms of action of commonly used drugs, neuronal angiogenesis and stem cells, basic mechanisms of spasm and hemorrhage, prevention of stroke, genetics/predisposing risk factors, and much more, equipping you to understand the latest scientific discoveries and make effective use of the newest approaches to diagnosis and treatment. Gain fresh perspectives and up-to-date insights from the world’s leading authorities on the pathophysiology, diagnosis, and management of stroke. Access the comprehensive, expert clinical guidance you need to recognize the clinical manifestations of stroke, use the latest laboratory and imaging studies to arrive at a diagnosis, and generate an effective medical and surgical treatment plan. Make efficient and accurate diagnoses with the aid of abundant full-color CT images and pathology slides. Stay up to date on hot topics such as mechanisms of action of commonly used drugs, neuronal angiogenesis and stem cells, basic mechanisms of spasm and hemorrhage, prevention of stroke, genetics/predisposing risk factors, and much more.

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1513

Publisher

Elsevier Health Sciences

Published Date

ISBN 10

1437737803

ISBN 13

9781437737806

Manual Therapy for the Peripheral Nerves

By: Jean-Pierre Barral,J. P. Barral,Alain Croibier

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Manual Therapy for the Peripheral Nerves

By: Jean-Pierre Barral,J. P. Barral,Alain Croibier

This book shows the important role that manual therapy plays in releasing pain conditions caused by the dysfunction of the peripheral nerves. It is written in an instructive, detailed and easily accessible style and will be useful to all those who wish to improve their manual skills and add an important new dimension to their practice."--BOOK JACKET.

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288

Publisher

Elsevier Health Sciences

Published Date

ISBN 10

0443103070

ISBN 13

9780443103070

The Internet

A Historical Encyclopedia

By: Laura Lambert,Chris Woodford,Christos J. P. Moschovitis

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The Internet

A Historical Encyclopedia

By: Laura Lambert,Chris Woodford,Christos J. P. Moschovitis

Illuminating the reality of worldwide access to information, this expanded three-volume set is a one-stop resource for Internet history, biographies of key figures, and analysis of how the Internet operates. The first version of this reference won the RUSA Award for Outstanding Reference Source in 2000. Now expanded to three volumes, the new edition includes a fully revised and extended chronology volume, a volume of biographies, and a volume with articles analyzing key Internet issues. The set also offers many fascinating tidbits about the Internet, including the fact that the phrase surfing the Internet was coined in 1992 by librarian Jean Armour Polly in an article in the Wilson Library Bulletin. This set covers the earliest roots of the Internet, from events dating as far back as the 1800s and the invention of the telephone all the way to the founding of news agencies, the first steps toward digital computing, and the development of computing technology, telecommunications, and media. This work will be of interest to students of mass media, gender, business, and social history as well as technology. - Includes a chronology with 200 entries and sidebars that begins in the 19th century - The Chronology volume contains an extensive bibliography with hundreds of suggestions for further research - Provides a glossary of Internet-related acronyms and technological terms - The Issues and Biography volumes have lengthy Further Reading sections that follow every article

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