On a cold November night while the world slept, Shauna Blackman left Massachusetts believing she murdered her husband. Her need to escape made sense except she didn't have a husband. It was the night Shauna fell into a rabbit hole, the story not to be confused with Alice in Wonderland. If she knew of a state with heat to spare she wuld have gone there, but it was the first place anyone would look for her. The only one who knew how her mind worked was her twin sister JessE, but JessE couldn't be trusted. Something was up with that girl. Trapped in a tiny town in Maine overrun with secrets, lies, and murder, fate turned against her. The bartender in town blamed her for a murder and the man she fell in love with was a bounty hunter. It was a no win situation unless fate had a change of heart.
Liberty Blair lives in Southern California and is about to write a novel when she learns her daughter, an only child, is missing. After filing a Missing Persons Report, she receives a call from a detective in a town just outside of Las Vegas, asking her to identify the body of a woman recently found in his jurisdiction. Detective John Hatchet has always been known for his backbone and determination. He's also known for having had more than his share of women. On the other hand, Liberty has a few problems of her own, like a bad case of misplaced emotions, sexuality, and lack of direction. This just might hinder Hatchet's resolve in unraveling the mystery. After all he's a detective, not a therapist.
The story turns into a psychological thriller when a school teacher moves to California to please his wife. After living in LA for a year Keith Anders is overwhelmed by the city and its demands, and finds himself living on pills. On a whim, Anders moves to Oregon to a tiny hole in the wall town called Perryville. His oddly quiet landlord fills him with rumors and legends that hint at bizarre activities in Perryville, but instead of a hoped for bliss, the teacher finds pretense, lies, secrets and murder, with eerie heart stopping moments that hint at the supernatural.
The New England city of Hollister is the setting for the murder of Mayor Paul Rogers and his wife Nina. Hollister is convinced the Latinos are to blame. Panic explodes through the city, crime is on the rise, businesses begin to move out, and real estate drops through the floor. Without Paul Rogers to lead, city hall is out of ideas. For every tight-lipped person eager to pass on information, there are two more content to bury their heads in the sand. Who will stop the free-fall? One man is determined to bring the madness to a halt, but will he be able to with a beautiful woman in the way?
Most folks would say Will Ferris rushed off a mite too soon to swap his chaotic city lifestyle for anonymity in a small New England hill town. Perhaps the novelist extraordinaire should have given more thought to what he wished for. Giving a young woman a ride into town seemed innocent enough until it started a cat and mouse game. He concluded that the woman with the fire and ice ir her eyes had an agenda. He could only hope that something would click inside his brain that would explain the strange events happening on his property. Was she a part of it? If it wasnt her, and it wasnt a game, a scare tactic or raw panic, what else could it be? He had no idea why life was taking him down this dark road, but something warned him he was about to find out.
“A love letter to the book as a physical object, a source of intellectual ardor, and a form of emotional salvation” (Salon)—and a nod to U and I, Nicholson Baker’s classic memoir about John Updike—from an award-winning author called “wonderfully bright” by The New York Times Book Review. Nearly twenty-five years ago, Nicholson Baker wrote U and I, the fretful and handwringing—but also groundbreaking—tale of his literary relationship with John Updike. U and I inspired a whole sub-genre of engaging writing about reading, but what no story of this type has ever done is tell its tale from the moment of conception, that moment when you realize that there is writer out there in the world that you must read. B & Me is that story, the story of J.C. Hallman discovering and reading Nicholson Baker…and discovering himself in the process. Our relationship to books in the digital age, the role of art in an increasingly commodified world, the power great writing has to change us, these are at the core of Hallman’s investigation of Baker—questions he’s grappled with, values he’s come to doubt. But in reading Baker’s work, Hallman discovers the key to overcoming the malaise that had been plaguing him, through the books themselves and what he finds and contemplates in his attempts to understand them and their enigmatic author. B & Me is literary self-archaeology: an irreverent, incisive story of one reader’s desperate quest to restore passion to literature, and all the things he learns along the way. “A wide-ranging and idiosyncratic career survey for Nicholson Baker’s work, a love letter to the act of reading, and a commentary on the modern novel, this is a book that readers will absolutely adore” (Publishers Weekly, starred review).
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