In Rewriting Indie Cinema, J. J. Murphy explores alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer's own life experiences.
“One acclaimed filmmaker takes the measure of another! Murphy’s candid and richly personal account of Andy Warhol’s filmmaking is a brilliant contribution to our understanding of one of cinema’s most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker’s insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike—especially because it is such a genuine pleasure to read."—David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. “Those of us who care about independent cinema have always struggled with Andy Warhol’s massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol’s development as a filmmaker. Murphy’s precision, stamina, and passion are evident in this examination of an immense body of work—as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol’s films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist.”—Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol’s films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict,” and the complexity of Warhol’s camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol’s fascinating, prolific, and influential activities in filmmaking."—Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.
In Sean Baker’s award-winning 2017 film The Florida Project, a young girl, her single mother, and her friends live in rundown motels near Disney World, the children’s summer fun contrasting with the grim conditions around them. In this book, J. J. Murphy delves deep into the movie’s development and filming while also examining it within the wider context of Baker’s career. Using production documents, different versions of the screenplay, and interviews with principal members of the production team, Murphy traces the evolution of The Florida Project from initial idea through its various stages of production. He highlights Baker’s unconventional strategies in making a film about a marginalized subculture, including alternative scripting, guerrilla-like filmmaking, improvisation, and the unorthodox casting of local and first-time actors. Murphy also explores how Baker’s impromptu style sometimes rankled crew members and caused a major crisis on set, revealing the difficulties indie filmmakers can face when working with professional crews on larger films. A lively analysis of this critically acclaimed movie, its director, and its production, The Florida Project also betters our understanding of contemporary independent cinema as a whole.
A ghost cat, the Devil, a deceitful criminal, a father framed for murder, and a vulnerable young girl combine in this magical tale from the award-winning, critically acclaimed author of the Joe Grey feline mysteries, Shirley Rousseau Murphy, and her husband Pat J.J. Murphy. The Devil has been up to no good . . . Brad Falon, one of Satan’s longtime puppets, orchestrated a deadly robbery and set up his old friend Morgan Blake to take the fall. Now, Morgan has been sentenced to life in prison, and his wife Becky and young daughter Sammie are devastated. Alone and afraid, in need of comfort and a friend, Sammie turns to Misto, the ghost cat. Behind bars, her father Morgan makes fast friends with an old con named Lee Fontana who knows a few tricks about outwitting evil. They plan a wily escape to bring the real killer to justice and clear Morgan’s name for good. All it will take is outsmarting the Devil one more time. . . .
When second-rate illustrator Ernie MacGuffin's artistic works triple in value following his apparent suicide off the Brooklyn Bridge, Dorothy Parker smells something fishy. Enlisting the help of magician and skeptic Harry Houdini, she goes to a séance held by MacGuffin's mistress, where Ernie's ghostly voice seems hauntingly real...
The award-winning author of the Joe Grey mystery series teams up with her husband to conjure a charming adventure involving the devil, a thief, a bet, and a phantom cat. Bringing to life an old legend about a ghost cat who helps his pal outsmart the devil himself—introduced in Cat Bearing Gifts—The Cat, the Devil, and Lee Fontana is a tale of magic that illuminates a new dimension behind the mysterious lives of the talking felines, a story that longtime fans of the Joe Grey series won't want to miss. To the devil, the span of a human life is as brief as spit on the wind. But the challenge of playing with flawed humans, like a cat toying with a mouse, is endlessly amusing. If the devil loses a wager, though, he will harass a person's descendants until he eventually gets his due—which is why he is tormenting Lee Fontana. The night before Lee, a train robber, is paroled from jail, Satan terrifies and tempts him with the promise of one more successful heist. As Lee goes on, struggling to live an honest life working on a farm in Southern California with old friends, opportunities to get rich quick seem to appear at every turn and the temptation becomes too much to bear. But Lee has a secret ally looking out for him. The prison cat Misto, a yellow-tabby ghost, will tail the ex-con on his dangerous mission—an adventure that will leave a long legacy for everyone's favorite sleuthing cat, Joe Grey, and his pals in the charming California coastal town of Molena Point.
One morning legendary wit Dorothy Parker discovers someone under Manhattan's famed Algonquin Round Table. A little early for a passed out drunk, isn't it? But he's not dead drunk, just dead. When a charming writer from Mississippi named Billy Faulkner becomes a suspect in the murder, Dorothy decides to dabble in a little detective work, enlisting her literary cohorts. It's up to the Algonquins to outwit the true culprit-preferably before cocktail hour-and before the clever killer turns the tables on them.
Why should Dorothy Parker’s friends be the only ones making “enviable names” in “science, art, and parlor games”? Dorothy can play with the best of them—as she sets out to prove at a New Year’s Eve party at the Algonquin Hotel. Since the swanky soiree is happening in the penthouse suite of swashbuckling star Douglas Fairbanks, some derring-do is called for. How about a little game of “Murder”? Each partygoer draws a card to be detective, murderer, or victim. But young Broadway starlet Bibi Bibelot trumps them all when her dead body is found in the bathtub. No one knows who the killer is, but one thing is for sure—they won’t be making gin in that bathtub. When more partiers are put in peril, it becomes clear the game is indeed on, and it’s up to Dorothy, surprise guest Sir Arthur Conan Doyle, and the members of the Round Table to stay alive—and relatively sober—long enough to find the killer…
A restless wizard casts a spell, stars move ominously, and the story of Pelenor, the lost prince, begins. The old wizard had known for ages that real magic comes to those who first relish the magic of simple life. True wizards develop an extraordinary interest in the ordinary. But the old wizard wondered: what then does it mean to be interested? What power calls us and takes hold of us when we feel an interest? How does one feel more interested in the simplest of things? How does one listen to the nature of life? The wizard is led through dreams to the story of Pelenor, the unsteady, orphan voice in our hearts that cries for awakening, the forgotten prince. Abandoned by his father because he was inconvenient, living on the edge of a decaying kingdom, he is forced to flee when civil war erupts. Replete with magic, swashbuckling, and questions about the purpose of being, the story follows Pelenor's vagabond journey as he seeks for awakening.
When she stumbles over the dead body of drama critic Leland Mayflower and an aspiring writer named Billy Faulkner is accused of the murder, Dorothy Parker investigates with the aid of her fellow Algonquin Round Tablemates.
Two single parents find a chance for a new future in a delightfully uplifting romance by the acclaimed author of The Real Thing . . . When recently widowed Joe Murphy meets Shawna Mitchell in an online forum, all he’s seeking is advice on keeping his home and his family together. Shawna’s compassionate e-mails become his lifeline, and as months pass their correspondence grows deep and warm. Discovering that Shawna lives only blocks away…well, it feels like more than luck. It feels a lot like hope. With three children to raise, Shawna has no interest in getting close to another man, let alone one who’s got three kids of his own. And the fact that Joe’s white can only complicate matters more. But now, as they navigate family dates and vacations and their own doubts and fears, Joe and Shawna find themselves moving toward a future that’s bright, new, and totally unexpected . . . Praise for the writing of J.J. Murray “Hilarious . . . Murray’s dialog sparkles and the characters are witty and fun.” —Booklist on She’s The One “Thoughtful and well done.” —Library Journal on Original Love
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